Harmony In Practice
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Author | : Anna Butterworth |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Harmony |
ISBN | : 9781854728333 |
A workbook that discusses the main elements of tonal harmony, and contains numerous music examples and exercises for working. Particularly helpful to bridge the gap between Grade 5 and Grade 6 theory, and also very useful material for all higher-grade theory exam entrants, and for A Level, Diploma and undergraduate music students.
Author | : Dmitri Tymoczko |
Publisher | : OUP USA |
Total Pages | : 469 |
Release | : 2011-03-21 |
Genre | : Mathematics |
ISBN | : 0195336674 |
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Author | : Peter Spencer |
Publisher | : Pearson |
Total Pages | : 432 |
Release | : 2012-03 |
Genre | : Music |
ISBN | : 9780205889068 |
ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that youselect the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition,you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. --
Author | : Robert W. Ottman |
Publisher | : Pearson College Division |
Total Pages | : 468 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780132816106 |
The Fifth Edition of Robert Ottman's Elementary Harmony continues to present a thorough introduction to harmony with continuous step-by-step development and review of concepts and skills. Changes throughout simplify instructor presentations and effect rapid student assimilation of subject matter. Book jacket.
Author | : Joseph Paulson |
Publisher | : Alfred Music |
Total Pages | : 88 |
Release | : |
Genre | : Music |
ISBN | : 9781457490217 |
A well-used general text, this book covers material from figured bass to contemporary practices and ideas in a two-year course. There is a particularly strong chapter on ear training. Organizing progress of study is expedited by having both workbook and text under the same cover.
Author | : Robert W. Ottman |
Publisher | : Pearson |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Harmony |
ISBN | : 9780130856999 |
"Advanced Harmony: Theory and Practice" presents a systematic study of the principles of harmonic composition as developed by the composers of the 17th to the 19th centuries. The text applies an incremental learning approach to the academic aspect of music and applies newly acquired knowledge to the writing of music. Covers topics such as modulation, triads, chords, the 19th century, the 20th century, melody, rhythm, harmony, various composes, and more. For musicians just starting out, or for anyone interested in learning more about music theory.
Author | : Peter Spencer |
Publisher | : Pearson |
Total Pages | : 464 |
Release | : 2017-01-16 |
Genre | : Harmony |
ISBN | : 9780133785203 |
For courses in Music Theory A text/workbook combination that gives students the tools to understand harmonic structures With an emphasis on learning by doing, The Practice of Harmony, Seventh Edition takes students from music fundamentals through harmony in common practice to some of the more important harmonic procedures of the 20th century. Its approach is "additive" -- enabling students to use what was learned in one chapter to understand material in the next -- to minimize rote memorization, since students repeatedly use the concepts throughout the semester. The text begins with an overview of music fundamentals; the middle addresses the use of harmony in common practice; and the concluding section offers a basic glimpse of the harmonic practices of the 20th century. The authors intentionally avoid elaborate descriptions of their conceptual framework and refrain from specifying instructional methods, thereby allowing instructors a wide spectrum of teaching approaches in the classroom. NOTE: This ISBN is for a Pearson Books a la Carte edition: a convenient, three-hole-punched, loose-leaf text. In addition to the flexibility offered by this format, Books a la Carte editions offer students great value, as they cost significantly less than a bound textbook.
Author | : W. A. Mathieu |
Publisher | : Simon and Schuster |
Total Pages | : 724 |
Release | : 1997-08-01 |
Genre | : Music |
ISBN | : 1620554011 |
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Author | : Vincent Persichetti |
Publisher | : London : Faber & Faber |
Total Pages | : 287 |
Release | : 1961 |
Genre | : Harmony |
ISBN | : 9780571112166 |
Author | : George Pratt |
Publisher | : |
Total Pages | : 164 |
Release | : 1996 |
Genre | : Music |
ISBN | : 9780198790204 |
This is a readable and imaginative book presenting, with infectious enthusiasm, a sensible simplification of the main processes of classical harmony in the Bach-Schubert period. Pratt's explanations of concepts such as "real" and "substitute" chords, of false distinctions between "major" and "minor" and of the simple basis of seemingly complex chromatic harmony enables readers to grasp the principles of harmonic progression, and to see most progressions as a form of "dominant-powered" movement. He focuses his study on Bach chorales, Mozart piano sonatas, and a Schubert song cycle, thereby providing depth, variety, and a realistic sense of a context of "real music" to his explanations and to the exercises. But he also offers the reader an immediate invitation to apply the same principles to an immense range of musical literature from Monteverdi to Scott Joplin.