Hudson Joy Jameson In Their Own Words 1610 1984 A Good One Or None At All 1854
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Bethlehem Revisited
Author | : Floyd I. Brewer |
Publisher | : |
Total Pages | : 501 |
Release | : 1993 |
Genre | : Bethlehem (N.Y.) |
ISBN | : 9780963540201 |
Architecture and Modern Literature
Author | : David Anton Spurr |
Publisher | : University of Michigan Press |
Total Pages | : 300 |
Release | : 2017-05-09 |
Genre | : Architecture |
ISBN | : 0472900803 |
Architecture and Modern Literature explores the representation and interpretation of architectural space in modern literature from the early nineteenth century to the present, with the aim of showing how literary production and architectural construction are related as cultural forms in the historical context of modernity. In addressing this subject, it also examines the larger questions of the relation between literature and architecture and the extent to which these two arts define one another in the social and philosophical contexts of modernity. Architecture and Modern Literature will serve as a foundational introduction to the emerging interdisciplinary study of architecture and literature. David Spurr addresses a broad range of material, including literary, critical, and philosophical works in English, French, and German, and proposes a new historical and theoretical overview of this area, in which modern forms of "meaning" in architecture and literature are related to the discourses of being, dwelling, and homelessness.
Revolutionary War Records
Author | : Gaius Marcus Brumbaugh |
Publisher | : |
Total Pages | : 0 |
Release | : 2000-09 |
Genre | : Bounties, Military |
ISBN | : 9780806300603 |
Given in memory of Charles Hudson Edge, Laura James Edge, by Eugene Edge III.
Ecological Form
Author | : Nathan K. Hensley |
Publisher | : Fordham Univ Press |
Total Pages | : 389 |
Release | : 2018-12-04 |
Genre | : Literary Criticism |
ISBN | : 0823282139 |
Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate “natural” questions with sociopolitical ones; and underscore the category of form as a means for generating environmental—and therefore political—knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book’s most pressing argument is that this past thought can be a resource for reimagining the present.