History Fiction And Germany
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Author | : David E. Wellbery |
Publisher | : Harvard University Press |
Total Pages | : 1038 |
Release | : 2004 |
Genre | : Education |
ISBN | : 9780674015036 |
'A New History of German Literature' offers some 200 essays on events in German literary history.
Author | : Mary Fulbrook |
Publisher | : |
Total Pages | : 265 |
Release | : 1999 |
Genre | : Germany |
ISBN | : |
Author | : Hagen Schulze |
Publisher | : Harvard University Press |
Total Pages | : 372 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780674005457 |
A history of Germany, covering two thousand years from the revolt of the indigenous tribes against Roman domination to the fall of the Berlin Wall.
Author | : Simon Winder |
Publisher | : Picador |
Total Pages | : 511 |
Release | : 2010-01-28 |
Genre | : History |
ISBN | : 174303539X |
Germania is a very personal guide to the Germany that Simon Winder loves. Equally passionate about the region's history, folklore, cuisine, architecture and landscape, Winder describes Germany's past afresh – and in doing so sees a country much like our own: Protestant, aggressive and committed to eating some very strange food. This accessible, enthusiastic and startlingly vivid account is a brilliant introduction to the hidden wonders of Germany.
Author | : Brent Orlyn Peterson |
Publisher | : Wayne State University Press |
Total Pages | : 376 |
Release | : 2005 |
Genre | : History |
ISBN | : 9780814332009 |
A study of the content, development, and transmission of German identity during the nineteenth century as Germany's national narrative took shape in historical fiction and in both popular and academic history. The German-speaking inhabitants of central Europe did not automatically think of themselves as "Germans"--not before 1871 and not always after unification. In fact, they spoke mutually incomprehensible dialects, owed allegiance to different leaders, worshiped in different churches, and would not have recognized each other's customs. If asked about their identity, these prospective Germans might have answered Austrian, Bavarian, or Prussian, and they could as easily have used more local labels or resorted to occupational markers. For this disparate population to think of itself as "German," that word had to acquire content--people had to learn a whole set of stories they could tell themselves and to others in answer to the question of identity. History, Fiction, and Germany chronicles how German nationalism developed simultaneously with the historical novel and the field of history, both at universities and in middlebrow reading material. The book examines Germany's emerging national narrative as nineteenth-century writers adapted it to their own visions and to changing circumstances. These writers found and popularized the nation's heroes and heroines, demonized its villains and enemies, and projected the nation's hopes and dreams for the future. Author Brent O. Peterson argues that it was the production and consumption of national history--the writing and reading of the nation--that filled Germany with Germans. Although the task of national narration was never complete and never produced a single, universally accepted version of German national identity, tales from Germans' gradually shared history did more to create Germany than any statesman, general, or philosopher. History, Fiction, and Germany provides a valuable resource for scholars and students of German studies, as well as anyone interested in history and the articulation of national identity.
Author | : Armando Lucas Correa |
Publisher | : Simon and Schuster |
Total Pages | : 384 |
Release | : 2016-10-18 |
Genre | : Fiction |
ISBN | : 1501121243 |
AN INTERNATIONAL BESTSELLER Featured in Entertainment Weekly, People, The Millions, and USA TODAY “An unforgettable and resplendent novel which will take its place among the great historical fiction written about World War II.” —Adriana Trigiani, bestselling author of The Shoemaker's Wife A young girl flees Nazi-occupied Germany with her family and best friend, only to discover that the overseas refuge they had been promised is an illusion in this “engrossing and heartbreaking” (Library Journal, starred review) debut novel, perfect for fans of The Nightingale, Lilac Girls, and The Tattooist of Auschwitz. Berlin, 1939. Before everything changed, Hannah Rosenthal lived a charmed life. But now the streets of Berlin are draped in ominous flags; her family’s fine possessions are hauled away; and they are no longer welcome in the places they once considered home. A glimmer of hope appears in the shape of the St. Louis, a transatlantic ocean liner promising Jews safe passage to Cuba. At first, the liner feels like a luxury, but as they travel, the circumstances of war change, and the ship that was to be their salvation seems likely to become their doom. New York, 2014. On her twelfth birthday, Anna Rosen receives a mysterious package from an unknown relative in Cuba, her great-aunt Hannah. Its contents inspire Anna and her mother to travel to Havana to learn the truth about their family’s mysterious and tragic past. Weaving dual time frames, and based on a true story, The German Girl is a beautifully written and deeply poignant story about generations of exiles seeking a place to call home.
Author | : Steven Ozment |
Publisher | : Harper Collins |
Total Pages | : 418 |
Release | : 2005-01-18 |
Genre | : History |
ISBN | : 0060934832 |
The word "German" was being used by the Romans as early as the mid–first century B.C. to describe tribes in the eastern Rhine valley. Nearly two thousand years later, the richness and complexity of German history have faded beneath the long shadow of the country's darkest hour in World War II. Now, award-winning historian Steven Ozment, whom The New Yorker has hailed as "a splendidly readable scholar," gives us the fullest portrait possible in this sweeping, original, and provocative history of the German people, from antiquity to the present, holding a mirror up to an entire civilization -- one that has been alternately Western Europe's most successful and most perilous.
Author | : Helen Watanabe-O'Kelly |
Publisher | : Cambridge University Press |
Total Pages | : 632 |
Release | : 2000-06-12 |
Genre | : Literary Criticism |
ISBN | : 9780521785730 |
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
Author | : David Blamires |
Publisher | : Open Book Publishers |
Total Pages | : 476 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 1906924090 |
Germany has had a profound influence on English stories for children. The Brothers Grimm, The Swiss Family Robinson and Johanna Spyri's Heidi quickly became classics but, as David Blamires clearly articulates in this volume, many other works have been fundamental in the development of English chilren's stories during the 19th Centuary and beyond. Telling Tales is the first comprehensive study of the impact of Germany on English children's books, covering the period from 1780 to the First World War. Beginning with The Adventures of Baron Munchausen, moving through the classics and including many other collections of fairytales and legends (Musaus, Wilhelm Hauff, Bechstein, Brentano) Telling Tales covers a wealth of translated and adapted material in a large variety of forms, and pays detailed attention to the problems of translation and adaptation of texts for children. In addition, Telling Tales considers educational works (Campe and Salzmann), moral and religious tales (Carove, Schmid and Barth), historical tales, adventure stories and picture books (including Wilhelm Busch's Max and Moritz) together with an analysis of what British children learnt through textbooks about Germany as a country and its variegated history, particularly in times of war.
Author | : Birgit Tautz |
Publisher | : Penn State Press |
Total Pages | : 279 |
Release | : 2017-12-07 |
Genre | : Literary Criticism |
ISBN | : 0271080515 |
In Translating the World, Birgit Tautz provides a new narrative of German literary history in the late eighteenth and early nineteenth centuries. Departing from dominant modes of thought regarding the nexus of literary and national imagination, she examines this intersection through the lens of Germany’s emerging global networks and how they were rendered in two very different German cities: Hamburg and Weimar. German literary history has tended to employ a conceptual framework that emphasizes the nation or idealized citizenry, yet the experiences of readers in eighteenth-century German cities existed within the context of their local environments, in which daily life occurred and writers such as Lessing, Schiller, and Goethe worked. Hamburg, a flourishing literary city in the late eighteenth century, was eventually relegated to the margins of German historiography, while Weimar, then a small town with an insular worldview, would become mythologized for not only its literary history but its centrality in national German culture. By interrogating the histories of and texts associated with these cities, Tautz shows how literary styles and genres are born of local, rather than national, interaction with the world. Her examination of how texts intersect and interact reveals how they shape and transform the urban cultural landscape as they are translated and move throughout the world. A fresh, elegant exploration of literary translation, discursive shifts, and global cultural changes, Translating the World is an exciting new story of eighteenth-century German culture and its relationship to expanding global networks that will especially interest scholars of comparative literature, German studies, and literary history.