History Of Song And Dance Among The Kamba Of Eastern Kenya Characteristics Of Kamba Song And Dance In The Precolonial Period
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Author | : Anonym |
Publisher | : |
Total Pages | : 32 |
Release | : 2020-04-15 |
Genre | : |
ISBN | : 9783346216984 |
Seminar paper from the year 2019 in the subject African Studies - Culture and Applied Geography, Mount Kenya University (Mount Kenya University), course: Master Degree in History(Arts), language: English, abstract: Song and dance are powerful cultural medium in any society. Song and dance were not only used as a preserver but also a transmitter of history. Kamba community expressed their feeling through song and dance. Song and dance were used in all aspects and perspectives of the Kamba community. This study focuses on the characteristics of Kamba song and dance in the precolonial period. The community originally occupied Makueni, Machakos and Kitui before expanding to other parts of the country. The study seeks discuss the different cultural practices that song and dance was practiced as well as the different types of song and dance and the occasions when they were practiced. Clearly, there is no doubt that song and dance are powerful conveyers and transmitters of a society's history. Indeed, song and dance were used as an avenue of communication. Song and dance in every community has its own characteristics that make it distinct from the other communities. Kamba songs and dance has been part of oral literature which has been passed from one generation to the other through stories and testimonies. The community history, culture and identity were passed on from one generation to the other through song and dance. Traditional musical instruments were also used. Kamba song and dance was utilitarian hence was used as an aspect of identity to the community. With colonization, urbanization and western cultural influences, it is evident that traditional Kamba song and dance have decreased due to the emergence of new idioms that combine African and western elements. Changes to Kamba song and dance occurred as a result of external cultures and the interactions among African societies. Therefore, this study is an eye opener to the dying Kamba traditional song and dance.
Author | : Maurice Odhiambo Makoloo |
Publisher | : Minority Rights Group |
Total Pages | : 48 |
Release | : 2005 |
Genre | : History |
ISBN | : |
Minorities and indigenous peoples in Kenya feel excluded from the economic and political life of the state. They are poorer than the rest of Kenya's population, their rights are not respected and they are rarely included in development of other participatory planning processes. This report discusses the abuse of ethnicity in Kenyan policies, arguing that ethnicity is a card all too often used by Kenyan politicians to favour certain communities over others in the share of the nation's wealth. Kenya: Minorities, Indigenous Peoples and Ethnic Diversity exposes these concerns in detail via the analysis of budgetary expenditure in the poor Turkana region, which is dominated by the minority Turkana people, and in the richer Nyeri region, home of Kenya's current President. The author, Maurice Odhiambo Makoloo, calls for immediate action to address the inequalities and marginalization of communities, as a way of ensuring that Kenya remains free of major conflict. It calls for disaggregated data - by ethnicity and gender - and a new Constitution to devolve power away from the centre, so that minority and indigenous peoples stand to benefit from current and new development programmes.The report argues that Kenya's diversity should be its strength and need not be a threat to national unity. Suppressing and denying ethnic diversity is the quickest route to inter-ethnic conflict and claims of succession. The report calls for urgent action.
Author | : Ruth Finnegan |
Publisher | : Open Book Publishers |
Total Pages | : 614 |
Release | : 2012-09 |
Genre | : Social Science |
ISBN | : 1906924708 |
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Author | : Anne-Marie Deisser |
Publisher | : UCL Press |
Total Pages | : 274 |
Release | : 2016-10-07 |
Genre | : Art |
ISBN | : 1910634824 |
In Kenya, cultural and natural heritage has a particular value. Its pre-historic heritage not only tells the story of man's origin and evolution but has also contributed to the understanding of the earth's history: fossils and artefacts spanning over 27 million years have been discovered and conserved by the National Museums of Kenya (NMK). Alongside this, the steady rise in the market value of African art has also affected Kenya. Demand for African tribal art has surpassed that for antiquities of Roman, Byzantine, and Egyptian origin, and in African countries currently experiencing conflicts, this activity invariably attracts looters, traffickers and criminal networks. This book brings together essays by heritage experts from different backgrounds, including conservation, heritage management, museum studies, archaeology, environment and social sciences, architecture and landscape, geography, philosophy and economics to explore three key themes: the underlying ethics, practices and legal issues of heritage conservation; the exploration of architectural and urban heritage of Nairobi; and the natural heritage, landscapes and sacred sites in relation to local Kenyan communities and tourism. It thus provides an overview of conservation practices in Kenya from 2000 to 2015 and highlights the role of natural and cultural heritage as a key factor of social-economic development, and as a potential instrument for conflict resolution
Author | : George W. Senoga-Zake |
Publisher | : Uzima Publishing House |
Total Pages | : 240 |
Release | : 1986 |
Genre | : Folk dance music |
ISBN | : 9789966855022 |
Author | : Matthew Carotenuto |
Publisher | : Ohio University Press |
Total Pages | : 265 |
Release | : 2016-07-29 |
Genre | : History |
ISBN | : 0896804925 |
Barack Obama’s political ascendancy has focused considerable global attention on the history of Kenya generally and the history of the Luo community particularly. From politicos populating the blogosphere and bookshelves in the U.S and Kenya, to tourists traipsing through Obama’s ancestral home, a variety of groups have mobilized new readings of Kenya’s past in service of their own ends. Through narratives placing Obama into a simplified, sweeping narrative of anticolonial barbarism and postcolonial “tribal” violence, the story of the United States president’s nuanced relationship to Kenya has been lost amid stereotypical portrayals of Africa. At the same time, Kenyan state officials have aimed to weave Obama into the contested narrative of Kenyan nationhood. Matthew Carotenuto and Katherine Luongo argue that efforts to cast Obama as a “son of the soil” of the Lake Victoria basin invite insights into the politicized uses of Kenya’s past. Ideal for classroom use and directed at a general readership interested in global affairs, Obama and Kenya offers an important counterpoint to the many popular but inaccurate texts about Kenya’s history and Obama’s place in it as well as focused, thematic analyses of contemporary debates about ethnic politics, “tribal” identities, postcolonial governance, and U.S. African relations.
Author | : John Iliffe |
Publisher | : Cambridge University Press |
Total Pages | : 421 |
Release | : 2017-07-13 |
Genre | : History |
ISBN | : 1107198321 |
An updated and comprehensive single-volume history covering all periods from human origins to contemporary African situations.
Author | : Mai Palmberg |
Publisher | : Nordic Africa Institute |
Total Pages | : 286 |
Release | : 2001 |
Genre | : Political Science |
ISBN | : 9789171064783 |
Positive images of Africa contrast with negative images of misery, war and catastrophes often conveyed by the mass media. This selection of papers debate the images and stereotypes of Africa.
Author | : Charles William Hobley |
Publisher | : |
Total Pages | : 256 |
Release | : 1910 |
Genre | : Africa |
ISBN | : |
Author | : Tom Askwith |
Publisher | : Twayne Publishers |
Total Pages | : 260 |
Release | : 1995 |
Genre | : Colonial administrators |
ISBN | : |