Grand Sonata, Opus 25

Grand Sonata, Opus 25
Author: Mauro Giuliani
Publisher: Alfred Music
Total Pages: 26
Release: 1992-03-06
Genre: Music
ISBN: 145747980X

For violin and guitar. As recorded by Itzakh Perlman and John Williams.

Recording the Classical Guitar

Recording the Classical Guitar
Author: Mark Marrington
Publisher: Routledge
Total Pages: 453
Release: 2021-03-30
Genre: Music
ISBN: 1351371401

Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.

Chopin: Pianist and Teacher

Chopin: Pianist and Teacher
Author: Jean-Jacques Eigeldinger
Publisher: Cambridge University Press
Total Pages: 344
Release: 1988-12-01
Genre: Music
ISBN: 1316101606

The first English paperback edition of the unique collection of documents which reveal Chopin as teacher and interpreter of his own music. From the accounts of his pupils, acquaintances and contemporaries, together with his own writing, we gain valuable insight into Chopin's pianistic and stylistic practice, his teaching methods and his aesthetic beliefs. The documents are divided into two categories: those concerning technique and style, two notions inseparable in Chopin's mind, and those concerning the interpretation of Chopin's works. Extensive appendix material presents Chopin's essay 'Sketch for a method', as well as annotated scores belonging to Chopin's pupils and acquaintances, and personal accounts of Chopin's playing as experienced by his contemporaries: composers and pianists, pupils and friends, writers and critics. The statements of Chopin's own students in diaries, letters and reminiscences, written, dictated or conveyed by word of mouth, provide the bulk of these accounts. Throughout the book detailed annotations add a valuable scholary dimension, creating an indispensable guide to the authentic performance of Chopin's piano works.