Ich Lasse Dich Nicht Du Segnest Mich Denn
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Author | : Johann Sebastian Bach |
Publisher | : Alfred Music |
Total Pages | : 36 |
Release | : |
Genre | : Music |
ISBN | : 9781457483981 |
A Choral Worship Cantata in SATB with TB Soli voicing, composed by Johann Sebastian Bach.
Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : 80 |
Release | : 1984 |
Genre | : Candlemas music |
ISBN | : |
Author | : Konrad Ameln |
Publisher | : |
Total Pages | : |
Release | : 1985 |
Genre | : |
ISBN | : |
Author | : Daniel R. Melamed |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 1995-09-28 |
Genre | : Music |
ISBN | : 9780521418645 |
An exploration of Bach's motets in the context of the German motet tradition.
Author | : Robin Leaver |
Publisher | : Taylor & Francis |
Total Pages | : 593 |
Release | : 2016-11-25 |
Genre | : Art |
ISBN | : 1315452804 |
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.
Author | : Ricarda Huch |
Publisher | : BoD – Books on Demand |
Total Pages | : 222 |
Release | : 2020-07-21 |
Genre | : Fiction |
ISBN | : 3752331895 |
Reproduction of the original: Luthers Glaube by Ricarda Huch
Author | : Christoph Wolff |
Publisher | : Oxford University Press, USA |
Total Pages | : 644 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780199248841 |
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.
Author | : Norman Carrell |
Publisher | : Taylor & Francis |
Total Pages | : 397 |
Release | : 2024-11-01 |
Genre | : Music |
ISBN | : 1040223990 |
Originally published in 1967, in this book the author delves deeply into the fascinating field of Bach’s music and the reasons for his ‘borrowing’, and adaptation within his oeuvre. This book, scrupulously uncontroversial in its manner, contains evidence which upends many established judgements. Whether concerned with Bach’s artistic personality or with details of his performance, this voluminous record, with commentary, of his adaptations, recompositions or transcriptions is an essential work of reference. When it was first published much of the information on the Choralgesänge and the chorals contained in or intended for the Orgelbüchlein was available for the first time in English.
Author | : Jan Assmann |
Publisher | : BRILL |
Total Pages | : 384 |
Release | : 2018-08-14 |
Genre | : Religion |
ISBN | : 9004379126 |
The role of representation in religion is complex. While often perceived as essential, it is also associated in many traditions with the liability of idolatry and provokes iconoclasm. The essays in this volume examine the nuances of representation in religion and the debate concerning its place across a variety of traditions from the three Abrahamic faiths, to those of antiquity and the East. This volume consists of presentations made at an international conference held in honor of Moshe Barasch, art historian and cultural critic, who has done much to elucidate the light which representation and religion shed on each other. It pays tribute to Barasch by expanding the base of understanding and insight he has erected. It should be of interest to students of religion and of art history.
Author | : Philipp Spitta |
Publisher | : Courier Corporation |
Total Pages | : 692 |
Release | : 1992-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 0486274128 |
This monumental study of Johann Sebastian Bach ranks among the great classics of musicology. Since its first publication in 1873–80, it has remained the basic work on Bach and the foundation of later research and study. The three-part treatment describes in chronological sequence practically everything that is known of the composer's life: his ancestry, his immediate family, his associations, his employers, and the countless occasions on which his musical genius emerged. Author Philipp Spitta accompanies this biographical material with quotations from primary sources: correspondence, family records, diaries, official documents, and more. In addition to biographical data, Spitta reviews Bach's musical production, with analyses of more than 500 pieces, covering all the important works. More than 450 musical excerpts are included in the main text, and a 43-page musical supplement illustrates longer passages. Despite the scholarly nature of this work, it also has the rare distinction of being a study that can be read with considerable enjoyment and great profit by every serious music lover, with or without a substantial background in the history of music or musical theory.