History Of The English Press In Bengal 1780 1857
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Author | : Maire ni Fhlathuin |
Publisher | : Taylor & Francis |
Total Pages | : 884 |
Release | : 2022-07-30 |
Genre | : Literary Criticism |
ISBN | : 1000743705 |
This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.
Author | : Mrinal Kanti Chanda |
Publisher | : Calcutta : K.P. Bagchi |
Total Pages | : 552 |
Release | : 1987 |
Genre | : History |
ISBN | : |
Author | : Maire ni Fhlathuin |
Publisher | : Routledge |
Total Pages | : 434 |
Release | : 2020-03-19 |
Genre | : Language Arts & Disciplines |
ISBN | : 100074891X |
This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.
Author | : Maire ni Fhlathuin |
Publisher | : Routledge |
Total Pages | : 348 |
Release | : 2020-03-27 |
Genre | : Literary Criticism |
ISBN | : 1000748928 |
This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.
Author | : Rosinka Chaudhuri |
Publisher | : Cambridge University Press |
Total Pages | : 688 |
Release | : 2016-03-29 |
Genre | : Literary Criticism |
ISBN | : 1316483274 |
A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike.
Author | : Andrew Otis |
Publisher | : Footnote Press |
Total Pages | : 319 |
Release | : 2024-11-14 |
Genre | : History |
ISBN | : 180444166X |
'An enthralling tale that ties together themes that are urgently relevant today: freedom of the press, the role of journalism, and the price of speaking truth to power' Sunny Singh Hicky's Bengal Gazette is the story of India's first newspaper and its pivotal role in exposing the corruption of the British imperialist project. The story opens in late-eighteenth century Calcutta. The British are well-ensconced in Bengal but the Raj has yet to emerge. Irishman, James August Hicky, arrives in Calcutta as a surgeon's mate, seeking his fame and fortune. He soon finds himself in debtors' prison, however, and it's while in jail that he first acquires the printing press that sets him on a collision course with the British East India Company. Sensing a business opportunity, Hicky established the first newspaper in South Asia but quickly became committed to the freedom of the press at great personal cost. His Gazette exposed corruption in the East India Company and embezzlement in the Christian Church, making himself two powerful enemies in the process: Johann Zacharias Kiernander, an influential missionary and Warren Hastings, the Governor General. Staunchly anti-war and anti-colonialist, Hicky's Bengal Gazette was known for its provocative content that included accusing aristocrats and politicians not only of tyranny but also erectile dysfunction. Trials, prison time and assassination attempts follow before Hicky dies mysteriously on a boat to China. His legacy in India endures to this day through the vibrant, modern media landscape.
Author | : Caroline Archer-Parré |
Publisher | : Liverpool University Press |
Total Pages | : 256 |
Release | : 2020-08-04 |
Genre | : History |
ISBN | : 178962827X |
During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption, or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication; discusses the medium and materiality of the message; considers how writing and printing were deployed in the construction of personal and cultural identities; and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth-century. In combination the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider-world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society of the Enlightenment.
Author | : Alex Tickell |
Publisher | : Routledge |
Total Pages | : 289 |
Release | : 2013-06-17 |
Genre | : History |
ISBN | : 1136618414 |
"This book is an interdisciplinary study of representations of terrorism and political violence in the fiction and journalism of colonial India. Focusing on key historical episodes such as the Calcutta "Black Hole," the anti-thuggee campaigns of the 1830s, the 1857 rebellion, and anti-colonial terrorism in Edwardian London, it argues that exceptional violence was integral to colonial sovereignty and that the threat of violence mutually defined discursive relations between colonizer and colonized. Moving beyond previous studies of colonial discourse, and drawing on contemporary analyses of terrorism, Tickell examines texts by both colonial and Indian authors, tracing their contending engagements with terrorizing violence in selected newspapers, journals, novels and short stories. The study includes readings of several significant early Indian-English works for the first time, from dissident periodicals like Hurrish Chunder Mookerjis Hindoo Patriot (1856-66) and Shyamji Krishnavarmas Indian Sociologist (1905-9) to neglected fictions such as Kylas Dutts parable of anti-colonial rebellion "Forty-Eight Hours of the Year 1945" (1845) and Sarath Kumar Ghoshs The Prince of Destiny (1909). These are examined alongside works by better-known Anglo-Indian authors such as Philip Meadows Taylor's Confessions of a Thug (1838), Flora Annie Steel's On the Face of the Waters (1897), Rudyard Kiplings short fictions and novels by Edmund Candler and E.M. Forster. The study concludes with an analysis of Indian-English fiction of the 1930s, notably Mulk Raj Anands Untouchable (1935), and goes on to read Gandhis philosophy of ahimsa (non-violence) as a strategic response to a colonial and nationalist terror-politics."
Author | : U. Kalpagam |
Publisher | : Lexington Books |
Total Pages | : 373 |
Release | : 2014-08-20 |
Genre | : Political Science |
ISBN | : 0739189360 |
This book examines aspects of the production of statistical knowledge as part of colonial governance in India using Foucault’s ideas of “governmentality.” The modern state is distinctive for its bureaucratic organization, official procedures, and accountability that in the colonial context of governing at a distance instituted a vast system of recordation bearing semblance to and yet differing markedly from the Victorian administrative state. The colonial rule of difference that shaped liberal governmentality introduced new categories of rule that were nested in the procedures and records and could be unraveled from the archive of colonial governance. Such an exercise is attempted here for certain key epistemic categories such as space, time, measurement, classification and causality that have enabled the constitution of modern knowledge and the social scientific discourses of “economy,” “society,” and “history.” The different chapters engage with how enumerative technologies of rule led to proliferating measurements and classifications as fields and objects came within the purview of modern governance rendering both statistical knowledge and also new ways of acting on objects and new discourses of governance and the nation. The postcolonial implications of colonial governmentality are examined with respect to both planning techniques for attainment of justice and the role of information in the constitution of neoliberal subjects.
Author | : Rachel Fell McDermott |
Publisher | : Columbia University Press |
Total Pages | : 392 |
Release | : 2011 |
Genre | : Religion |
ISBN | : 0231129181 |
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.