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| Author | : Jonathan Stone |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 313 |
| Release | : 2013 |
| Genre | : Literary Collections |
| ISBN | : 0810871823 |
The Historical Dictionary of Russian Literature contains a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 100 cross-referenced entries on significant people, themes, critical issues, and the most significant genres...
| Author | : Daniel Jaffé |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 563 |
| Release | : 2022-02-15 |
| Genre | : Music |
| ISBN | : 1538130084 |
Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.
| Author | : Laurence Senelick |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 693 |
| Release | : 2015-08-13 |
| Genre | : Performing Arts |
| ISBN | : 1442249277 |
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
| Author | : William Hughes |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 345 |
| Release | : 2013 |
| Genre | : Fiction |
| ISBN | : 0810872285 |
Provides an extensive chronology and an introduction which explains the nature of Gothic and shows how it has evolved. Includes entries on major writers, and works of geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction.
| Author | : Andrew Spicer |
| Publisher | : Scarecrow Press |
| Total Pages | : 533 |
| Release | : 2010-03-19 |
| Genre | : Performing Arts |
| ISBN | : 0810873788 |
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
| Author | : Didar Kassymova |
| Publisher | : Scarecrow Press |
| Total Pages | : 363 |
| Release | : 2012-05-18 |
| Genre | : History |
| ISBN | : 0810879832 |
Kazakhstan is in some ways a very old nation dating back to the Kazakh Khanate of 1458, but it dramatically transformed within the Russian Empire and even more so during the period when it was part of the Union of Soviet Socialist Republics. Since 1991 it has been independent and has had to forge its own policy in all fields. Kazakhstan is in an enviable position in terms of exportable natural resources, but at the same time it is faced with many domestic problems, such as an inadequate infrastructure. Along with solving a multitude of social problems, Kazakhstan has had to simultaneously create a normal functioning state, which added to its political difficulties. The situation at present is a state run by a strong ruler, which solves some problems but creates others. The Historical Dictionary of Kazakhstan covers the history of Kazakhstan through a chronology, an introductory essay, appendixes, and a bibliography. The dictionary section has over 400 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Kazakhstan.
| Author | : Victor Terras |
| Publisher | : Yale University Press |
| Total Pages | : 584 |
| Release | : 1985-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780300048681 |
Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays
| Author | : Boris Raymond |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : |
A detailed introduction and chronology puts the country's history in perspective, while maps, a selected bibliography of Russian history, and several lists of the American Divisions of the Russian Republic as well as a listing of the principle bodies of water and mountain ranges help complete the geographical and political picture of the country.
| Author | : Rafis Abazov |
| Publisher | : Scarecrow Press |
| Total Pages | : 348 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780810853621 |
Turkmenistan is known for its huge oil and gas resources, as well as for the rich, complex, and captivating history of the Turkmen people. For centuries they were known as skillful and courageous warriors who left deep marks in the histories of other countries, such as India, Russia, Afghanistan, Turkey, Iran, Iraq, and Egypt. As craftsmen, they constructed extraordinary architectural monuments, whose ruins can be found all over the country, and famous Turkoman carpets are still highly valued in many parts of the world. Yet, for centuries, foreign invaders and local tribal conflict plagued the land with wars that devastated the Turkmen society and destroyed its magnificent but fragile oases. In the late 19th century, the Turkmens witnessed the establishment of the Russian Empire in their lands. In the years following, these lands were united by the Soviet government into a single political entity in an attempt to force the Soviet style nation-state building and socio-economic transformations. In 1991, the Turkmen parliament voted for the country's independence and promised to build a sovereign state capable of bringing prosperity and social and political stability to the society. The reality, however, proved to be more complex. After more than 15 years of independence, Turkmenistan still faces a number of difficulties, including economic and structural issues, security challenges, growing competition between various clans, and widespread poverty. Historical Dictionary of Turkmenistan provides a concise overview of the historical development of Turkmenistan. The introduction and chronology provide an overview of the Turkmen history, focusing on the history of the country in the 20th century, political and economic development, ethnic policies, and nation building. This is the first comprehensive reference book on Turkmenistan published in English that provides comprehensive up-to-date details about the contemporary history, economy, and culture. The dictionary consists of approximately 300 entries a
| Author | : Andrew Kahn |
| Publisher | : Oxford University Press |
| Total Pages | : 1202 |
| Release | : 2018-04-13 |
| Genre | : Literary Criticism |
| ISBN | : 0192549537 |
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and personal. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular brings out trans-historical features that contribute to the notion of a national literature. The volume's time range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
