Henry Moore 1950 76
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Henry Moore
Author | : Henry Moore |
Publisher | : Toronto, Art Gallery of Ontario |
Total Pages | : 0 |
Release | : 1967 |
Genre | : Art |
ISBN | : |
Henry Moore-- Writings and Conversations
Author | : Henry Moore |
Publisher | : Univ of California Press |
Total Pages | : 324 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780520231610 |
"For both admirers and students of Henry Moore's work, this book will be a blessing. Moore's humanity and intelligence make this compendium a plea-sure to dip into as well as scholarly and comprehensive."--Roger Berthoud, author of The Life of Henry Moore "Alan Wilkinson has trawled the rich material with exemplary thoroughness.... The nature and purpose of Moore's writing is illuminated. The introduction reflects Wilkinson's long friendship with Moore, and the commentary and notes testify to a remarkable knowledge of the artist's work, his circle and his ideas."--Sir Alan Bowness, editor of the Henry Moore Complete Sculpture Series
The England of Eric Ravilious
Author | : Freda Constable |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 108 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
Acknowledged as one of the greatest English wood-engravers, Eric Ravilious was also a serious landscape watercolourist. This aspect of his oeuvre was generally neglected until the publication of The England of Eric Ravilious, a study hailed on publication as 'an irresistible book about a still underrated artist'.
Lynn Chadwick, Sculptor
Author | : Dennis Farr |
Publisher | : Lund Humphries Publishers |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Sculptors |
ISBN | : 9780853319429 |
Lynn Chadwick (1914-2003) was one of the leading British sculptors of his generation. This illustrated catalogue raisonné of his sculpture is published in a revised and expanded edition which incorporates Chadwick's complete sculptural oeuvre up to his death in 2003 and all known additions and updates to the catalogue information on his work to the end of 2005.Chadwick began his career as an architectural draughtsman, but after the Second World War he took up sculpture without any formal training. He initially concentrated on mobiles, and these were followed by rough-finished metal structures supported on thin legs. He established his international reputation in 1956, when he won the International Prize for Sculpture at the Venice Biennale. He consistently worked in welded iron and was constantly intrigued by human and animal forms: no matter how abstract the sculpture became at times, it was always firmly rooted in a deep understanding of the natural world.This indispensable reference book includes a comprehensive list of Chadwick's exhibitions, the public collections he is represented in, and a full biography, alongside the fully illustrated complete catalogue of his sculpture. The introductory essay by Dennis Farr, which draws on interviews with the artist, examines Chadwick's development as a sculptor and his sculptural techniques.
Congressional Record
Author | : United States. Congress |
Publisher | : |
Total Pages | : 1324 |
Release | : 1968 |
Genre | : Law |
ISBN | : |
Celebrating Moore
Author | : Henry Moore |
Publisher | : Univ of California Press |
Total Pages | : 373 |
Release | : 1998 |
Genre | : Art |
ISBN | : 0520216709 |
In celebration of the 100th anniversary of Henry Moore's birth, this book features the most important and comprehensive single group of Moore's Drawings, graphics, and sculpture. More than 300 of Moore's acclaimed works are reproduced, along with fresh insights and personal anecdotes by colleagues. 290 color illustrations.
Henry Moore, Sculpting the 20th Century
Author | : Dorothy M. Kosinski |
Publisher | : Yale University Press |
Total Pages | : 332 |
Release | : 2001-01-01 |
Genre | : Art |
ISBN | : 0300089929 |
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Henry Moore: 1930-39
Author | : Henry Moore |
Publisher | : |
Total Pages | : 284 |
Release | : 1998 |
Genre | : Drawing, British |
ISBN | : |
This seventh and final volume in the complete catalog of Henry Moore's drawings is an essential key to the material contained in the other six volumes. It provides a consolidated version of all the reference apparatus contained in each of the other volumes (index, concordance and list of exhibitions), enabling the user to track down any particular drawing from any period or volume by means of its title, HMF or AG number. In addition, this volume includes a list of Addenda and Corrigenda relating to information that has come to light since this series was launched in 1994. Some 150 items are included in this section. The opportunity has also been seized to catalog about 600 previously unpublished drawings produced by Moore in the last two years of his life (1984-86) and held in the archives of the Henry Moore Foundation. About fifty of these are illustrated and give a flavor of the fine quality of the artist's output even as he approached the end of his life.