The Huntington Library Quarterly
Author | : Henry E. Huntington Library and Art Gallery |
Publisher | : |
Total Pages | : 452 |
Release | : 1993 |
Genre | : American literature |
ISBN | : |
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Author | : Henry E. Huntington Library and Art Gallery |
Publisher | : |
Total Pages | : 452 |
Release | : 1993 |
Genre | : American literature |
ISBN | : |
Author | : James Glisson |
Publisher | : Huntington Library Press |
Total Pages | : 260 |
Release | : 2019 |
Genre | : Nineteen nineteen, A.D. |
ISBN | : 9780873282680 |
Race riots. Labor strikes. Women's battle for the vote. The aftermath of the Great War. The transformative events and harsh realities of the year 1919 still reverberate a century later. Nineteen Nineteen, published to accompany a centennial exhibition of the Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, explores the institution and its founding through the lens of this single, tumultuous year. The fully illustrated catalog features works from The Huntington's vast collections of books, manuscripts, photographs, ephemera, and art, many of them never exhibited or published before.
Author | : Robert Goolrick |
Publisher | : Algonquin Books |
Total Pages | : 304 |
Release | : 2015-08-25 |
Genre | : Fiction |
ISBN | : 1616205385 |
“A heart-wrenching, beautiful, darkly comic, deeply necessary tale that stuns again and again with razor-sharp prose and glittering wit. Robert Goolrick is, without question, one of the greatest storytellers of our time.” —Téa Obreht, author of The Tiger’s Wife In the spellbinding new novel from #1 New York Times bestselling author Robert Goolrick, 1980s Manhattan shimmers like the mirage it was, as money, power, and invincibility seduce a group of young Wall Street turks. Together they reach the pinnacle, achieving the kind of wealth that grants them access to anything--and anyone. Until, one by one, they fall. Goolrick’s literary chops are on full display, painting an authentic portrait of a hedonistic era, tense and stylish, perfectly mixing adrenaline and melancholy. Stunning in its acute observations about great wealth and its absence, and deeply moving in its depiction of the ways in which these men learn to cope with both extremes, it’s a true tour de force. “An addictive slice of semiautobiographical fiction . . . Goolrick vividly plumbs the depths of fortune and regret. The result is a compulsively readable examination of the highs and lows of life in the big city.” —Publishers Weekly “A compelling, wholly seductive narrative voice . . . Goolrick’s stellar prose infuses this redemption story with a good deal of depth and despair, making it read like the literary version of The Wolf of Wall Street.” —Booklist “A dark, intoxicating morality tale . . . With his impeccable prose, Goolrick focuses his unflinching eye on the grittiness beneath the sleek facade of nightclubs, fashion, and monied Manhattan extravagance. Beautifully crafted, seductive, and provocative.” —Garth Stein, author of A Sudden Light and The Art of Racing in the Rain
Author | : Sandra Clark |
Publisher | : Polity |
Total Pages | : 465 |
Release | : 2007-11-19 |
Genre | : Language Arts & Disciplines |
ISBN | : 0745633102 |
This work provides a comprehensive overview of one of the richest periods of theatre history - the drama of early modern England.
Author | : Joad Raymond |
Publisher | : |
Total Pages | : 892 |
Release | : 2016-07 |
Genre | : History |
ISBN | : 9789004277175 |
In News Networks 35 scholars from 10 countries give a new account of the history of European news, emphasising its transnational character and the international transmission of forms and modes of news as well as information.
Author | : Henry E. Huntington Library and Art Gallery |
Publisher | : |
Total Pages | : 596 |
Release | : 2002 |
Genre | : Electronic journals |
ISBN | : |
Author | : J. V. Beckett |
Publisher | : Manchester University Press |
Total Pages | : 340 |
Release | : 1994 |
Genre | : Biography & Autobiography |
ISBN | : 9780719037573 |
This book chronicles the rags-to-riches tale of the Grenvilles, who rose from the gentry to become dukes, making a fortune and building Stowe, one of England's great country houses, in the process - only to come close to bankruptcy by 1850 and eventually lose their title.
Author | : Peter Lake |
Publisher | : Yale University Press |
Total Pages | : 683 |
Release | : 2016-01-01 |
Genre | : History |
ISBN | : 0300222718 |
The politics of virtue -- Honour and its enemies: women on top - again -- Anti-popery -- Divided we fall: the politics of faction in time of war -- CHAPTER 6 Richard III: political ends, providential means -- The making of a Machiavel -- Monstrous bodies and providential signs -- Signs and prophecies -- The audience as 'high all- seer' -- Ambiguities of 'evil counsel' -- From providence to predestination: the return of legitimacy -- Richard III as a guide to the past, present and future -- CHAPTER 7 Going Roman: Richard III and Titus Andronicus compared
Author | : Catherine Molineux |
Publisher | : Harvard University Press |
Total Pages | : 375 |
Release | : 2012-01-02 |
Genre | : History |
ISBN | : 0674050088 |
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean. The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage. Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.
Author | : Nicolle Jordan |
Publisher | : Rutgers University Press |
Total Pages | : 132 |
Release | : 2024-11-15 |
Genre | : Literary Criticism |
ISBN | : 168448541X |
Land ownership—and engagement with land more generally—constituted a crucial dimension of female independence in eighteenth-century Britain. Because political citizenship was restricted to male property owners, women could not wield political power in the way propertied men did. Given its foundational sociopolitical function, land necessarily generated copious writing that vested it with considerable aesthetic and economic value. This book, then, situates these issues in relation to the historical transformation of landscape under emergent capitalism. The women writers featured herein—including Jane Barker, Anne Finch, Sarah Scott, and Elizabeth Montagu—participated in this transformation by celebrating female estate stewardship and evaluating the estate stewardship of men. By asserting their authority in such matters, these writers acquired a degree of independence and self-determination that otherwise proved elusive.