Ideology And Classic American Literature
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Author | : Sacvan Bercovitch |
Publisher | : Cambridge University Press |
Total Pages | : 472 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : 9780521273091 |
For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.
Author | : Sacvan Bercovitch |
Publisher | : Cambridge University Press |
Total Pages | : 846 |
Release | : 1997-01-28 |
Genre | : Literary Criticism |
ISBN | : 9780521585712 |
Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature.
Author | : Bernard Bailyn |
Publisher | : |
Total Pages | : 335 |
Release | : 1976 |
Genre | : United States |
ISBN | : |
Author | : Adam Nemmers |
Publisher | : Liverpool University Press |
Total Pages | : 288 |
Release | : 2021-10-12 |
Genre | : Literary Criticism |
ISBN | : 1949979679 |
American Modern(ist) Epic argues that during the 1920s and ‘30s a cadre of minority novelists revitalized the classic epic form in an effort to recast the United States according to modern, diverse, and pluralistic grounds. Rather than adhere to the reification of static culture (as did ancient verse epic), in their prose epics Gertrude Stein and John Dos Passos utilized recursion, bricolage, and polyphony to represent the multifarious immediacy and movement of the modern world. Meanwhile, H. T. Tsiang and Richard Wright created absurd and insipid anti-heroes for their epics, contesting the hegemony of Anglo and capitalist dominance in the United States. In all, I posit, these modern(ist) epic novels undermined and revised the foundational ideology of the United States, contesting notions of individualism, progress, and racial hegemony while modernizing the epic form in an effort to refound the nation. The marriage of this classical form to modernist principles produced transcendent literature and offered a strenuous challenge to the interwar status quo, yet ultimately proved a failure: longstanding American ideology was simply too fixed and widespread to be entirely dislodged.
Author | : Brian R. Farmer |
Publisher | : McFarland |
Total Pages | : 232 |
Release | : 2014-11-01 |
Genre | : Political Science |
ISBN | : 0786480521 |
For many people, the world of politics is defined by ideologies. The average voter rarely takes time to research a policy issue, thoroughly relying instead on a set of beliefs set forth by his or her chosen political organization to make important decisions. These publicly promoted ideologies play an important role in international as well as domestic political development, yet many adherents to a particular belief may have a poor understanding of competing ideologies. From right wing to the far left, this text dissects eight prominent political ideologies: traditional conservatism, classic liberalism, libertarianism, conservative extremism, contemporary liberalism, communism, dependency theory and Islamism. In plain terms it describes the basic doctrine and inherent contradictions of each creed along with its particular relevance to today's political landscape. An in-depth discussion of the political socialization processes that form and perpetuate ideologies is also included. Instructors considering this book for use in a course may request an examination copy here.
Author | : Professor Agnieszka Soltysik Monnet |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 178 |
Release | : 2013-04-28 |
Genre | : Literary Criticism |
ISBN | : 1409475883 |
Taking as its point of departure recent insights about the performative nature of genre, The Poetics and Politics of the American Gothic challenges the critical tendency to accept at face value that gothic literature is mainly about fear. Instead, Agnieszka Soltysik Monnet argues that the American Gothic, and gothic literature in general, is also about judgment: how to judge and what happens when judgment is confronted with situations that defy its limits. Poe, Hawthorne, Melville, Gilman, and James all shared a concern with the political and ideological debates of their time, but tended to approach these debates indirectly. Thus, Monnet suggests, while slavery and race are not the explicit subject matter of antebellum works by Poe and Hawthorne, they nevertheless permeate it through suggestive analogies and tacit references. Similarly, Melville, Gilman, and James use the gothic to explore the categories of gender and sexuality that were being renegotiated during the latter half of the century. Focusing on "The Fall of the House of Usher," The Marble Faun, Pierre, The Turn of the Screw, and "The Yellow Wallpaper," Monnet brings to bear minor texts by the same authors that further enrich her innovative readings of these canonical works. At the same time, her study persuasively argues that the Gothic's endurance and ubiquity are in large part related to its being uniquely adapted to rehearse questions about judgment and justice that continue to fascinate and disturb.
Author | : John E. Alvis |
Publisher | : Routledge |
Total Pages | : 293 |
Release | : 2017-07-28 |
Genre | : Literary Criticism |
ISBN | : 1351503820 |
Using the works of Nathaniel Hawthorne as a case study, John E. Alvis shows that a novelist can be a political philosopher. He demonstrates that much of Hawthorne's works are rooted in the American political tradition. Once we view his writings in connection with the principles expressed in the Declaration of Independence, we grasp that what Thomas Jefferson and John Adams had stated explicitly, Hawthorne's fiction conveys dramatically. With examples drawn from Hawthorne's shorter works, as well as acknowledged classics, such as The Scarlet Letter, John E. Alvis shows that Hawthorne's characters bear something sacred in their generic humanity, yet are subject to moral judgment. He conveys reciprocity between obligations regulating individual relations and the responsibilities of individuals to their community.From America's founding proclamations in the Declaration of Independence we take a sense of national aspirations for a political order that conforms to laws of nature and nature's God. From this higher law emerge the principles enumerated in that revolutionary document. Are these principles confined to the political, or do they reach into the experience of citizens to inform conduct? Do they include family, local community, and individual face-to-face relations with neighbors and strangers? Can one make a distinct way of life by fidelity to such standards as higher law, equality, liberty, natural rights, and consent?This study is distinguished from other writings on Hawthorne in its largely positive focus on America. Alvis characterizes Hawthorne as a rational patriot who endorses America's new terms for human association. This fascinating study provides new insights into the mind of one of the greatest American writers.
Author | : E. Miller Budick |
Publisher | : Yale University Press |
Total Pages | : 308 |
Release | : 1994-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780300055573 |
Describes how four 20th-century women writers have inherited and adapted a tradition of American romance. Analyzing fiction by Faulkner and others, this work goes on to explain how women have updated the genre to include alternatives to matriarchal (as well as patriarchal) constructions.
Author | : Eric Erbacher |
Publisher | : Campus Verlag |
Total Pages | : 249 |
Release | : 2014-11-06 |
Genre | : Art |
ISBN | : 3593501910 |
The volume reexamines the trope of the intrusive machine and the regenerative pastoral garden, laid out fifty years ago by Leo Marx in "The Machine in the Garden," one of the founding texts of American Studies. Contributions explore the lasting influence of the trope in American culture and the arts, rereading it as a dialectics where nature is as much technologized as technology is naturalized. They trace this dialectic trope in filmic and literary representations of industrial, bureaucratic, and digital gardens; they explore its function in the aftermath of the civil war, the rural electrification during the New Deal, in landscape art, and in ethnic literatures; and they discuss the historical premises and lasting influence of Leo Marx's seminal study.
Author | : Martin Coyle |
Publisher | : Routledge |
Total Pages | : 1320 |
Release | : 2002-09-11 |
Genre | : Literary Criticism |
ISBN | : 1134977107 |
Contains essays by approximately ninety scholars and critics in which they investigate various aspects of English literary eras, genres, and works; and includes bibliographies and suggestions for further reading.