A History of English Romanticism in the Eighteenth Century
Author | : Henry Augustin Beers |
Publisher | : |
Total Pages | : 478 |
Release | : 1898 |
Genre | : English literature |
ISBN | : |
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Author | : Henry Augustin Beers |
Publisher | : |
Total Pages | : 478 |
Release | : 1898 |
Genre | : English literature |
ISBN | : |
Author | : Henry Augustin Beers |
Publisher | : |
Total Pages | : 446 |
Release | : 1901 |
Genre | : English literature |
ISBN | : |
Author | : Henry A. Beers |
Publisher | : Good Press |
Total Pages | : 372 |
Release | : 2019-12-02 |
Genre | : History |
ISBN | : |
A History of English Romanticism in the Eighteenth Century by Henry A. Beers is a comprehensive and insightful exploration of the Romantic movement in English literature. Beers examines the historical context, key figures, and defining characteristics of the period, providing readers with a thorough understanding of the forces that shaped this influential literary movement. From the works of prominent poets to the cultural and intellectual shifts of the time, this book offers a fascinating look at the birth and development of Romanticism.
Author | : Henry Augustin Beers |
Publisher | : |
Total Pages | : 480 |
Release | : 1898 |
Genre | : English literature |
ISBN | : |
Author | : William Lyon Phelps |
Publisher | : |
Total Pages | : 232 |
Release | : 1893 |
Genre | : English literature |
ISBN | : |
Author | : John Sitter |
Publisher | : Cambridge University Press |
Total Pages | : 322 |
Release | : 2001-03-26 |
Genre | : Literary Criticism |
ISBN | : 9780521658850 |
This book analyzes major premises and practices of eighteenth-century English poets.
Author | : Michael S. Martin |
Publisher | : Liverpool University Press |
Total Pages | : 208 |
Release | : 2022-10-15 |
Genre | : Literary Criticism |
ISBN | : 1638040192 |
This project overall attempts to recast Appalachian literature in terms of a ‘lost tradition’ of texts that are generally out-of-print though of central importance to understanding the history of the region and its current environmental and cultural challenges. The epilogue will also consider the way that ecological-based literary criticism offers a vital language for how antebellum travel writers sought to frame the region from a 19th-century environmental point of view. The book aims to resituate the field of Appalachian Studies to an earlier historic genesis in the 19th-century and bring to light several books which have received scant scholarly attention in the canon of Appalachian and American literature, respectively. The book centers on the argument that mid-19th-century travel writers going through or from the Appalachian region drew on familiar versions of 18th-century European, mainly British, landscape aesthetics that would help make the readerly experience less alien to their erudite regional and Northern audiences. These travel writers, such as Philip Pendleton Kennedy and David Hunter Strother, consciously appropriated such aesthetic tropes as the pastoral as a way to further dramatic the effect in their nonfiction accounts of Appalachia, while the reader could find such references comforting as they considered whether to domesticate or tour the Appalachian region.
Author | : Claudia T. Kairoff |
Publisher | : JHU Press |
Total Pages | : 502 |
Release | : 2011-11-30 |
Genre | : Literary Criticism |
ISBN | : 1421406632 |
A critical study of the prominent British poet’s work. Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century. “Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman “This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice “Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies
Author | : Gillian Russell |
Publisher | : Cambridge University Press |
Total Pages | : 325 |
Release | : 2020-08-27 |
Genre | : Literary Criticism |
ISBN | : 1108487580 |
This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.
Author | : Sophie Laniel-Musitelli |
Publisher | : Open Book Publishers |
Total Pages | : 185 |
Release | : 2021-03-10 |
Genre | : Literary Criticism |
ISBN | : 1800640749 |
‘Eternity is in love with the productions of time’. This original edited volume takes William Blake’s aphorism as a basis to explore how British Romantic literature creates its own sense of time. It considers Romantic poetry as embedded in and reflecting on the march of time, regarding it not merely as a reaction to the course of events between the late-eighteenth and mid-nineteenth centuries, but also as a form of creative engagement with history in the making. The authors offer a comprehensive overview of the question of time from a literary perspective, applying a diverse range of critical approaches to Romantic authors from William Blake and Percy Shelley to John Clare and Samuel Rodgers. Close readings uncover fresh insights into these authors and their works, including Frankenstein, the most familiar of Romantic texts. Revising current thinking about periodisation, the authors explore how the Romantic poetics of time bears witness to the ruptures and dislocations at work within chronological time. They consider an array of topics, such as ecological time, futurity, operatic time, or the a-temporality of Venice. As well as surveying the Romantic canon’s evolution over time, these essays approach it as a phenomenon unfolding across national borders. Romantic authors are compared with American or European counterparts including Beethoven, Irving, Nietzsche and Beckett. Romanticism and Time will be of great value to literary scholars and students working in Romantic Studies. It will be of further interest to philosophers and historians working on the connections between philosophy, history and literature during the nineteenth century.