Humanism, Machinery, and Renaissance Literature

Humanism, Machinery, and Renaissance Literature
Author: Jessica Wolfe
Publisher: Cambridge University Press
Total Pages: 326
Release: 2004-05-03
Genre: History
ISBN: 9780521831871

This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the modern concept of technology, sixteenth- and early seventeenth-century writers recognized the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation.

The Automaton in English Renaissance Literature

The Automaton in English Renaissance Literature
Author: Wendy Beth Hyman
Publisher: Ashgate Publishing, Ltd.
Total Pages: 223
Release: 2011
Genre: History
ISBN: 0754695190

This volume features original essays exploring the automaton - from animated statue to anthropomorphized machine - in the poetry, prose, and drama of England in the 16th and 17th centuries.

Making and unmaking in early modern English drama

Making and unmaking in early modern English drama
Author: Chloe Porter
Publisher: Manchester University Press
Total Pages: 349
Release: 2015-11-01
Genre: History
ISBN: 1526103281

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did the terms ‘finished’ or ‘incomplete’ mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are ‘under construction’ in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to ‘begin’ or ‘end’ a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.

Renaissance Personhood

Renaissance Personhood
Author: Kevin Curran
Publisher: Edinburgh University Press
Total Pages: 248
Release: 2019-11-01
Genre: Literary Criticism
ISBN: 1474448100

Unfolding as a series of materially oriented studies ranging from chairs, machines and doors to trees, animals and food, this book retells the story of Renaissance personhood as one of material relations and embodied experience, rather than of emergent notions of individuality and freedom.

Legal Reform in English Renaissance Literature

Legal Reform in English Renaissance Literature
Author: Virginia Lee Strain
Publisher: Edinburgh University Press
Total Pages: 240
Release: 2018-03-14
Genre: Law
ISBN: 1474416306

The first study of legal reform and literature in early modern EnglandThis book investigates rhetorical and representational practices that were used to monitor English law at the turn of the seventeenth century. The late-Elizabethan and early-Jacobean surge in the policies and enforcement of the reformation of manners has been well-documented. What has gone unnoticed, however, is the degree to which the law itself was the focus of reform for legislators, the judiciary, preachers, and writers alike. While the majority of law and literature studies characterize the law as a force of coercion and subjugation, this book instead treats in greater depth the law's own vulnerability, both to corruption and to correction. In readings of Spenser's Faerie Queene, the Gesta Grayorum, Donne's 'Satyre V', and Shakespeare's Measure for Measure and The Winter's Tale, Strain argues that the terms and techniques of legal reform provided modes of analysis through which legal authorities and literary writers alike imagined and evaluated form and character. Key FeaturesReevaluates canonical writers in light of developments in legal historical research, bringing an interdisciplinary perspective to works Collects an extensive variety of legal, political, and literary sources to reconstruct the discourse on early modern legal reform, providing an introduction to a topic that is currently underrepresented in early modern legal cultural studiesAnalyses the laws own vulnerability to individual agency.

Tropes and the Literary-Scientific Revolution

Tropes and the Literary-Scientific Revolution
Author: Michael Slater
Publisher: Taylor & Francis
Total Pages: 169
Release: 2024-04-02
Genre: Literary Criticism
ISBN: 1040013945

Tropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.

Re-Humanising Shakespeare

Re-Humanising Shakespeare
Author: Andrew Mousley
Publisher: Edinburgh University Press
Total Pages: 190
Release: 2015-03-03
Genre: Literary Criticism
ISBN: 0748691243

Revised throughout, the book includes: a new introduction which focuses attention on what is specific to literature's treatment of the human (as epitomised by Shakespeare); a section drawing on new work on literary genres as different forms of engagement

Group Identity in the Renaissance World

Group Identity in the Renaissance World
Author: Hannah Chapelle Wojciehowski
Publisher: Cambridge University Press
Total Pages: 403
Release: 2011-08-22
Genre: History
ISBN: 1107003601

This book argues that new groups and radically new concepts of group identity emerged throughout the world during the Renaissance.

Sublime Dreams of Living Machines

Sublime Dreams of Living Machines
Author: Minsoo Kang
Publisher: Harvard University Press
Total Pages: 387
Release: 2011-02-28
Genre: History
ISBN: 0674049357

Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. --

A New Companion to English Renaissance Literature and Culture

A New Companion to English Renaissance Literature and Culture
Author: Michael Hattaway
Publisher: John Wiley & Sons
Total Pages: 1267
Release: 2010-05-10
Genre: Literary Criticism
ISBN: 140518762X

In this revised and greatly expanded edition of the Companion, 80 scholars come together to offer an original and far-reaching assessment of English Renaissance literature and culture. A new edition of the best-selling Companion to English Renaissance Literature, revised and updated, with 22 new essays and 19 new illustrations Contributions from some 80 scholars including Judith H. Anderson, Patrick Collinson, Alison Findlay, Germaine Greer, Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, Robert Miola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literary and cultural territories the Companion offers new readings of both ‘literary’ and ‘non-literary’ texts Features essays discussing material culture, sectarian writing, the history of the body, theatre both in and outside the playhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advanced students and faculty with new directions for their research All of the essays from the first edition, along with the recommendations for further reading, have been reworked or updated