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| Author | : Jenny Natasha |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017-11-02 |
| Genre | : Popular music |
| ISBN | : 9781908853929 |
The first truly comprehensive guide to the Britpop movement; for anyone who grew up in the nineties, and for some who didn't...
| Author | : Hannah Walker |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 51 |
| Release | : 2013-08-07 |
| Genre | : Drama |
| ISBN | : 1783195312 |
Two performance texts by Hannah Jane Walker and Chris Thorpe The Oh Fuck Moment Fucking up is the truest, funniest, most terrifying moment you can experience. Poet Hannah Jane Walker and theatre-maker Chris Thorpe examine the poetic guts of mistakes in a bundle of words and strip lighting. The Oh Fuck Moment is an award-winning conversation around a desk for brave souls to hold their hands up and admit they fucked up, or for people to laugh at us because we did. ‘A brilliant celebration of our mistakes and evolutionary reflexes’ Guardian I Wish I Was Lonely I Wish I Was Lonely is an interactive show about contactability asking whether the invisible waves we’re tethered to might be drowning who we are. It’s a show in which the audience commit to leaving their phones on. A show investigating what it means to participate in communication – or not. There are poems, there are stories and there is conversation. I Wish I Was Lonely sees Hannah Jane Walker and Chris Thorpe ask how much of ourselves we’ve given up to the new gods in our pockets. Hannah Jane Walker is a poet and Chris Thorpe is a theatre-maker.Together they make award-winning work that is part performance, part poetry gig and part interactive experience. Their work is based around an honest encounter between themselves, an audience and the difficult but often uplifting moments we all face in the process of living. Their shows feel like a generous, open conversation, with poetry and storytelling at their heart and space for audiences to contribute in a meaningful way.
| Author | : Paolo Hewitt |
| Publisher | : Dean Street Press |
| Total Pages | : 465 |
| Release | : 2015-02-02 |
| Genre | : Music |
| ISBN | : 1910570044 |
Description Between 1994 and 1996, music writer Paolo Hewitt spent the greater part of his life on the road with Oasis, in the U.K., Europe and America. He came back with tales that would cement the legend of the brawling, effing, hedonistic, charismatic, confessional and extraordinarily talented Gallagher brothers, Noel and Liam, and their group. Hewitt is a rare and perceptive fly-on-the-wall during the band's hectic rise to the height of their powers, as their first two albums are released to the kind of excitement scarcely seen in British rock music since the sixties. Hewitt takes the Gallaghers' story right back to their parents' roots in Ireland, and the descriptions of Noel and Liam's childhoods in working-class Manchester reveal the seeds of their determination to make Oasis the force it became. Getting High is an illuminating, funny, sometimes shocking reminder of how big a band can get, and how quickly the insanity sets in. Oasis have today sold in excess of 70 million records worldwide. Hewitt's intimate account of this explosive and beloved band, in their prime, is a rock classic and a riveting narrative. Praise for Getting High: 'Paolo is the only person to speak about what it was like on the road with us because he's been there. He's been there, he's seen it, he's done it.' Noel Gallagher 'Top read.' Melody Maker 'Unlimited access to all areas of the Oasis bandwagon is the ace up this biography's sleeve.' Q '10/10 - sometimes you get what you pay for.' Esquire 'By adopting a fly-on-the-wall approach and writing Oasis's story as though it were a novel rather than a straight biography, he succeeds in entertaining, informing and occasionally putting you inside the head of the Gallagher brothers.' Hot Press 'In Getting High we get closer to the real Oasis, not the tabloid fancies, the music press stereotypes of Noel the genius, Liam the wanker and three other blokes who don't count. Hewitt paints an engrossing and uplifting portrait of one of the most important bands of the decade.' The Word and Issue 'Getting High is refreshingly well written' Total Guitar 'Compelling drama' Manchester Evening News 'If you only buy one book about Oasis, then make sure it's this one.' FHM 'This well-researched tome chronicles many a pivotal moment in Oasis's history and is filled with plenty of ribald anecdotes.' NME 'Head and shoulders above every other Oasis book. I hated finishing it so much I read it again.' Irvine Welsh
| Author | : Kevin Cummins |
| Publisher | : Hachette UK |
| Total Pages | : 205 |
| Release | : 2020-09-24 |
| Genre | : Music |
| ISBN | : 1788402545 |
A ROUGH TRADE BOOK OF THE YEAR "To flip through the book is to be immersed back in the glory days of Cool Britannia... and it's just as cool as you remember" GQ Remember Britpop and the '90s through hundreds of its most striking images - with many seen here for the very first time. Taken by renowned photographer Kevin Cummins, chief photographer at the NME for more than a decade, the images in this book explore the rise and fall of Cool Britannia and all that came with it. Nostalgic, anarchic and featuring contributions from icons of the Britpop era including Noel Gallagher and Brett Anderson, While We Were Getting High is a seminal portrait of a decade like no other. Artists featured include: Oasis Blur Suede Pulp Elastica Supergrass The Charlatans Gene Sleeper Kula Shaker Echobelly The Bluetones ...and many more
| Author | : Iain Robertson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-05-23 |
| Genre | : |
| ISBN | : 9781789467512 |
| Author | : David Nolan |
| Publisher | : Bonnier Zaffre |
| Total Pages | : 304 |
| Release | : 2015-08-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1784187615 |
Damon Albarn is the frontman of Blur and the face of Britpop. While his peers have gradually fallen by the wayside, Albarn has reinvented himself as the mastermind behind Gorillaz. With his eclectic solo projects--such as the much-revered The Good, the Bad & the Queen--and his work with legends like Bobby Womack, he has proven that he is one of British music's most innovative and important personalities. With the 2015 release of Blur's first album for more than a decade, Damon Albarn took his place once more as an iconic jewel in the crown of the British music scene. This updated book covers his multiple musical personas in depth, with first-hand interviews by those close to Albarn in his formative years, as well as social and musical context that covers the Britpop era and Albarn's reemergence as the Godfather to the iPod generation.
| Author | : Cheeming Boey |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780867197853 |
An enchanting graphic novel, When I Was a Kid is a collection of black and white drawings and handwritten narratives that depict short stories from a kid's formative years growing up in Malaysia - stories of surviving school, siblings, and parents - when the world was indeed, seen as simply black and white. Dedicated to the forgotten child in every reader, these tales of imaginary heroes, lies adults like to tell children, and the dangerous mix of boredom with curiosity appeal to anyone who might long for a more innocent time.
| Author | : Phill Savidge |
| Publisher | : Jawbone Press |
| Total Pages | : 0 |
| Release | : 2019-05-28 |
| Genre | : Music |
| ISBN | : 9781911036494 |
Phill Savidge is widely credited as being the main instigator of the Britpop music movement that swept the UK in the mid-1990s. Savidge was co-founder and head of legendary public relations company Savage & Best, the company that represented most of the artists associated with the scene, including Suede, Pulp, The Verve, Elastica, Kula Shaker, Spiritualized, Menswear, The Auteurs, and Black Box Recorder. Savidge suggests that Britpop came about "by accident" because he refused to represent any American bands. He subsequently ended up with an extremely accessible, media-friendly roster that "lived ’round the corner" and included the most exciting press-worthy acts of the era. His unique experience at the epicentre of Britpop led to many intimate, not entirely self-congratulatory encounters with a who’s who of popular culture — including Brett Anderson, Damon Albarn, Roy Orbison, David Bowie, Joe Strummer, Lou Reed, Michael Barrymore, Richard Ashcroft, Andrew Lloyd Webber, Mick Jagger, George Lucas, Damien Hirst, and Dave Stewart, among others. But did he really Sellotape a cassette of Suede’s Animal Nitrate single to a purple velvet cushion — with a note that said "another great disappointment" — and then bike it to the NME? And could he and Jarvis Cocker really have fallen out simply because a journalist thought he was more glamorous than the Pulp front man? If you’ve ever wondered what it’s like to represent Hirst, Cocker, and The Verve in the same decade, and then wake up in bed with Keith Allen in the Ritz in Paris — courtesy of Mohammed Al Fayed — then you should read this book. Imagine David Sedaris with a hangover and an expense account and you’re halfway to appreciating the delinquent delights of Lunch With The Wild Frontiers.
| Author | : Richard Power Sayeed |
| Publisher | : Zed Books Ltd. |
| Total Pages | : 313 |
| Release | : 2017-10-16 |
| Genre | : History |
| ISBN | : 1786992019 |
'Beautifully written, brilliantly insightful' Owen Jones Tony Blair and Noel Gallagher shaking hands at No. 10. Saatchi’s YBAs setting the international art world aflame. Geri Halliwell in a Union Jack dress. A time of vibrancy and optimism: when the country was united by the hope of a better and brighter future. So why, twenty years on, did that future never happen? Richard Power Sayeed takes a provocative look at this epochal year, arguing that the dark undercurrents of that time had a much more enduring legacy than the marketing gimmick of ‘Cool Britannia’. He reveals how the handling of the Stephen Lawrence inquiry ushered in a new type of racism. How the feminism-lite of 'Girl Power' made sexism stronger. And how the promises of New Labour left the country more fractured than ever. This lively, rich and evocative book explores why 1997 was a turning point for British culture and society - away from a fairer, brighter future and on the path to our current malaise.
| Author | : David Sheehan |
| Publisher | : Veloce Publishing |
| Total Pages | : 0 |
| Release | : 2015-12-14 |
| Genre | : Transportation |
| ISBN | : 9781845848071 |
Just as Kawasaki was about to green-light the world's first mass-produced across-the-frame four-cylinder motorcycle, Honda pulled the rug out from under them, unveiling the CB750-4 at the Tokyo Show in 1968. It lit the fuse for what was to become motorcycling's most explosive decade. In never before published interviews, with the men responsible for the bike code-named 'New York Steak,' Dave Sheehan relates the story behind the Z1's development; the secret US testing programme in which a team including Imola-race winner Paul Smart rode pre-production bikes disguised as Hondas coast-to-coast across America. The Kawasaki Z1 Story examines the myth, truth and legend surrounding the Z1's first race win - of which even Kawasaki knew nothing. Here, too, is the full story of the epic three days at Florida's legendary Daytona Speedway when a trio of Z1s broke more than 50 speed endurance records.
