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| Author | : David Perkins |
| Publisher | : Harvard University Press |
| Total Pages | : 712 |
| Release | : 1987 |
| Genre | : Literary Criticism |
| ISBN | : 9780674399471 |
This study of British and American poetry from the mid-1920s to the recent past, clarifies the complex interrelations of individuals, groups, and movements, and the contexts in which the poets worked.
| Author | : Guido Mazzoni |
| Publisher | : Harvard University Press |
| Total Pages | : 265 |
| Release | : 2022-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 0674249038 |
Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.
| Author | : David Perkins |
| Publisher | : Belknap Press |
| Total Pages | : 648 |
| Release | : 1976 |
| Genre | : Literary Criticism |
| ISBN | : |
The first comprehensive history of modern poetry in English from the 1890s to the 1920s, this book embraces an era of enormous creative variety--the formative period during which the Romantic traditions of the past were abandoned or transformed and a major new literature created. By the end of the period covered, The Waste Land, Lawrence's Birds, Beasts and Flowers, Stevens' Harmonium, and Pound's Draft of XVI Cantos had been published, and the first post-Eliot generation of poets was beginning to emerge.More than a hundred poets are treated in this volume, and many more are noticed in passing. Mr. Perkins discusses each poet and type of poetry with keen critical appreciation. He traces opposed and evolving assumptions about poetry, and considers the effects on poetry of its changing audiences, of premises and procedures in literary criticism, of the publishing outlets poets could hope to use, and the interrelations of poetry with developments in the other arts--the novel, painting, film, music--as well as in social, political, and intellectual life. The poetry of the United States and that of the British Isles are seen in interplay rather than separately.This book is an important contribution to the understanding of modern literature. At the same time, it throws new light on the cultural history of both America and Britain in the twentieth century.
| Author | : Alex Davis |
| Publisher | : Cambridge University Press |
| Total Pages | : 571 |
| Release | : 2015-04-27 |
| Genre | : Literary Criticism |
| ISBN | : 1107038677 |
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
| Author | : Ira Sadoff |
| Publisher | : University of Iowa Press |
| Total Pages | : 231 |
| Release | : 2009-04 |
| Genre | : Literary Criticism |
| ISBN | : 1587298457 |
In this capacious and energetic volume, Ira Sadoff argues that poets live and write within history, our artistic values always reflecting attitudes about both literary history and culture at large. History Matters does not return to the culture war that reduced complex arguments about human nature, creativity, identity, and interplay between individual and collective identity to slogans. Rather, Sadoff peels back layers of clutter to reveal the important questions at the heart of any complex and fruitful discussion about the connections between culture and literature. Much of our most adventurous writing has occurred at history’s margins, simultaneously making use of and resisting tradition. By tracking key contemporary poets—including John Ashbery, Olena Kaltyiak Davis, Louise Glück, Czeslaw Milosz, Frank O’Hara, and C. K. Williams—as well as musing on jazz and other creative enterprises, Sadoff investigates the lively poetic art of those who have grappled with late twentieth-century attitudes about history, subjectivity, contingency, flux, and modernity. In plainspoken writing, he probes the question of the poet’s capacity to illuminate and universalize truth. Along the way, we are called to consider how and why art moves and transforms human beings.
| Author | : Michael Davidson |
| Publisher | : Univ of California Press |
| Total Pages | : 290 |
| Release | : 2022-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 0520359747 |
Why do modern poets quote from dictionaries in their poems? How has the tape recorder changed the poet's voice? What has shopping to do with Gertrude Stein's aesthetics? These and other questions form the core of Ghostlier Demarcations, a study of modern poetry as a material medium. One of today's most respected critics of twentieth-century poetry and poetics, Michael Davidson argues that literary materiality has been dominated by an ideology of modernism, based on the ideal of the autonomous work of art, which has hindered our ability to read poetry as a socially critical medium. By focusing on writing as a palimpsest involving numerous layers of materiality—from the holograph manuscript to the printed book—Davidson exposes modern poetry's engagement with larger historical forces. The palimpsest that results is less a poem than an arrested stage of writing in whose layers can be discerned ghostly traces of other texts. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
| Author | : James Longenbach |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 222 |
| Release | : 1997 |
| Genre | : American poetry |
| ISBN | : 0195101782 |
Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.
| Author | : Sarah Ehlers |
| Publisher | : UNC Press Books |
| Total Pages | : 309 |
| Release | : 2019-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 1469651297 |
In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
| Author | : Joseph Parisi |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 495 |
| Release | : 2002-10-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393050920 |
Collects more than six hundred letters to and from the editors of "Poetry" that were written about and by such figures as Ezra Pound, T.S. Eliot, Robert Frost, Edna St. Vincent Millay, and Wallace Stevens.
| Author | : J. M. Cohen |
| Publisher | : Transaction Publishers |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 0202361853 |
This book begins in a narrow territory, strictly Western, and extends with the passage of time to include the poetry, plays, novels, and works of speculation of the great authors of the past and present from Russia to Mexico. his objective is to tell the whole story of Western writing in languages other than English from the twelfth-century Chanson de Roland to Evtushenko's poetry of the 1960s. Cohen not only presents a factual account of historical growth. The book reflects the author's own judgments and valuations, arrived at in the course of almost forty years' reading in the main European languages. A work of original critism, A History of Western Literature immediately became a standard reference when first published. In this new edition, the author has included revisions covering the most important recent writers and their work. "Especially for American or British readers who want to explore under sensible guidance the main lines of Western letters, this carefully wrought handbook is indispensable."--Library Journal. "Considering Mr. Cohen's vast scope, his achievement is commendable. The information he presents is accurate. His style is surprisingly readable...."--Modern Language Journal. J. M. Cohen (1903-1989) was a widely known critic and a translator of French and Spanish literature. He was born in London and graduated from Cambridge University. His versions of Don Quixote, Gargantua and Pantagruel, and Rousseau's Confessions are recognized as among the finest modern translations.
