Graphic Wit
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| Author | : Steven Heller |
| Publisher | : Skyhorse Publishing |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Graphic arts |
| ISBN | : 9781581152463 |
From the first satiric cave drawings to the quirky humour of Push Pin studios, Design Humor explores what makes wit and humour such important tools in graphic design. Compiling some of the most clever, ironic, and acerbic pieces from annuals, exhibitions, and designer's drawers, this entertaining sourcebook demonstrates how to communicate effectively through visual puns, type play, and ironic images. It features dozens of classic examples of comical type creations such as Goudy Stout as well as the exuberant playfulness of post-modern design. Full of captivating historical and philosophical references from such humour experts as Groucho Marx, Max Eastman, and Mark Twain, Design Humor is an invaluable resource for designers and design students, as well as a treasured collection of design wit for the enthusiast!
| Author | : Gail Anderson |
| Publisher | : Laurence King Publishing |
| Total Pages | : 128 |
| Release | : 2016-04-13 |
| Genre | : Design |
| ISBN | : 1780679939 |
This book serves as an introduction to the key elements of good design. Broken into sections covering the fundamental elements of design, key works by acclaimed designers serve to illustrate technical points and encourage readers to try out new ideas. Themes covered include narrative, colour, illusion, ornament, simplicity, and wit and humour. The result is an instantly accessible and easy to understand guide to graphic design using professional techniques.
| Author | : Tim Leong |
| Publisher | : Chronicle Books |
| Total Pages | : 196 |
| Release | : 2013-09-24 |
| Genre | : Art |
| ISBN | : 1452135274 |
The comic book universe is adventurous, mystifying, and filled with heroes, villains, and cosplaying Comic-Con attendees. This book by one of Wired magazine's art directors traverses the graphic world through a collection of pie charts, bar graphs, timelines, scatter plots, and more. Super Graphic offers readers a unique look at the intricate and sometimes contradictory storylines that weave their way through comic books, and shares advice for navigating the pages of some of the most popular, longest-running, and best-loved comics and graphic novels out there. From a colorful breakdown of the DC Comics reader demographic to a witty Venn diagram of superhero comic tropes and a Chris Ware sadness scale, this book charts the most arbitrary and monumental characters, moments, and equipment of the wide world of comics. Plus, this is the fixed format version, which includes high-resolution images.
| Author | : James C. Humes |
| Publisher | : Harper Collins |
| Total Pages | : 258 |
| Release | : 2009-10-13 |
| Genre | : Humor |
| ISBN | : 006183307X |
"Courageous, bellicose and humorous. . . . To anyone who wishes to have a generous source of quotations, this is the one. Churchill address audiences for seven decades. To those who follow World War II, this is an inspiring book to read and keep on your shelves." — Indianapolis Star A treasury of more than 1,000 quotations by and anecdotes about one of the most erudite, clever, and eloquent statesmen in history, Sir Winston Churchill. This entertaining compendium of bon mots and trivia is ideal for speakers, students of history, World War II buffs, and general readers.
| Author | : James Geary |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 202 |
| Release | : 2018-11-13 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 039325495X |
Entertaining, illuminating, and entirely unique, Wit’s End “convey[s] the power of wit to refresh the mind” (Henry Hitchings, Wall Street Journal). In “this inventive and playful book” (Tom Beer, Newsday), James Geary explores every facet of wittiness, from its role in innovation to why puns are the highest form of wit. Adopting a different style for each chapter—from dramatic dialogue to sermon, heroic couplets to a barroom monologue—Geary embodies wit in all its forms. Wit’s End agilely balances psychology, folktale, visual art, and literary history with lighthearted humor and acute insight, demonstrating that wit and wisdom are really the same thing.
| Author | : John Clifford |
| Publisher | : Pearson Education |
| Total Pages | : 241 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 0321887204 |
Who are history's most iconic graphic designers? Let the debate begin here. In this gorgeous, visual overview of the history of graphic design, students are introduced to 50 of the most important designers from the early 20th century to the present day. This fun-to-read, pretty-to-look-at graphic design history primer introduces them to the work and notable achievements of such industry luminaries as El Lissitzky, Alexander Rodchenko, A.M. Cassandre, Alvin Lustig, Cipe Pineles, Armin Hofmann, Paul Rand, Saul Bass, Herb Lubalin, Milton Glaser, Stefan Sagmeister, John Maeda, Paula Scher, and more. Who coined the term "graphic design"? Who designed the first album cover? Who was the first female art director of a mass-market American magazine? Who created the "I Want My MTV" ad campaign? Who created the first mail-order font shop? In Graphic Icons: Visionaries Who Shaped Modern Graphic Design, students start with the who and quickly learn the what, when, why, and where behind graphic design's most important breakthroughs and the impact they had, and continue to have, on the world we live in.
| Author | : Theo Inglis |
| Publisher | : Ilex Press |
| Total Pages | : 755 |
| Release | : 2023-09-28 |
| Genre | : Design |
| ISBN | : 1781579326 |
The definitive guide to contemporary and historical graphic design for designers and creatives. Designer, writer and lecturer Theo Inglis takes readers through the story, theory, and practice of graphic design, from its historical origins up to the present. Chapters on typography and mediums provide an extensive exploration of how each has been utilized and revolutionized through the years. Extensively illustrated with both historical and contemporary examples, each topic is divided into concise and easily digestible sections. This introductory primer will provide a thorough foundation in all the key ideas, issues, contexts and applications surrounding graphic design, expanding your knowledge and understanding of the rich world of visual communication.
| Author | : Steven Heller |
| Publisher | : Watson-Guptill Publications |
| Total Pages | : 168 |
| Release | : 1991 |
| Genre | : Art |
| ISBN | : |
"In Graphic Wit, the first book offering a comprehensive survey of humor in graphic design, Heller and Anderson focus on that special instinct for playfulness inherent in all design, and show the many forms it can take in a skilled graphic artist's hands. Loaded with examples of successful design humor in such varied forms as book and record jackets, logos, posters, typography, and advertising, Graphic Wit examines the approaches designers can use for comic effect, including repetition, alteration of scale, and juxtaposition, as well as such specific mechanisms as visual puns, parody, nostalgia, wordplay, and typeplay. Case studies of successful ad campaigns reveal how humor can be used for maximum effectiveness and memorability, and in-depth interviews with 14 design luminaries, including Paul Rand, Paula Scher, and Stephen Doyle, provide insight into the play principle, making humor pay off financially, and the challenges involved in humorous design."--back cover.
| Author | : |
| Publisher | : |
| Total Pages | : 400 |
| Release | : 1841 |
| Genre | : |
| ISBN | : |
| Author | : Tom Conley |
| Publisher | : Cambridge University Press |
| Total Pages | : 242 |
| Release | : 1992-10-08 |
| Genre | : Design |
| ISBN | : 9780521410311 |
This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian writing has complex historical relations with practices found in the media of the twentieth century.
