Historical and Other Papers and Documents Illustrative of the Educational System of Ontario
Author | : Ontario. Dept. of Education |
Publisher | : |
Total Pages | : 364 |
Release | : 1911 |
Genre | : Education |
ISBN | : |
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Author | : Ontario. Dept. of Education |
Publisher | : |
Total Pages | : 364 |
Release | : 1911 |
Genre | : Education |
ISBN | : |
Author | : John George Hodgins |
Publisher | : |
Total Pages | : 364 |
Release | : 1911 |
Genre | : Education |
ISBN | : |
Author | : John George Hodgins |
Publisher | : |
Total Pages | : 364 |
Release | : 1911 |
Genre | : Education |
ISBN | : |
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 281 |
Release | : 2023-06-14 |
Genre | : Fiction |
ISBN | : 338233187X |
Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author | : Ontario. Department of Education |
Publisher | : |
Total Pages | : 308 |
Release | : 1857 |
Genre | : |
ISBN | : |
Author | : Rosa Bonheur |
Publisher | : |
Total Pages | : 356 |
Release | : 1900 |
Genre | : Animal paintings and illustrations |
ISBN | : |
Author | : Great Britain |
Publisher | : |
Total Pages | : 1204 |
Release | : 1867 |
Genre | : Exposition universelle de 1867 à Paris |
ISBN | : |
Author | : Yale University (New Haven, Conn.). Art Gallery |
Publisher | : Yale University Press |
Total Pages | : 316 |
Release | : 2006-01-01 |
Genre | : Art |
ISBN | : 0300114338 |
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Author | : |
Publisher | : |
Total Pages | : 1492 |
Release | : 1868 |
Genre | : Exposition universelle de 1867 à Paris |
ISBN | : |
Author | : Jean Starobinski |
Publisher | : University of Chicago Press |
Total Pages | : 232 |
Release | : 1997-06-23 |
Genre | : Art |
ISBN | : 9780226771359 |
In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curators for a program called Parti Pris, or "Taking Sides". In this program, major cultural figures outside of the discipline of art history organized exhibitions based on the department's collection. Within its first several years, this novel collaboration produced exhibitions curated by philosopher Jacques Derrida and filmmaker Peter Greenaway. Jean Starobinski, noted literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the program. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense. Arguing that gift giving and receiving are fundamental human gestures, he examines graphic and textual representations from the offering of the apple to Eve to Salome's gift of the head of John the Baptist, from the giving of laws to the gift of death. Charity, the poetic gift, and the benefits of Fortune all play a role in Starobinski's extended meditation on the act of donation. Lavishly illustrated and dazzling in its scope and imagination, Largesse is an exemplar of the rich intellectual work that can result from crossing disciplinary boundaries and considering history as a dense network of themes and allusions.