Hannele
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Hannele; a Dream Poem
Author | : Gerhart Hauptmann |
Publisher | : New York : Doubleday |
Total Pages | : 124 |
Release | : 1908 |
Genre | : German drama |
ISBN | : |
Three Plays
Author | : Gerhart Hauptmann |
Publisher | : Waveland Press |
Total Pages | : 247 |
Release | : 1990-11-01 |
Genre | : Drama |
ISBN | : 1478608935 |
In English translation. Three plays representative of an important period in twentieth-century drama! A good part of modern drama owes its techniques and its intense awareness of social and psychological problems to the German playwright who was awarded the Nobel Prize for Literature in 1912. Hauptmanns achievements had great influence on many outstanding writers, among them Eugene ONeill, who felt a special indebtedness to the European master. These three plays are superb examples of Hauptmanns wide range and offer students an opportunity to become acquainted with the work of a supremely accomplished writer. The Weavers, perhaps his most famous play, reveals the bitter lives of the wretched handweavers of the 1840s and their abortive rebellion. Hannele centers on an abused, motherless child, abandoned to a poorhouse, who creates her own fantasy world of dreams and legends. The Beaver Coat is a delightful satire about a washerwoman who quickly learns that she cannot advance very far through honest labor alone, and proceeds accordingly.
Symbolic and legendary dramas: The assumption of Hannele. The sunken bell. Harry of Auë
Author | : Gerhart Hauptmann |
Publisher | : |
Total Pages | : 372 |
Release | : 1914 |
Genre | : German literature |
ISBN | : |
D.H. Lawrence and Survival
Author | : Ronald Granofsky |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 224 |
Release | : 2003-05-21 |
Genre | : Literary Criticism |
ISBN | : 0773571078 |
Granofsky shows that Lawrence's deliberate use of Darwinian elements in his narrative strategy occurred at a time when he was increasingly concerned about survival, both personally, due to illness, and as an artist. The result in his fiction is a subtext in which his anxieties are projected onto female characters and the evolution of his writing is frustrated by unresolved emotional conflicts. Through new readings of the major fiction of Lawrence's transitional period, Granofsky demonstrates that Lawrence's deterioration as a writer and the misogyny of his later work was primarily the result of a deliberate effort on his part to move the ideological yardsticks of his fiction.