Hoodlum Movies
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| Author | : Peter Stanfield |
| Publisher | : Rutgers University Press |
| Total Pages | : 215 |
| Release | : 2018-07-13 |
| Genre | : Art |
| ISBN | : 0813599059 |
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
| Author | : Peter Stanfield |
| Publisher | : Rutgers University Press |
| Total Pages | : 243 |
| Release | : 2018-07-13 |
| Genre | : Performing Arts |
| ISBN | : 0813599032 |
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
| Author | : Bill Palmer |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 492 |
| Release | : 1995 |
| Genre | : Hand-to-hand fighting, Oriental, in motion pictures |
| ISBN | : 0810830272 |
The Encyclopedia covers the genre from 1920 to 1994. The genre, however, can be very confusing: films often have several titles, and many of the stars have more than one pseudonym. In an effort to clarify some of the confusion, the authors have included all the information available to them on almost 3,300 films. Each entry includes a listing of the production company, the cast and crew, distributors, running times, reviews with star ratings whenever possible, and alternate film titles. A list of film series and one of the stars' pseudonyms, in addition to a 7,900 name index, are also included. Illustrated.
| Author | : |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 1997-09-08 |
| Genre | : |
| ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
| Author | : Pauline Kael |
| Publisher | : Macmillan |
| Total Pages | : 959 |
| Release | : 1991-05-15 |
| Genre | : Performing Arts |
| ISBN | : 0805013679 |
Smart, funny, and unforgettable, Pauline Kael is the most interesting and influential film critic in America. Her ability to skewer an actor or director and her wit, insight, and thorough knowledge of the film business make her by far the most rewarding regular observer of the movie scene. This new collection covers films that have come out since the previous 1985 edition.
| Author | : |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 1997-09-15 |
| Genre | : |
| ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
| Author | : John Howard Reid |
| Publisher | : Lulu.com |
| Total Pages | : 202 |
| Release | : 2015-08-02 |
| Genre | : Performing Arts |
| ISBN | : 1329436202 |
Crime is not exactly a risky business for movie makers. In fact, this category has always been high on Hollywood's agenda, and there are very few crime films that have actually lost money. Crime and film noir make such a fascinating subject, that although the author set out to detail 150 of his favorite films, he has actually reviewed 185! 125 of these movies are also supplied with their exhaustive credit details, as well as copyright and other release information, plus a brief synopsis. Fortunately, many of these movies - both justly famous and even the unjustly neglected - are now available on DVD. Many are also frequently presented on pay TV.
| Author | : |
| Publisher | : |
| Total Pages | : 108 |
| Release | : 1997-09-29 |
| Genre | : |
| ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
| Author | : Justin Wyatt |
| Publisher | : Taylor & Francis |
| Total Pages | : 564 |
| Release | : 2023-05-31 |
| Genre | : Performing Arts |
| ISBN | : 1000872742 |
This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.
| Author | : Julian Petley |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 280 |
| Release | : 2021-11-18 |
| Genre | : Art |
| ISBN | : 1350136301 |
This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various 'difficult' subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion – for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment – replete as it is with shocks of all kinds.
