Harmonizing Bach Chorales
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Author | : Christopher Czarnecki |
Publisher | : |
Total Pages | : |
Release | : 2019-11-15 |
Genre | : |
ISBN | : 9780989087933 |
A collection of all the known chorales of J.S. Bach in one easy to read format. This is a paperback version of these pieces designed for the musician. Each chorale is given it's own page with plenty of room for notes and large, easy to read notation. There is plenty of room for the music student to write in their own notes and analysis.A helpful index of existing versions of the 371 and 389 Bach chorales as well as BWV numbers is included in the preface for those who might wish to compare or cross reference these versions of the chorales as they appear in this volume of 413.
Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : 192 |
Release | : 1941 |
Genre | : Chorales |
ISBN | : |
Author | : Walter E. Buszin |
Publisher | : Alfred Music Publishing |
Total Pages | : 100 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780769243979 |
A choral worship collection for SATB voicing, composed by Johann Sebastian Bach, compiled and edited by Walter E. Buszin.
Author | : Allen Irvine McHose |
Publisher | : New York : Appleton-Century-Crofts |
Total Pages | : 460 |
Release | : 1947 |
Genre | : Chorales |
ISBN | : |
Author | : Jerry Silverman |
Publisher | : Mel Bay Publications |
Total Pages | : 433 |
Release | : 2011-03-04 |
Genre | : Music |
ISBN | : 1610650662 |
This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. the chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings.
Author | : Lori Burns |
Publisher | : Pendragon Press |
Total Pages | : 264 |
Release | : 1995 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780945193746 |
J.S. Bach's chorale settings of modal cantus firmi pose an interesting problem for the modern analyst: What assumptions'modal or tonal'does one bring to the music and what analytic techniques does one use? Are conventional tonal theories adequate to represent the harmonic techniques used in this repertoire? Are conventional modal theories adequate? Lori Burns explores these questions in her
Author | : Matthew Dirst |
Publisher | : Cambridge University Press |
Total Pages | : 201 |
Release | : 2012-03-29 |
Genre | : Literary Criticism |
ISBN | : 0521651603 |
Matthew Dirst examines the leading role of Bach's keyboard works in the creation of his historical legacy.
Author | : Cory Hall |
Publisher | : |
Total Pages | : |
Release | : 2019-06-15 |
Genre | : |
ISBN | : 9780578523170 |
20 Exercises (Part 1) of Charles-Louis Hanon's "The Virtuoso Pianist" transposed into all 24 major and minor keys harmonized in thirds and sixths resulting in invertible counterpoint
Author | : Malcolm Boyd |
Publisher | : |
Total Pages | : 56 |
Release | : 1967 |
Genre | : Harmony |
ISBN | : |
Author | : Malcolm Boyd |
Publisher | : Kahn & Averill |
Total Pages | : 92 |
Release | : 1999 |
Genre | : Music |
ISBN | : |
Following methods known to have been adopted by Bach himself, the exercises provided in chorale harmonization are graded in such a way as to encourage the student to develop both technique and imagination within a closely-defined framework. The instrumental counterpoint section is based on Bach's two-and three-part Inventions. By close analysis the author helps the reader to recognize the procedures Bach adopted in various musical situations. The exercises are taken largely from Bach's keyboard works.