History Of Architecture And Ornament
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| Author | : Gülru Necipoğlu |
| Publisher | : Princeton University Press |
| Total Pages | : 464 |
| Release | : 2016-03-08 |
| Genre | : Architecture |
| ISBN | : 0691167281 |
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).
| Author | : Antoine Picon |
| Publisher | : John Wiley & Sons |
| Total Pages | : 306 |
| Release | : 2014-05-29 |
| Genre | : Architecture |
| ISBN | : 111858824X |
Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
| Author | : Owen Jones |
| Publisher | : |
| Total Pages | : 618 |
| Release | : 1868 |
| Genre | : Decoration and ornament |
| ISBN | : |
| Author | : James Trilling |
| Publisher | : University of Washington Press |
| Total Pages | : 306 |
| Release | : 2003 |
| Genre | : Architecture |
| ISBN | : 9780295981482 |
This text is a wide-ranging consideration of the cultural and symbolic significance of ornament, its rejection by modernism and its subsequent reinvention. Trilling explains how ornament works, why it has to be explained and why it matters.
| Author | : Brent C. Brolin |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 308 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9780393730463 |
Embellishment is a basic human need. Why was it banished from modern architecture?
| Author | : Dr Paul Dobraszczyk |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 343 |
| Release | : 2014-06-27 |
| Genre | : Art |
| ISBN | : 1472418980 |
In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture.
| Author | : Alfred Dwight Foster Hamlin |
| Publisher | : |
| Total Pages | : 488 |
| Release | : 1916 |
| Genre | : History |
| ISBN | : |
| Author | : Albert Hill |
| Publisher | : Phaidon Press |
| Total Pages | : 0 |
| Release | : 2017-06-19 |
| Genre | : Architecture |
| ISBN | : 9780714874166 |
An unprecedented homage to modernist architecture from the 1920s up to the present day Ornament Is Crime is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.
| Author | : Margaret Maliszewski-Pickart |
| Publisher | : McFarland |
| Total Pages | : 209 |
| Release | : 2024-10-16 |
| Genre | : Art |
| ISBN | : 1476609497 |
For architects, historians, preservationists, students or homeowners, this richly illustrated two-part dictionary makes it easy to identify a specific architectural detail. This work allows you to visually identify a particular building element in a series of illustrations. Once the visual identification is made, the name of the term is given, making it simple to look up in the traditional architectural dictionary section of the book. The illustrations are arranged by main categories with common labels--windows and doors; walls; roofs; columns; stairs; ornament and moldings; and arches, vaults and domes. This broad range of architectural illustrations allows the work to function not only as a traditional architectural dictionary, but also as a design source or as an overview of architectural ornament and detailing.
| Author | : Harry Francis Mallgrave |
| Publisher | : Wiley-Blackwell |
| Total Pages | : 3320 |
| Release | : 2017-04-25 |
| Genre | : Architecture |
| ISBN | : 9781118887226 |
Unprecedented in its in-depth coverage, and with over 500 illustrations, photographs, and architectural drawings the multi-volume Companion to the History of Architecture offers an indispensable resource on architectural thought and practice ranging from the 15th century to the present day. AUTHORITATIVE: Brings together an international team of over one hundred eminent historians, academics and practising architects USER-FRIENDLY: Accessibly structured into volumes organized both chronologically and thematically, spanning the architecture of the Medieval, Renaissance, and Enlightenment periods, through to the 19th, 20th, and 21st centuries INCLUSIVE: Spans a broad and global range of issues, from the impact of war and religion on city architecture; its relationship with the public; and architecture and the sciences; to examples such as materials and Tectonic expression; Beaux-arts and the Gothic; and contemporary issues, such as contemporary architecture's critical review of its cultural production, ecology, technological saturation, and ontological engagement with a world now largely urbanized CUTTING-EDGE: Reviews the most recent developments in the field, including theory and practice from the past ten years, along with likely future developments in the history of architecture MULTI-FORMAT: Publishing simultaneously in print and online, providing an unparalleled reference work for students and scholars alike
