Henry Irvings Waterloo
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| Author | : W. D. King |
| Publisher | : Univ of California Press |
| Total Pages | : 330 |
| Release | : 2023-11-10 |
| Genre | : Literary Criticism |
| ISBN | : 0520333322 |
In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself. Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
| Author | : Richard Foulkes |
| Publisher | : Routledge |
| Total Pages | : 230 |
| Release | : 2017-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1351156462 |
Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. Like Wagner, Irving was a proponent of a holistic approach to the stage, that is, blending together acting, painting, music, and architecture to create harmonious, balanced, and artistic theatre. Irving emerges not only as the peer of such eminent contemporaries as Tennyson, Sullivan, Shaw, and Burne-Jones, but also as a powerful influence on the twentieth-century theatre.
| Author | : W. D. King |
| Publisher | : Univ of California Press |
| Total Pages | : 330 |
| Release | : 1993-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780520080720 |
"This is an extraordinary, provocative, and informative book which covers a wide range of aspects of the theatre of the time and touches upon a large number of individual artists and personalities. The book locates a theatrical phenomenon in the larger culture, drawing upon documents around and beyond the theatre itself. It will shake up complacent scholars, generate a new methodological freedom, and open up a whole period to sophisticated and creative cultural analysis."--Cary M. Mazer, author of Shakespeare Refashioned "W. D. King has developed an original close-reading of a particular (and only apparently marginal) episode of theatrical history and has placed that episode within a network of crucial cultural issues and values. The book is original in methodology, elegant in its argument, and persuasive in its conclusions."--Joseph R. Roach, author of The Player's Passion
| Author | : Alan Forrest |
| Publisher | : OUP Oxford |
| Total Pages | : 241 |
| Release | : 2015-03-26 |
| Genre | : History |
| ISBN | : 0191640298 |
Waterloo was the last battle fought by Napoleon and the one which finally ended his imperial dreams. It involved the deployment of huge armies and incurred heavy losses on both sides; for those who fought in it, Dutch and Belgians, Prussians and Hanoverians as well as British and French troops, it was a murderous struggle. It was a battle that would be remembered very differently across Europe. In Britain it would be seen as an iconic battle whose memory would be enmeshed in British national identity across the following century. In London news of the victory unleashed an outburst of patriotic celebration and captured the imagination of the public. The Duke of Wellington would go on to build his political career on it, and towns and cities across Britain and the Empire raised statues and memorials to the victor. But it was only in Britain that Waterloo acquired this iconic status. In Prussia and Holland its memory was muted - in Prussia overshadowed by the Battle of the Nations at Leipzig, in Holland a simple appendage to the prestige of the House of Orange. And in France it would be portrayed as the very epitome of heroic defeat. Encapsulated in the bravery of General Cambronne and the last stand of the Old Guard, remembered movingly in the lines of Stendhal and Victor Hugo, the memory of Waterloo served to sustain the romantic legend of the Napoleonic Wars - and contributed to the growing cult of Napoleon himself.
| Author | : Jane Milling |
| Publisher | : Cambridge University Press |
| Total Pages | : 597 |
| Release | : 2004-12-09 |
| Genre | : Drama |
| ISBN | : 0521651328 |
| Author | : José María Gutiérrez Arranz |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 185 |
| Release | : 2009-03-26 |
| Genre | : Social Science |
| ISBN | : 1443808490 |
This book contains a multicultural and multifaceted study of ideologies and conflicts related to the complex realities and fictions of Nation and Identity represented in contemporary literature written in English. The history and present time of the United Kingdom, the British Empire and North America provide vast fields of research which have been explored by our selection of authors. Their interests range from the moral and personal consequences of modern nationalist conflicts to the memories of old racial confrontations on the British soil. Readers will find analyses and reflections on the individual’s pursuit of identity in a challenging environment that covers more than two centuries of mainly Western civilization and abound in national dilemmas, social concerns, authoritarian legacies, and problematic postcolonial hybridizations. Short stories, novels, plays and poems by Irish, American, English, Nigerian, and Scottish writers will enable readers to consider the diverse approaches, propositions and debates the issues raised by Nation and Identity are being dealt with.
| Author | : Jeffrey Kahan |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2008-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 1135973652 |
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
| Author | : Robert Leach |
| Publisher | : Routledge |
| Total Pages | : 1004 |
| Release | : 2018-12-21 |
| Genre | : Art |
| ISBN | : 0429873336 |
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
| Author | : Michael Punter |
| Publisher | : Springer Nature |
| Total Pages | : 143 |
| Release | : |
| Genre | : |
| ISBN | : 3031678826 |
| Author | : Catherine Wynne |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 224 |
| Release | : 2002-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313013411 |
Arthur Conan Doyle is often perceived as the quintessential Englishman, patriotically devoted to the Crown and the empire's defender and apologist. But such a relegation is both limiting and simplistic. Born in Scotland to Irish Catholic parents, Doyle's heritage is complex. His paternal grandfather, John Doyle, had originally left Ireland for London in the early 19th century; his father was committed to the cause of Irish separatism; and his uncle resigned from his position as main cartoonist for ^IPunch^R after the journal launched an attack on the Pope. Consequently, British imperialism, Irish nationalism, and Catholic allegiance converge uneasily in his works. This book examines the resulting tensions between imperialism and colonialism in his writings. It argues that his thematic obsessions with topography, race, psyche, and sexuality stem from his ambivalence toward his own heritage. The volume repositions Doyle and redresses current critical approaches that have seen him solely as the advocate of empire and have ignored his colonial background. It explores how his fictions occur within a colonial context, the complexity of which is evident in gothic tropes of shifting landscapes, disguised criminalities, spiritualism, and sexual anomalies and conflicts.
