Hitlers Day Of German Art 1939 First Published As Tag Der Deutschen Kunst 1939
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Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 48 |
Release | : 2008-12-01 |
Genre | : Art |
ISBN | : 9781905742103 |
Hitler's Day of German Art 1939 provides a unique inside into the very little known celebrations which took place at each opening of the annual Great German Art Exhibition from 1937 to 1944 usually during the month of July. The celebrations of the Day of German Art lasted three days and always began on a Friday. The last day, a Sunday, was the climax of these celebrations. On this day the Great German Art Exhibition was opened in the House of German Art and a large procession entitled 2,000 years of German Culture moved through the streets of Munich. This procession was meant to give insight into German history, legends and myths and how they are linked to the Third Reich. This reprint of the exhibition catalogue will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 52 |
Release | : 2009-01 |
Genre | : Art |
ISBN | : 9781905742202 |
These visitor program booklets provide a comprehensive listing of all parts of the Day of German Art, a three-day festival that usually took place in July. The procession illustrated German history, legends, and myths, and told how they were linked to the Third Reich.
Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 48 |
Release | : 2009-01 |
Genre | : Art |
ISBN | : 9781905742219 |
'Hitler's Day of German Art 1938 - The Programme of the Procession' provides a unique insight into the very little known celebrations, which took place at each opening of the annual Great German Art Exhibition from 1937 to 1944. This visitor programme booklet provides a comprehensive listing of all parts of the procession including descriptions, images and a map showing the route of the procession. The Day of German Art usually took place in July and celebrations lasted three days, starting on a Friday. The Sunday marked the climax with the official opening of the exhibition in the House of German Art and a large procession entitled '2,000 Years of German Culture' moved through the streets of Munich. The procession illustrated German history, legends and myths and how they were linked to the Third Reich. The reprint of this rare book will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 212 |
Release | : 2009-01 |
Genre | : Art |
ISBN | : 9781905742233 |
On 16th July 1939, the third annual Great German Art Exhibition opened at the House of German Art in Munich, one of the eight exhibitions staged annually until 1944. Participation in one of these Great German Art Exhibitions was almost indispensable for an artist's reputation in Germany. The official arts magazines and general press reviewed almost exclusively artists who had been exhibited in the Munich show. Several thousand works of art had been submitted for the exhibition and only a few hundred went on show. The president of the Reich Culture Chamber, Adolf Ziegler, supervised the selection of paintings, while the sculptors Arno Breker and Josef Wackerle were responsible for the sculptures. There were no formal criteria. The selection was based on Hitler's taste and on that of the judges. This rare original of the Great German Art Exhibition Catalogue 1939 has been faithfully reproduced by World Propaganda Classics and is part of a series of historical reprints carefully selected to show how art and literature throughout the ages have been used for political purposes. The reprint of this rare book will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : |
Publisher | : |
Total Pages | : 60 |
Release | : 1939 |
Genre | : Germany |
ISBN | : |
Author | : Ines Schlenker |
Publisher | : Peter Lang |
Total Pages | : 346 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9783039109050 |
From 1937 to 1944 the National Socialist regime organised a series of art exhibitions, Grosse Deutsche Kuntstausstellung, in Munich. This book traces the history of the exhibitions, characterises the artists and artworks shown and investigates how the local Munich tradition of displaying art was reinvented for national purposes.
Author | : Stephanie Barron |
Publisher | : Harry N. Abrams |
Total Pages | : 423 |
Release | : 1991-04-15 |
Genre | : Art |
ISBN | : 9780810936539 |
Looks at the reconstructed exhibit of degenerate art censored by the Nazis in 1937
Author | : Robert S. Wistrich |
Publisher | : Trafalgar Square Publishing |
Total Pages | : 180 |
Release | : 1996 |
Genre | : History |
ISBN | : |
Discusses Nazi ideology and the centrality of the arts in Hitler's worldview and as an instrument of propaganda. Analyzes the Nazi concept of "degenerate" art, which was equated with Jewish-influenced art, even though most of the artists condemned by the Nazis were not, in fact, Jewish. Describes the third annual Day of German Art celebrated in Munich on 14-16 July 1939 and attended by Hitler and most of the leading Nazis. This festival was filmed in technicolor by a group of amateurs. In conjunction with the screening on British television in 1993 of a documentary based on this film ("Good Morning, Mr. Hitler"), the directors interviewed Munich citizens who had taken part in the Festival in their youth and who recalled their enjoyment. Most of them denied having known anything of the Holocaust. Charlotte Knobloch, a Jewish survivor, recalls a very different youth, spent in constant fear. The last chapter points to the revival of neo-Nazism, Skinhead violence against foreigners and Jews, and Holocaust denial in reunified Germany and elsewhere in the world.
Author | : William P. Yenne |
Publisher | : |
Total Pages | : 160 |
Release | : 1983 |
Genre | : Art, German |
ISBN | : 9780861240968 |
Billedkunst af tyske krigsdeltagere under 2. verdenskrig. 1941 vakte disse skildringer Hitlers begejstring, og han besluttede, at de skulle bevares for eftertiden; tankevækkende når man sammenholder enkelte malerier med værker fra udstillingen "entartete Kunst".
Author | : Johann Chapoutot |
Publisher | : Univ of California Press |
Total Pages | : 514 |
Release | : 2016-09-20 |
Genre | : History |
ISBN | : 0520292979 |
Much has been written about the conditions that made possible Hitler's rise and the Nazi takeover of Germany, but when we tell the story of the National Socialist Party, should we not also speak of Julius Caesar and Pericles? Greeks, Romans, Germans argues that to fully understand the racist, violent end of the Nazi regime, we must examine its appropriation of the heroes and lessons of the ancient world. When Hitler told the assembled masses that they were a people with no past, he meant that they had no past following their humiliation in World War I of which to be proud. The Nazis' constant use of classical antiquity—in official speeches, film, state architecture, the press, and state-sponsored festivities—conferred on them the prestige and heritage of Greece and Rome that the modern German people so desperately needed. At the same time, the lessons of antiquity served as a warning: Greece and Rome fell because they were incapable of protecting the purity of their blood against mixing and infiltration. To regain their rightful place in the world, the Nazis had to make all-out war on Germany's enemies, within and without.