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| Author | : Judith Rodger |
| Publisher | : Canadian Art Library |
| Total Pages | : 144 |
| Release | : 2019-03-25 |
| Genre | : Painters |
| ISBN | : 9781487101794 |
Against a backdrop of the sexual revolution, the Vietnam War, and the American media influence, Greg Curnoe: Life & Work reveals how Curnoe created many of this country's most iconic artworks, while bolstering his hometown of London, Ontario as a powerful creative centre for art, activism, and the new Regional art movement.
| Author | : Gwen Allen |
| Publisher | : MIT Press |
| Total Pages | : 377 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0262015196 |
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
| Author | : James King |
| Publisher | : Dundurn |
| Total Pages | : 511 |
| Release | : 2017-09-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1459736907 |
The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.
| Author | : David M. Stothers |
| Publisher | : Lulu.com |
| Total Pages | : 284 |
| Release | : 2006-12-01 |
| Genre | : History |
| ISBN | : 1430304294 |
The Fry site (33Lu165) was an Ottawa (Odawa) farmstead on the lower Maumee River of Ohio that existed A.D. 1814-1832. Excavations revealed an Ottawa bark burial with trade goods, a cabin or shack, and an animal pen or compound. The material culture consisted of a wide variety of Native and Euro-American manufactured artifacts, including trade silver. The bark burial with trade goods is dated A.D. 1780-1809, slightly earlier than the farmstead occupation. The farmstead is connected with the Roche de Boeuf and Wolf Rapids bands of Ottawa that were removed to Kansas Territory in 1832. The Ottawa Tribe of Oklahoma are the descendants of these Maumee River Ottawa.
| Author | : Chris Meigh-Andrews |
| Publisher | : A&C Black |
| Total Pages | : 579 |
| Release | : 2013-11-07 |
| Genre | : Art |
| ISBN | : 0857851896 |
A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.
| Author | : Greg Curnoe |
| Publisher | : London, Ont. : London Chapter, Ontario Archaeological Society |
| Total Pages | : 278 |
| Release | : 1996 |
| Genre | : Social Science |
| ISBN | : |
| Author | : Fred Herzog |
| Publisher | : Douglas & McIntyre |
| Total Pages | : 205 |
| Release | : 2011 |
| Genre | : Biography & Autobiography |
| ISBN | : 1553655583 |
Fred Herzog's bold use of colour in the 1950s and 60s set him apart at a time when the only art photography taken seriously was in black and white. His early use of color make him a forerunner of "New Colour" photographers such as Stephen Shore and William Eggleston, who received widespread acclaim in the 1970s. Herzog images were all taken on Kodachrome, a slide film with a sharpness and tonal range that, until recently, could not be reproduced in prints, and his choice of medium limited his exhibition opportunities. However, recent advances in digital technology have made high-quality prints of his work possible, and in the past few years his substantial and influential body of work has been available to a wider audience. Fred Herzog: Photographs showcases this innovative artist's impressive oeuvre in a beautifully crafted volume of early color and urban street photography. Providing authoritative texts are four titans of the art community: Jeff Wall anchors Herzog's place in the history of photography, Claudia Gochmann sets his work in an international context and Sarah Milroy and Douglas Coupland provide additional commentary.
| Author | : Tony Miller |
| Publisher | : The Porcupine's Quill |
| Total Pages | : 180 |
| Release | : 2017-04-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0889844038 |
Born of a Mohawk father and an escaped-slave mother, John ‘Daddy’ Hall was a product of not one but two oppressed peoples. His gripping story is the stuff of legends—of the War of 1812, of the harsh realities slavery and of triumph in the face of adversity. Over the course of his 117-year life, Hall identified as a freeman, a scout for the British under Chief Tecumseh, a captured slave, an escapee on the Underground Railroad, a town crier in Owen Sound, Ontario, a husband and, as his nickname aptly suggests, father to an impressive number of children. Owen Sound-based artist Tony Miller’s 80 stark and arresting black-and-white linocuts present an unflinching portrait of a remarkable African-Canadian whose story of resilience and reinvention offers a fascinating glimpse into the history of Southwestern Ontario.
| Author | : Michelle Gewurtz |
| Publisher | : Canadian Art Library |
| Total Pages | : 144 |
| Release | : 2019-09-25 |
| Genre | : Painters |
| ISBN | : 9781487102050 |
"The life and work of Canadian artist Molly Lamb Bobak."--
| Author | : John O'Brian |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 401 |
| Release | : 2007-09-30 |
| Genre | : Art |
| ISBN | : 0773575588 |
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montreal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trepanier (Quebec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
