Ignace Pleyel
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| Author | : Rita Benton |
| Publisher | : New York : Pendragon Press |
| Total Pages | : 520 |
| Release | : 1977 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
This catalogue was first envisaged as a biography of Pleyel, with the traditional appended list of works plus an account of the music publishing enterprise he founded after he left Strasbourg to settle in Paris. As the project progressed, however, it became obvious that the vast number of Pleyel's compositions, together with the detailed documentation needed to clarify the interrelationships of the numerous arrangements and variants, required a separate publication. It was equally clear that the authoritative biography could not be written until the snarled web of his works was untangled and the compositions identified with more precision than had been previously attempted. The time had unquestionably arrived to, abandon the helplessness and resignation evinced by scholars for over a century when confronted with the ordering of Pleyel's oeuvre. It had to be faced head on
| Author | : Martha Novak Clinkscale |
| Publisher | : Clarendon Press |
| Total Pages | : 520 |
| Release | : 1993 |
| Genre | : Music |
| ISBN | : 9780198166252 |
This book continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications.
| Author | : Mara Parker |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351540270 |
The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.
| Author | : Julie Anne Sadie |
| Publisher | : Yale University Press |
| Total Pages | : 941 |
| Release | : 2005-07-10 |
| Genre | : Travel |
| ISBN | : 0300183941 |
Across Europe, more than three hundred houses and museums commemorate the composers who lived and worked in them. In Calling on the Composer, two distinguished musicologists guide the musically curious traveler or reader to these sites and provide essential information on their content and significance. Whether lakeside hut or moated castle, clock tower or cave, village school or fine town house, the physical context for musical genius and the artefacts of day-to-day existence have a powerful impact on how we perceive the figure behind the music we know and love. Julie and Stanley Sadie have journeyed to thirty-one countries to compile this unique travel companion and reference source. They offer practical information for the visitor, seasoned insights, and lively commentary. Richly illustrated and supported by thorough maps, the entries on individual composers trace their steps through the practicalities of life and reveal to us the context of creativity.
| Author | : John Beckwith |
| Publisher | : University of Toronto Press |
| Total Pages | : 569 |
| Release | : 1988-12-15 |
| Genre | : Music |
| ISBN | : 1442633468 |
The foremost historian of Canadian music and musical life, Helmut Kallmann is the inspiration for this volume. Its twenty-three contributions, written by prominent composers and writers representing many different regions and both national languages, present a cross-section of current work in historical research, bibliography, analysis, criticism, and creative composition. Among the subjects covered are bibliographical and historian research on recent musical findings from New France and on early musical activities in various Canadian cities and regions; critical appraisals of Canadian composers and performers; and surveys of Canadian musical organizations and their programs. Four short compositions have been written especially for the volume. The title is drawn from two early Canadian musical periodicals, the English-language Musical Canada and the French-language Le Canada musical. As those journals did for their time, so this volume provides a contemporary overview of Canadian music and music scholarship.
| Author | : |
| Publisher | : |
| Total Pages | : 318 |
| Release | : 1885 |
| Genre | : Music |
| ISBN | : |
| Author | : Michael Kassler |
| Publisher | : Routledge |
| Total Pages | : 309 |
| Release | : 2017-07-05 |
| Genre | : Business & Economics |
| ISBN | : 1351542168 |
In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.
| Author | : A. Dolge |
| Publisher | : Рипол Классик |
| Total Pages | : 527 |
| Release | : |
| Genre | : History |
| ISBN | : 1171738951 |
| Author | : Peter Willis |
| Publisher | : Routledge |
| Total Pages | : 367 |
| Release | : 2017-12-14 |
| Genre | : Music |
| ISBN | : 1317166868 |
In 1848, the penultimate year of his life, Chopin visited England and Scotland at the instigation of his aristocratic Scots pupil, Jane Stirling. In the autumn of that year, he returned to Paris. The following autumn he was dead. Despite the fascination the composer continues to hold for scholars, this brief but important period, and his previous visit to London in 1837, remain little known. In this richly illustrated study, Peter Willis draws on extensive original documentary evidence, as well as cultural artefacts, to tell the story of these two visits and to place them into aristocratic and artistic life in mid-nineteenth-century England and Scotland. In addition to filling a significant hole in our knowledge of the composer’s life, the book adds to our understanding of a number of important figures, including Jane Stirling and the painter Ary Scheffer. The social and artistic milieux of London, Manchester, Glasgow and Edinburgh are brought to vivid life.
| Author | : Dr Derek Carew |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 454 |
| Release | : 2013-01-28 |
| Genre | : Music |
| ISBN | : 1409493784 |
Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.
