Heavy Metal At The Movies
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Author | : Gerd Bayer |
Publisher | : Routledge |
Total Pages | : 323 |
Release | : 2019-01-22 |
Genre | : Music |
ISBN | : 1351333976 |
The chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that creates an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.
Author | : Gerd Bayer |
Publisher | : |
Total Pages | : 214 |
Release | : 2019 |
Genre | : Heavy metal (Music) |
ISBN | : 9781138571594 |
The chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that creates an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.
Author | : Mike McPadden |
Publisher | : Bazillion Points LLC |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Performing Arts |
ISBN | : 9781935950066 |
Wherever heavy metal has gone, heavy metal movies have followed, blazing ferocious new celluloid trails; from concert movies and trippy midnight flicks at the dawn of "heaviosity" through inspirational depictions of ancient times and future apocalypses to the raw hand-held video productions of today. "Heavy Metal Movies" rounds up, reviews, and canonizes all known incidents of the heavy metal in motion pictures, from performance films, feature documentaries, occult rock 'n' roll horror, and headbanger characters to soundtrack standouts, namesake inspirations, lyrical references, aesthetic archetypes, and more. As brash, irreverent, and visceral as both the music and the movies themselves, "Heavy Metal Movies" is the ultimate guidebook to the complete molten musical cinema experience.
Author | : Carl Macek |
Publisher | : |
Total Pages | : 0 |
Release | : 1996 |
Genre | : Animated films |
ISBN | : 9780878165247 |
Over eighty color illustrations from each of the film's episodes -- Soft Landing, Taarna, Harry Canyon, Den, So Beautiful and So Dangerous, Gremlins, Captain Sternn, and Grimaldi. Features the lost footage restored in the newly released version of the movie.
Author | : Daniel Ekeroth |
Publisher | : Bazillion Points LLC |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 9780979616365 |
By and large, Sweden's place in film history is secure and prominent. Swedish films are associated with Ingmar Bergman's successful and high-quality works. However, another breed of Swedish film is notorious for its laissez-faire attitude towards nudity and relaxed sexuality. Produced in the back yard of the Swedish film industry, these sexually daring films join countless sensational movies that deal with shocking or taboo subjects - street punks, space aliens, hard drugs and drunken Vikings. Ekeroth delves into Swedish culture and returns with an overview of 'Sensationsfilms'.
Author | : Deena Weinstein |
Publisher | : Da Capo Press |
Total Pages | : 370 |
Release | : 2009-08-05 |
Genre | : Music |
ISBN | : 0786751037 |
Few forms of music elicit such strong reactions as does heavy metal. Embraced by millions of fans, it has also attracted a chorus of critics, who have denounced it as a corrupter of youth—even blamed it for tragedies like the murders at Columbine. Deena Weinstein argues that these fears stem from a deep misunderstanding of the energetic, rebellious culture of metal, which she analyzes, explains, and defends. She interprets all aspects of the metal world—the music and its makers, its fans, its dress code, its lyrics—and in the process unravels the myths, misconceptions, and truths about an irreverent subculture that has endured and evolved for twenty years.
Author | : Carl Macek |
Publisher | : |
Total Pages | : 128 |
Release | : 1981 |
Genre | : Animated films |
ISBN | : 9780918432391 |
Author | : Christopher L. Ballengee |
Publisher | : Rowman & Littlefield |
Total Pages | : 195 |
Release | : 2022-11-01 |
Genre | : Music |
ISBN | : 1666902969 |
Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.
Author | : Nick Bentley |
Publisher | : Springer |
Total Pages | : 263 |
Release | : 2018-03-31 |
Genre | : History |
ISBN | : 3319731890 |
This collection explores the representation, articulation and construction of youth subcultures in a range of texts and contexts. It brings together scholars working in literary studies, screen studies, sociology and cultural studies whose research interests lie in the aesthetics and cultural politics of youth. It contributes to, and extends, contemporary theoretical perspectives around youth and youth cultures. Contributors examine a range of topics, including ‘bad girl’ fiction of the 1950s, novels by subcultural writers such as Colin MacInnes, Alex Wheatle and Courttia Newland, as well as screen representations of Mods, the 1990s Rave culture, heavy metal, and the Manchester scene. Others explore interventions into subcultural theory with respect to metal, subcultural locations, abjection, graffiti cultures, and the potential of subcultures to resist dominant power frameworks in both historical and contemporary contexts.
Author | : Timothy B. Cochran |
Publisher | : Routledge |
Total Pages | : 216 |
Release | : 2021-08-16 |
Genre | : Music |
ISBN | : 0429874693 |
Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively—that is, draw attention to what it is and what it can do. Examining a wide range of movies from the last thirty-five years including examples from Indiewood, teen film, and blockbuster cinema. The book explores two recurring ideas about music implied by foregrounded musical activity on screen: that music can be a potent means of sincere expression and genuine human connection and that music can enable transcendence of disenchantment and the mundane. The book covers eclectic critical terrain to highlight various layers of musical sincerity and transcendence in film, including the nineteenth-century aesthetics of E.T.A. Hoffmann, David Foster Wallace’s literary resistance to irony (sometimes called the New Sincerity), strategies of self-revelation in singer-songwriter repertoires, Lionel Trilling’s distinction between sincerity and authenticity, theories of play, David Nye’s notion of the American technological sublime, and Svetlana Boym’s writings on nostalgia. These lenses reveal that film is a way of perpetuating, revising, and critiquing ideas about music and that music in film is a potent means of exploring broader social, emotional, and spiritual desires.