Homage To Paul Celan
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| Author | : George Calvin Waldrep |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9781934851357 |
Poetry. Literary Nonfiction. Art. Jewish Studies. If there is a country named Celania—as Julia Kristeva once proposed—its holy texts are filled with doubt, and they overcome this doubt almost successfully, with words of wrenching, uncompromised beauty.... The book in your hands is not intended to become one of those heavy scholarly tomes that serve as a "proof" of one's position in the literary/academic hierarchy. Rather, this is a collection of various works, directed at, or inspired by, the words of Paul Celan. What we wanted to make was a living anthology, in which authors observe the poet's work, read it deeply, penetrate and discuss it, but also play with it, remake it, and attempt to fit it into their own worldviews. A great poet is not someone who speaks in stadiums to a thousand listeners. A great poet is a very private person. In his privacy this poet creates a language in which he is able to speak, privately, to many people at the same time.
| Author | : G. C. Waldrep |
| Publisher | : |
| Total Pages | : |
| Release | : 2008-09-01 |
| Genre | : |
| ISBN | : 9780977970346 |
| Author | : Charlotte Ryland |
| Publisher | : Routledge |
| Total Pages | : 387 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351193538 |
"Paul Celan (1920-1970), one of the most important and challenging poets in post-war Europe, was also a prolific and highly idiosyncratic translator. His post-Holocaust writing is inextricably linked to the specific experiences that have shaped contemporary European and American identity, and at the same time has its roots in literary, philosophical and scientific traditions that range across continents and centuries surrealism being a key example. Celan's early works emerge from a fruitful period for surrealism, and they bear the marks of that style, not least because of the deep affinity he felt with the need to extend the boundaries of expression. In this comparative and intertextual study, Charlotte Ryland shows that this interaction continued throughout Celans lifetime, largely through translation of French surrealist poems, and that Celans great oeuvre can thus be understood fully only in the light of its interaction with surrealist texts and artworks, which finally gives rise to a wholly new poetics of translation. Charlotte Ryland is Lecturer in German at St Hughs College and The Queens College, Oxford."
| Author | : Jacques Derrida |
| Publisher | : Fordham Univ Press |
| Total Pages | : 223 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 0823224376 |
This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.
| Author | : Raymond Geuss |
| Publisher | : Princeton University Press |
| Total Pages | : 217 |
| Release | : 2009-12-07 |
| Genre | : Philosophy |
| ISBN | : 1400832136 |
In politics, utopians do not have a monopoly on imagination. Even the most conservative defenses of the status quo, Raymond Geuss argues, require imaginative acts of some kind. In this collection of recent essays, including his most overtly political writing yet, Geuss explores the role of imagination in politics, particularly how imaginative constructs interact with political reality. He uses decisions about the war in Iraq to explore the peculiar ways in which politicians can be deluded and citizens can misunderstand their leaders. He also examines critically what he sees as one of the most serious delusions of western political thinking--the idea that a human society is always best conceived as a closed system obeying fixed rules. And, in essays on Don Quixote, museums, Celan's poetry, Heidegger's brother Fritz, Richard Rorty, and bourgeois philosophy, Geuss reflects on how cultural artifacts can lead us to embrace or reject conventional assumptions about the world. While paying particular attention to the relative political roles played by rule-following, utilitarian calculations of interest, and aspirations to lead a collective life of a certain kind, Geuss discusses a wide range of related issues, including the distance critics need from their political systems, the extent to which history can enlighten politics, and the possibility of utopian thinking in a world in which action retains its urgency.
| Author | : William Walsh |
| Publisher | : McFarland |
| Total Pages | : 295 |
| Release | : 2023-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1476647402 |
An anthology of a different sort, this volume presents a representative sample of contemporary American poems in 2023, with a road map of their origins. Bringing a diversity of styles and sensibilities, 62 poets from across the United States--some well known, some up-and-coming--illuminate their craft. Each poet contributes one poem, accompanied by an essay discussing their creative process and how the verse came to fruition.
| Author | : Felicity Plunkett |
| Publisher | : Uqp Poetry |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Poetry |
| ISBN | : 9780702262708 |
A Kinder Sea is Felicity Plunkett's masterpiece in the original sense of that term- the work that most fully expresses her gifts. This collection explores the sea as sanctuary, hoard and repository. It is composed of sequences- love letters, elegies, narratives and odes. Plunkett's combination of intensity and range is rare, as is this collection's formal precision and emotional directness. This is an exceptional collection- a break-out work for this gifted poet.
| Author | : Andréa Lauterwein |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 2007 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
The art of Anselm Kiefer is rich with references to writers, philosophers, and poets, and his relationship with Paul Celan has been the most complex and intense of these dialogues with the past. Celan's poetry, inextricably linked with the memory of the Holocaust, has haunted Kiefer's work for more than twenty-five years and has influenced him on every level, from the naming of works and exhibitions to the incorporation of symbolic materials from Celan's imagery - sand, straw, hair, and ashes - into his paintings.Like other German artists of his generation, Kiefer began by questioning his own artistic heritage, focusing on the iconographic and mythological elements of German culture that had been taken over by Nazi propaganda, and subsequently repressed and buried deep in the collective unconscious. It was his encounter with Celan's work in the early 1980s that first enabled him to escape from the vicious circle of fascination and disgust at the cultural ties that bound him to the Third Reich, leading him to confront the subject of the Holocaust and Jewish memory as a whole and to embrace this body of traditions within his art.Magnificently illustrated throughout with reproductions of Kiefer's best-known works, this book explores the intricate web of associations between the poet and the painter, a network that is extended to embrace other artistic and literary figures such as Ingeborg Bachmann and Joseph Beuys.
| Author | : Francis Landy |
| Publisher | : Oxford University Press |
| Total Pages | : 498 |
| Release | : 2023-06-21 |
| Genre | : Art |
| ISBN | : 0192598724 |
The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Poetry, Catastrophe, and Hope in the Book of Isaiah consists of close readings of individual passages in Isaiah, commencing with Chapter One and the problems of beginning, and ending with Deutero-Isaiah, composed subsequent to the Babylonian exile. The volume is arranged thematically as well as sequentially: the first chapter following the introduction concerns gender, the second death, the third the Oracles about the Nations. At the centre there is what Landy calls 'the constitutive enigma', Isaiah's commission in his vision to speak so that people will not understand. This renders the entire book potentially incomprehensible; the more we try to understand it, the greater the difficulty. For Landy, this creates a model of reading and writing, the challenge and the risk of going up blind alleys, of trying to make sense of a disastrous world. Isaiah's commission pervades the book. Throughout there is a promise of an age of clarity as well as social and political transformation, which is always deferred beyond the horizon. Hence it is a book without an ending, or with multiple endings. In the final chapters, the author turns to the central Chapter Thirty-Three, a mise-en-abyme of the book and a prayer for deliverance, and the issues of exile and the possibility of return. Like every poetic work, particularly in an era of cultural collapse, it is a critique of the past and a hope for a new humanity.
| Author | : John Felstiner |
| Publisher | : Yale University Press |
| Total Pages | : 374 |
| Release | : 2001-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780300089226 |
Paul Celan, Europe's most compelling postwar poet, was a German-speaking, East European Jew. His writing exposes and illumines the wounds that Nazi destructiveness left on language. John Felstiner's sensitive and accessible book is the first critical biography of Celan in any language. It offers new translations of well-known and little-known poems--including a chapter on Celan's famous "Deathfugue"--plus his speeches, prose fiction, and letters. The book also presents hitherto unpublished photos of the poet and his circle. Drawing on interviews with Celan's family and friends and his personal library in Normandy and Paris, as well as voluminous German commentary, Felstiner tells the poet's gripping story: his birth in 1920 in Romania, the overnight loss of his parents in a Nazi deportation, his experience of forced labor and Soviet occupation during the war, and then his difficult exile in Paris. The life's work of Paul Celan emerges through readings of his poems within their personal and historical matrix. At the same time, Felstiner finds fresh insights by opening up the very process of translating Celan's poems. To present this poetry and the strain of Jewishness it displays, Felstiner uncovers Celan's sources in the Bible and Judaic mysticism, his affinities with Kafka, Heine, Hölderlin, Rilke, and Nelly Sachs, his fascination with Heidegger and Buber, his piercing translations of Shakespeare, Dickinson, Mandelshtam, Apollinaire. First and last, Felstiner explores the achievement of a poet surviving in his mother tongue, the German language that had passed, Celan said, "through the thousand darknesses of deathbringing speech."
