Hamlet After Deconstruction
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| Author | : Aneta Mancewicz |
| Publisher | : Springer Nature |
| Total Pages | : 241 |
| Release | : 2022-10-29 |
| Genre | : Performing Arts |
| ISBN | : 3030968065 |
Post-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. Such features are at odds with the traditional model of adaptation, which focuses on expanding and explaining the source. Inspired by Derrida’s deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about questioning rather than clarifying. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance. They systematically challenge the post-Romantic idea of Hamlet as a tragedy of great passions and heroic deeds. What does this say about Hamlet’s impact on post-war theatre and culture? The deconstructive analyses offered in this book show how adaptations of Hamlet capture crucial anxieties and concerns of post-war Europe, such as political disillusionment, postmodern scepticism, and feminist resistance, revealing exciting connections between European traditions.
| Author | : Anindya Sekhar Purakayastha |
| Publisher | : Routledge |
| Total Pages | : 209 |
| Release | : 2021-06-09 |
| Genre | : Literary Criticism |
| ISBN | : 1000412873 |
This book is an attempt at deconstructive counter-reading or at what Jonathan Dollimore called “creative vandalism” (2018) of existing cultural or literary texts. Deconstruction is a much maligned or a much misunderstood word and for many, it usually bears a pejorative ring. While most would flaunt their familiarity with some of its philosophic jargons, for the majority, it is an area to be dismissed as intellectual obscurity or abstruse ‘high theory’. In fact there is a serious dearth of Derrida scholarship because of our collective aversion to Derrida that emanates from our lack of familiarity or engagement with deconstruction theory or with the philosophy of deconstruction. Norm-deviant reading strategies of deconstruction offer fresh insights and rebellious interpretative possibilities. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
| Author | : George Douglas Atkins |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 302 |
| Release | : 1988 |
| Genre | : Art |
| ISBN | : |
Twelve clear and effective essays shed new light on Shakespeare. The contributors write in, on, and sometimes against deconstruction, the most powerful and controversial theoretical movement in decades. Writing about several plays and sonnets, the critics explore the contribution of deconstruction to our understanding of Shakespeare. This unique and wide-ranging collection of essays will interest Shakespeareans and theorists alike.
| Author | : Jacques Derrida |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2012-10-12 |
| Genre | : Philosophy |
| ISBN | : 1136758607 |
Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.
| Author | : |
| Publisher | : U of Nebraska Press |
| Total Pages | : 243 |
| Release | : 2005-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0803273495 |
Sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story that comes along.
| Author | : Anindya Sekhar Purakayastha |
| Publisher | : Routledge |
| Total Pages | : 224 |
| Release | : 2021-06-08 |
| Genre | : Literary Criticism |
| ISBN | : 1000412806 |
This book is an attempt at deconstructive counter-reading or at what Jonathan Dollimore called “creative vandalism” (2018) of existing cultural or literary texts. Deconstruction is a much maligned or a much misunderstood word and for many, it usually bears a pejorative ring. While most would flaunt their familiarity with some of its philosophic jargons, for the majority, it is an area to be dismissed as intellectual obscurity or abstruse ‘high theory’. In fact there is a serious dearth of Derrida scholarship because of our collective aversion to Derrida that emanates from our lack of familiarity or engagement with deconstruction theory or with the philosophy of deconstruction. Norm-deviant reading strategies of deconstruction offer fresh insights and rebellious interpretative possibilities. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
| Author | : Danielle Rosvally |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 162 |
| Release | : 2023-01-26 |
| Genre | : Drama |
| ISBN | : 1350318485 |
What does it mean for early modern theatre to be 'live'? How have audiences over time experienced a sense of 'liveness'? This collection extends discussions of liveness to works from the 16th and 17th centuries, both in their initial incarnations and contemporary adaptations. Drawing on theatre and performance studies, as well as media theory, this volume uses the concept of liveness to consider how early modern theatre – including non-Western and non-traditional performance – employs embodiment, materiality, temporality and perception to impress on its audience a sensation of presence. The volume's contributors adopt varying approaches and cover a range of topics from material and textual studies, to early modern rehearsal methods, to digital and VR theatre, to the legacy of Shakespearean performance in global theatrical repertoires. This collection uses both early modern and contemporary performance practices to challenge our understanding of live performance. Productions and adaptions discussed include the Royal Shakespeare Company's Dream (2021), CREW's Hands on Hamlet (2017), Kit Monkman's Macbeth (2018), Arslanköy Theatre Company's Kraliçe Lear (2019), and a season of productions by the Original Practice Shakespeare Festival. Early Modern Liveness looks beyond theatrical events as primary sites of interpretive authority and examines the intimate and ephemeral experience of encountering early modern theatre in its diverse manifestations.
| Author | : Lynn Turner |
| Publisher | : Edinburgh University Press |
| Total Pages | : 208 |
| Release | : 2013-08-20 |
| Genre | : Psychology |
| ISBN | : 0748683143 |
Explores the political and poetic understanding of the deconstruction of the 'animal question'How does deconstruction understand relations between humans and other animals? This collection of essays reveals that across Jacques Derrida's work as a whole, as well as that of Helene Cixous and Nicholas Royle, deconstruction has always addressed questions about animality. In this collection, for example, Cixous asks after human intervention between the death of a wild bird and the predation of a domestic cat. Kelly Oliver pursues Derrida's analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. Across this collection authors bring to attention the politics and the ethics of a less anthropocentric world. Even when this world is grasped
| Author | : Professor Alexa Huang |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 348 |
| Release | : 2012-12-28 |
| Genre | : Drama |
| ISBN | : 140947108X |
In the twelfth issue of The Shakespearean International Yearbook, a Special Section in eight essays explores India's intense engagement with Shakespeare, the longest of any country outside the Western world. Treating cinema, theater and education in particular, contributors examine how Shakespearean traffic has been routed through many languages and cultural contexts across the subcontinent, from the early nineteenth to the early twentieth century. Introducing a new Yearbook feature, this volume also presents two review essays; the essay topics are 'New Biography Studies, Queer Turns in Theory, and Shakespearean Utility,' and 'Textual Studies, Performance Criticism, and Digital Humanities'. The special section is further supplemented by two additional essays, on Hamlet and Shylock respectively. Among the contributors are Shakespearean scholars from India, Poland, the UK, and the US.
| Author | : Sukanta Chaudhuri |
| Publisher | : Routledge |
| Total Pages | : 332 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1351963589 |
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
