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| Author | : Gary Edward Holcomb |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015-05-29 |
| Genre | : Literary Criticism |
| ISBN | : 9780814252383 |
Explores Hemingway's wide-ranging influence on writers from the Harlem Renaissance to the present day.
| Author | : Silvio Calabi |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 285 |
| Release | : 2016-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 158667160X |
Ernest Hemingway is a mythic writer and alpha male. As a hunter and conservationist, he drew greatly from the strong example of Theodore Roosevelt, and he much enjoyed teaching newcomers to shoot and hunt. Including short excerpts from Hemingway's works, these stories of his guns and rifles tell us as much about him as a lifelong, expert hunter and shooter and as a man.
| Author | : Robert Paul Lamb |
| Publisher | : LSU Press |
| Total Pages | : 0 |
| Release | : 2011-02-18 |
| Genre | : Literary Criticism |
| ISBN | : 0807140031 |
In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.
| Author | : A. E. Hotchner |
| Publisher | : Macmillan |
| Total Pages | : 193 |
| Release | : 2015-10-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250077486 |
"In June of 1961, A.E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade. Hemingway divulged the details of the affair that destroyed his first marriage: the truth of his romantic life in Paris and how he lost Hadley, the true part of the literary woman he'd create and the great love he spent the rest of his life seeking. He told of the mischief that made him a legend: of impotence cured in a house of God; of a plane crash in the African bush, from which he stumbled with a bunch of bananas and a bottle of gin in hand; of F. Scott Fitzgerald dispensing romantic advice; of midnight champagne with Josephine Baker; of adventure, human error, and life after lost love. This is Hemingway as few have known him: humble and full of regret. To protect the feelings of Ernest's wife Mary (also a close friend) and to satisfy the terms of his publisher's cautious legal review, Hotch kept the conversations to himself for decades. Now he tells the story as Hemingway told it to him. Hemingway in Love puts you in the room with the master as he remembers the definitive years that set the course for the rest of his life and stayed with him until the end of his days"--
| Author | : Robert Paul Lamb |
| Publisher | : LSU Press |
| Total Pages | : 304 |
| Release | : 2013-01-02 |
| Genre | : Literary Criticism |
| ISBN | : 0807147443 |
In The Hemingway Short Story: A Study in Craft for Writers and Readers, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer. Lamb scrutinizes a selection of Hemingway's exemplary stories to illuminate the author's methods of construction and to show how craft criticism complements and enhances cultural literary studies. The Hemingway Short Story, the highly anticipated sequel to Lamb's critically acclaimed Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story, reconciles the creative writer's focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers. Beautifully written in clear and engaging prose, Lamb's study presents close readings of representative Hemingway stories such as "Soldier's Home," "A Canary for One," "God Rest You Merry, Gentlemen," and "Big Two-Hearted River." Lamb's examination of "Indian Camp," for instance, explores not only its biographical contexts -- showing how details, incidents, and characters developed in the writer's mind and notebook as he transmuted life into art -- but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text. Revealing how the short story operates as a distinct literary genre, Lamb provides the meticulous readings that the form demands -- showing Hemingway practicing his craft, offering new inclusive interpretations of much debated stories, reevaluating critically neglected stories, analyzing how craft is inextricably entwined with a story's cultural representations, and demonstrating the many ways in which careful examinations of stories reward us.
| Author | : Marc K. Dudley |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Race in literature |
| ISBN | : 9781606350928 |
William Faulkner has long been considered the great racial interrogator of the early twentieth-century South. In "Hemingway, Race, and Art", author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner's racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway's fascination with, and eventual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too. Dudley demonstrates how Hemingway's interest in race was closely aligned to a national anxiety over a changing racial topography. Affected by his American pedigree, his masculinity, and his whiteness, Hemingway's treatment of race is characteristically complex, at once both a perpetuation of type and a questioning of white self-identity. "Hemingway, Race, and Art" expands our understanding of Hemingway and his work and shows how race consciousness pervades the text of one of America's most important and influential writers. -- From publisher's description.
| Author | : Ernest Hemingway |
| Publisher | : Simon and Schuster |
| Total Pages | : 167 |
| Release | : 2014-05-22 |
| Genre | : Biography & Autobiography |
| ISBN | : 147677014X |
There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.
| Author | : Suzanne del Gizzo |
| Publisher | : Cambridge University Press |
| Total Pages | : 531 |
| Release | : 2020-09-17 |
| Genre | : Literary Criticism |
| ISBN | : 1108849148 |
The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.
| Author | : Ernest Hemingway |
| Publisher | : Courier Dover Publications |
| Total Pages | : 82 |
| Release | : 2023-04-12 |
| Genre | : Fiction |
| ISBN | : 0486851435 |
"In The Torrents of Spring, Ernest Hemingway crafted his disillusions into a comedic satire aimed at Sherwood Anderson's Dark Laughter as well as other great writers of the day"--
| Author | : Steve Paul |
| Publisher | : Chicago Review Press |
| Total Pages | : 170 |
| Release | : 2017-10-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1613739745 |
In the summer of 1917, Ernest Hemingway was an 18-year-old high school graduate unsure of his future. The American entry in the Great War stirred thoughts of joining the army. While many of his friends in Oak Park, Illinois, were heading to college, Hemingway couldn't make up his mind, and eventually chose to begin a career in writing and journalism at one of the great newspapers of its day, the Kansas City Star. In six and a half months, Hemingway experienced a compressed, streetwise alternative to a college education, which opened his eyes to urban violence, the power of literature, the hard work of writing, and a constantly swirling stage of human comedy and drama. The Kansas City experience led Hemingway into the Red Cross ambulance service in Italy, where, two weeks before his 19th birthday, he was dangerously wounded at the front. Award-winning writer Steve Paul takes a measure of these experiences that transformed Hemingway from a "modest, rather shy and diffident boy" to a young man who was increasingly occupied by recording the truth as he saw it of crime, graft, exotic temptations, violence, and war. Hemingway at Eighteen sheds new light on this young man bound for greatness and a writer at the very beginning of his journey.
