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Author | : Barbara Mertz |
Publisher | : Harper Collins |
Total Pages | : 436 |
Release | : 2011-01-25 |
Genre | : History |
ISBN | : 0062087169 |
A fascinating, erudite, and witty glimpse of the human side of ancient Egypt—this acclaimed classic work is now revised and updated for a new generation Displaying the unparalleled descriptive power, unerring eye for fascinating detail, keen insight, and trenchant wit that have made the novels she writes (as Elizabeth Peters and Barbara Michaels) perennial New York Times bestsellers, internationally renowned Egyptologist Barbara Mertz brings a long-buried civilization to vivid life. In Red Land, Black Land, she transports us back thousands of years and immerses us in the sights, aromas, and sounds of day-to-day living in the legendary desert realm that was ancient Egypt. Who were these people whose civilization has inspired myriad films, books, artwork, myths, and dreams, and who built astonishing monuments that still stagger the imagination five thousand years later? What did average Egyptians eat, drink, wear, gossip about, and aspire to? What were their amusements, their beliefs, their attitudes concerning religion, childrearing, nudity, premarital sex? Mertz ushers us into their homes, workplaces, temples, and palaces to give us an intimate view of the everyday worlds of the royal and commoner alike. We observe priests and painters, scribes and pyramid builders, slaves, housewives, and queens—and receive fascinating tips on how to perform tasks essential to ancient Egyptian living, from mummification to making papyrus. An eye-opening and endlessly entertaining companion volume to Temples, Tombs, and Hieroglyphs, Mertz's extraordinary history of ancient Egypt, Red Land, Black Land offers readers a brilliant display of rich description and fascinating edification. It brings us closer than ever before to the people of a great lost culture that was so different from—yet so surprisingly similar to—our own.
Author | : Andrew Apter |
Publisher | : University of Chicago Press |
Total Pages | : 328 |
Release | : 1992-04-15 |
Genre | : Political Science |
ISBN | : 9780226023427 |
How can we account for the power of ritual? This is the guiding question of Black Critics and Kings, which examines how Yoruba forms of ritual and knowledge shape politics, history, and resistance against the state. Focusing on "deep" knowledge in Yoruba cosmology as an interpretive space for configuring difference, Andrew Apter analyzes ritual empowerment as an essentially critical practice, one that revises authoritative discourses of space, time, gender, and sovereignty to promote political—-and even violent—-change. Documenting the development of a Yoruba kingdom from its nineteenth-century genesis to Nigeria's 1983 elections and subsequent military coup, Apter identifies the central role of ritual in reconfiguring power relations both internally and in relation to wider political arenas. What emerges is an ethnography of an interpretive vision that has broadened the horizons of local knowledge to embrace Christianity, colonialism, class formation, and the contemporary Nigerian state. In this capacity, Yoruba òrìsà worship remains a critical site of response to hegemonic interventions. With sustained theoretical argument and empirical rigor, Apter answers critical anthropologists who interrogate the possibility of ethnography. He reveals how an indigenous hermeneutics of power is put into ritual practice—-with multiple voices, self-reflexive awareness, and concrete political results. Black Critics and Kings eloquently illustrates the ethnographic value of listening to the voice of the other, with implications extending beyond anthropology to engage leading debates in black critical theory.
Author | : Oyeronke Olajubu |
Publisher | : State University of New York Press |
Total Pages | : 187 |
Release | : 2012-02-01 |
Genre | : Religion |
ISBN | : 0791486117 |
Drawing on a wide range of oral and written sources, this book shows that women occupy a central place in the religious worldview and life of the Yoruba people and shows how men and women engage in mutually beneficial roles in the Yoruba religious sphere. It explores how gender issues play out in two Yoruba religious traditions—indigenous religion and Christianity in Southwestern Nigeria. Rather than shy away from illuminating the tensions between the prominent roles of Yoruba women in religion and their perceived marginalization, author Oyeronke Olajubu underscores how Yoruba women have challenged marginalization in ways unprecedented in other world religions.
Author | : Osarẹn S. B. Ọmọregie |
Publisher | : |
Total Pages | : 152 |
Release | : 1997 |
Genre | : Benin |
ISBN | : |
Author | : Henry John Drewal |
Publisher | : Abrams |
Total Pages | : 264 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
The Yoruba people of Nigeria and Benin, over 15 million strong, are heirs to one of the oldest and greatest artistic traditions in West Africa. This text offers a look at Yoruba civilization. Over 200 photographs illustrate rarely seen objects from museums and private collections.
Author | : Henry Callaway |
Publisher | : |
Total Pages | : 174 |
Release | : 1870 |
Genre | : Ancestor worship |
ISBN | : |
Author | : Jeremy Seymour Eades |
Publisher | : CUP Archive |
Total Pages | : 212 |
Release | : 1980-05-08 |
Genre | : Social Science |
ISBN | : 9780521226561 |
Author | : Margaret Thompson Drewal |
Publisher | : Indiana University Press |
Total Pages | : 536 |
Release | : 1992-03-22 |
Genre | : History |
ISBN | : 0253112737 |
Yoruba peoples of southwestern Nigeria conceive of rituals as journeys -- sometimes actual, sometimes virtual. Performed as a parade or a procession, a pilgrimage, a masking display, or possession trance, the journey evokes the reflexive, progressive, transformative experience of ritual participation. Yoruba Ritual is an original and provocative study of these practices. Using a performance paradigm, Margaret Thompson Drewal forges a new theoretical and methodological approach to the study of ritual that is thoroughly grounded in close analysis of the thoughts and actions of the participants. Challenging traditional notions of ritual as rigid, stereotypic, and invariant, Drewal reveals ritual to be progressive, transformative, generative, and reflexive and replete with simultaneity, multifocality, contingency, indeterminacy, and intertextuality. Throughout the book prominence is given to the intentionality of actors as knowledgeable agents who transform ritual itself through play and improvisation. Integral to the narrative are interpolations about performances and their meanings by Kolawole Ositola, a scholar of Yoruba oral tradition, ritual practitioner, diviner, and master performer. Rich descriptions of rituals relating to birth, death, reincarnation, divination, and constructions of gender are rendered all the more vivid by a generous selection of field photos of actual performances.
Author | : William Russell Bascom |
Publisher | : New York ; Montreal : Holt, Rinehart and Winston |
Total Pages | : 152 |
Release | : 1969 |
Genre | : Social Science |
ISBN | : |
Author | : Aina Olomo |
Publisher | : |
Total Pages | : 190 |
Release | : 2003-02-01 |
Genre | : Religion |
ISBN | : 9781890157357 |