Hymns and the Christian Myth

Hymns and the Christian Myth
Author: Lionel Adey
Publisher: UBC Press
Total Pages: 289
Release: 2011-11-01
Genre: Music
ISBN: 0774844906

From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth, Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed.

Voices in Worship

Voices in Worship
Author: Christian Publications, Incorporated
Publisher:
Total Pages: 810
Release: 2003-06-01
Genre: Music
ISBN: 9780875099811

Jews and Christians

Jews and Christians
Author: Jacob Neusner
Publisher: Wipf and Stock Publishers
Total Pages: 173
Release: 2003-02-19
Genre: Religion
ISBN: 1592441564

The Double Vision

The Double Vision
Author: Northrop Frye
Publisher: University of Toronto Press
Total Pages: 224
Release: 1991-01-01
Genre: Religion
ISBN: 9780802068651

The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented.

The Light in the Piazza

The Light in the Piazza
Author: Elizabeth Spencer
Publisher: London ; Toronto : Heinemann
Total Pages: 120
Release: 1960
Genre: Fiction
ISBN:

A collection of six Italian tales in which her American characters encounter and respond to the mysteries of Italian mores.

Hymns and the Christian Myth

Hymns and the Christian Myth
Author: Lionel Adey
Publisher: UBC Press
Total Pages: 294
Release: 1986-08-01
Genre: Music
ISBN: 9780774802574

From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed. Using a broad range of texts, Adey deals with major themes of every period from biblical times to the early twentiet century. In tracing the changes in representation of the Father, Son, Holy Spirit and Four Last Things in early and medieval Latin hymns, post-Reformation chorales and psalm-based hymns, and English hymns from the time of Watts, the book shows an increasing sense of personal response to the Incarnation and Passion of Christ and of participation in His redemptive work. Chapters on hymnody of the Nativity and Passion illustrate the tendency of monastic poets (the Learned tradition) to focus on dogma, mystery, and paradox, and carolists (the Popular tradition) to convey devotional tenderness. Those on hymnody of the Holy Spirit illustrate a shift through the medieval period from representing pentecostal events to exploring their spiritual meaning. During the Reformation and the Evangelical Revival, the weight of hymnody shifts first to the Father and then to the Son's Passion and Atonement, applied personally and inwardly re-lived by the convert. Most consistently, hymnic representations of the Last Things shift their focus from collective to individual judgement, from death as sleep until the general awakening to death as instant passage to reunion with family and friends. As a hymnologist rather than a theologian, Adey makes no pronouncements on the truth of Christian beliefs. His focus is on how poets have expressed them over two millenia. As such, the book will interest not only students of religion but also those in such related disciplines as literature, psychology, history, and sociology.

A Fiery Gospel

A Fiery Gospel
Author: Richard M. Gamble
Publisher: Cornell University Press
Total Pages: 296
Release: 2019-05-15
Genre: Music
ISBN: 1501736426

Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song—humming the tune, reading the music for us—all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself—her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities—that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.

Christ in the Early Christian Hymns

Christ in the Early Christian Hymns
Author: Daniel Liderbach
Publisher: Paulist Press
Total Pages: 184
Release: 1998
Genre: Music
ISBN: 9780809138098

"From the first days of the church, Christians confessed their faith in Jesus Christ in both theological discussion and in popular hymns of devotion. After the major church councils from Nicaea to Chalcedon brought clarification and definition to Christological doctrines, the hymns began to express clearly this belief in Jesus as truly God and truly human." "Father Liderbach shows that pre-Nicaean hymns inductively held in tension both the full humanity of Jesus and his more-than-human status. Then during the councils from Nicaea to Chalcedon, deductive doctrine held sway in the new hymn compositions. But the final definition by Chalcedon encouraged new hymns in which humanity and divinity are once again held in experiential tension according to the "rule of faith" of the earliest period."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved