Hardcore Rap
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| Author | : Arion Berger |
| Publisher | : Universe Publishing(NY) |
| Total Pages | : 136 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : |
Secretly dreaming of sporting metal-rap 'ho or masta' pimp fashions? Can't turn the music up loud enough? Angry for no apparent reason? Constantly feel the need to break something? Or would you do it all for the nookie? If you've just answered yes to all these questions you're worthy of the label "mook," a term that has its roots in hip-hop and has evolved into its own popular and provocative form of music. From urban skater-kids to suburban mid-Western teens this genre of music has transcended all social and economic levels to become the "it" music for a post-grunge generation. A cutting edge category that is ferocious, in your face, and brutally honest, mockdom is becoming the sound of the century. This book documents the fusion of metal, rock, and hip-hop stomping the airwaves and making teen pop-queens cry. Find out how the Beastie Boys and Public Enemy laid the foundation and why the media made instant stars out of today's well-known acts such as Eminem, Limp Bizkit, Kid Rock, Shootyz Groove, 311, Orange 9mm, Rage Against the Machine, Korn, and others. Pimps, trailer trash, and attitude problems--love them or hate them these are the new crossover pop-stars; see them "fully exposed" in this gritty and intensely illustrated celebration on the family tree of metal-rap.
| Author | : Soren Baker |
| Publisher | : Abrams |
| Total Pages | : 636 |
| Release | : 2018-10-02 |
| Genre | : Music |
| ISBN | : 1683352351 |
Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C.
| Author | : Frank Alexander |
| Publisher | : Macmillan |
| Total Pages | : 244 |
| Release | : 2000-01-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780312242992 |
An insider in the world of gangsta rap reveals his experiences, and the dark and violent underbelly of the music world that ultimately killed his charge, Tupac Shakur.
| Author | : Sacha Jenkins |
| Publisher | : St. Martin's Griffin |
| Total Pages | : 355 |
| Release | : 2014-03-25 |
| Genre | : Music |
| ISBN | : 1466866977 |
Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.
| Author | : Chris Woodstra |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 178 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9780879309169 |
Contains brief reviews of over five hundred old school rap and hip-hop albums, as well as albums from the 1960s and 70s that provided inspiration for the development of rap; arranged alphabetically, some with cover art.
| Author | : Reiland Rabaka |
| Publisher | : Taylor & Francis |
| Total Pages | : 216 |
| Release | : 2024-10-23 |
| Genre | : Music |
| ISBN | : 104017230X |
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
| Author | : Adam Bradley |
| Publisher | : Yale University Press |
| Total Pages | : 1191 |
| Release | : 2010-11-02 |
| Genre | : Music |
| ISBN | : 0300163061 |
From the school yards of the South Bronx to the tops of the "Billboard" charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the "old school" to the present day.
| Author | : Marcus Reeves |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 340 |
| Release | : 2009-03-17 |
| Genre | : Music |
| ISBN | : 1466822155 |
For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's "Rapper's Delight." With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap—from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)—and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation.
| Author | : Richard T. Schaefer |
| Publisher | : SAGE Publications |
| Total Pages | : 1753 |
| Release | : 2008-03-20 |
| Genre | : Social Science |
| ISBN | : 1452265860 |
"This ambitious undertaking touches all bases, is highly accessible, and provides a solid starting point for further exploration." —School Library Journal This three-volume reference presents a comprehensive look at the role race and ethnicity play in society and in our daily lives.. The Encyclopedia of Race, Ethnicity, and Society offers informative coverage of intergroup relations in the United States and the comparative examination of race and ethnicity worldwide. Containing nearly 600 entries, this resource provides a foundation to understanding as well as researching racial and ethnic diversity from a multidisciplinary perspective. Key Features Describes over a hundred racial and ethnic groups, with additional thematic essays discussing broad topics that cut across group boundaries and impact society at large Addresses other issues of inequality that often intersect with the primary focus on race and ethnicity, such as ability, age, class, gender, and sexual orientation Brings together the most distinguished authorities possible, with 375 contributors from 14 different countries Offers broad historical coverage,, ranging from "Kennewick Man" to the "Emancipation Proclamation" to "Hip-Hop" Presents over 90 maps to help the reader comprehend the source of nationalities or the distribution of ethnic or racial groups Provides an easy-to-use statistical appendix with the latest data and carefully selected historical comparisons Key Themes · Biographies · Community and Urban Issues · Concepts and Theories · Criminal Justice · Economics and Stratification · Education · Gender and Family · Global Perspectives · Health and Social Welfare · Immigration and Citizenship · Legislation, Court Decisions, and Treaties · Media, Sports, and Entertainment · Organizations · Prejudice and Discrimination · Public Policy · Racial, Ethnic, and Nationality Groups · Religion · Sociopolitical Movements and Conflicts
| Author | : Miles White |
| Publisher | : University of Illinois Press |
| Total Pages | : 178 |
| Release | : 2011-11-01 |
| Genre | : Music |
| ISBN | : 0252093674 |
This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities. From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.
