Art and Handicraft in the Woman's Building of the World's Columbian Exposition, Chicago, 1893
Author | : Elliott, Maud Howe, 1854- comp |
Publisher | : Boussod, Valadon |
Total Pages | : 332 |
Release | : 1893 |
Genre | : Art |
ISBN | : |
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Author | : Elliott, Maud Howe, 1854- comp |
Publisher | : Boussod, Valadon |
Total Pages | : 332 |
Release | : 1893 |
Genre | : Art |
ISBN | : |
Author | : Helen Elizabeth Fitz Randolph |
Publisher | : |
Total Pages | : 206 |
Release | : 1927 |
Genre | : Great Britain |
ISBN | : |
Author | : Kyriaki Hadjiafxendi |
Publisher | : Routledge |
Total Pages | : 327 |
Release | : 2016-05-13 |
Genre | : Literary Criticism |
ISBN | : 1317158644 |
Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between domestic and fine art production, they crafted subjectivities for themselves as creative workers. By bringing together work by scholars of literature, painting, music, craft and the plastic arts, this collection argues that the constructed and contested nature of the female artistic professional was a notable aspect of debates about aesthetic value and the impact of industrial technologies. All the essays in this volume set up a productive inter-art dialogue that complicates conventional binary divisions such as amateur and professional, public and private, artistry and industry in order to provide a more nuanced understanding of the relationship between gender, artistic labour and creativity in the period. Ultimately, how women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the literary marketplace and related art-industries reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.
Author | : Marilyn Booth |
Publisher | : Edinburgh University Press |
Total Pages | : 371 |
Release | : 2015-01-20 |
Genre | : Social Science |
ISBN | : 1474403417 |
Zaynab Fawwaz (c.1860-1914) was as a forceful voice in support of women's rights to education and work choices in colonial-era Egypt. Her volume of 453 women's lives, al-Durr al-manthur fi tabaqat rabbat al-khudur (Pearls scattered in times and places: Classes of ladies of cloistered spaces, 1893-6) featuring Boudicca, Catherine the Great, Zaynab (the granddaughter of the Prophet Muhammad), Victoria Woodhull, the Turkish poet Sirri Hanim and many others built on the Arabic-Islamic biographical tradition to produce a work for women in the modern era, grafting European, Turkish, Arab, and Indian life narratives, amongst others onto Arabic literary patternsIn Classes of Ladies of Cloistered Spaces Marilyn Booth argues that Fawwazs work was less exemplary biography than feminist history, in its exploration of achievement but also of patriarchal trauma in the lives of women across times and places. She traces Fawwazs creative use of her sources, her presentation of biographical narratives in the context of the political essays she wrote in the Arabic press, her publicised dialogue with the President of the Board of Lady Managers of the 1893 World Columbian Exposition where she attempted to send the volume and how her inscription of a feminine ancient history diverged from that of men writing history in 1890s Egypt.
Author | : Bonnie White |
Publisher | : Taylor & Francis |
Total Pages | : 256 |
Release | : 2023-11-30 |
Genre | : History |
ISBN | : 1000997952 |
Women’s Amateur Theatre in Rural Britain is the first book-length study of the National Federation of Women’s Institutes’ amateur drama groups, which served as an umbrella organisation for women’s amateur drama. This work addresses a key historical gap by covering the activities, lives, and labour of women in rural England, Wales, and Scotland. It challenges gender-based assumptions about the value of women’s amateur theatre, highlighting the need for leisure opportunities and social connections in rural villages. The rapid expansion of women’s amateur drama groups is assessed in conjunction with major developments of the period, including the effect of post-1918 reconstruction efforts in rural regions, the revaluation of informal adult education schemes, the law’s influences and restrictions on amateur performances, and the impact of the Second World War on the ability of the Women’s Institutes to carve out a space for all-women’s drama groups that empowered women through education and skill-building programmes to aid in personal and community development. The broad scope of this research will appeal to undergraduates, postgraduates, scholars, and non-specialists interested in cultural history and the lives of rural women after the First World War.
Author | : Snehendu B. Kar |
Publisher | : Oxford University Press |
Total Pages | : 625 |
Release | : 2018-05-18 |
Genre | : Social Science |
ISBN | : 0199384681 |
Empowerment of Women for Promoting Health and Quality of Life critically reviews the key theoretical and empirical foundations and policy options for Global Public Health (GPH). The author presents the lessons learned from a meta-analysis of 80 self-organized, successful women's empowerment case studies across the world that have enhanced the health and well-being of their families and communities. The information gleaned offers rare opportunities for understanding what works, how women empower themselves, and how others--professionals included--can help. Additionally, Dr. Kar designs an "EMPOWER" model for empowerment of women for GPH and human development. Using an ecological perspective, the model defines the domains, dimensions, and processes of empowerment, and is applied to a community-based women's empowerment-for-health-promotion initiative. The implications for empowerment and GPH policy, practice, and research are also discussed.
Author | : Heather Ingman |
Publisher | : Routledge |
Total Pages | : 346 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351877216 |
During much of the twentieth century, Irish women's position was on the boundaries of national life. Using Julia Kristeva's theories of nationhood, often particularly relevant to Ireland, this study demonstrates that their marginalization was to women's, and indeed the nation's, advantage as Irish women writers used their voice to subvert received pieties both about women and about the Irish nation. Kristevan theories of the other, the foreigner, the semiotic, the mother, and the sacred are explored in authors as diverse as Elizabeth Bowen, Kate O'Brien, Edna O'Brien, Mary Dorcey, Jennifer Johnston, and Eilis Ni Dhuibhne, as well as authors from Northern Ireland like Deirdre Madden, Polly Devlin, and Mary Morrissy. These writers, whose voices have frequently been sidelined or misunderstood because they write against the grain of their country's cultural heritage, finally receive their due in this important contribution to Irish and gender studies.