Gothic Sculpture in America: The museums of New York and Pennsylvania
Author | : Dorothy W. Gillerman |
Publisher | : |
Total Pages | : |
Release | : 1989 |
Genre | : Art museums |
ISBN | : |
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Author | : Dorothy W. Gillerman |
Publisher | : |
Total Pages | : |
Release | : 1989 |
Genre | : Art museums |
ISBN | : |
Author | : Joan A.. Holladay |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art |
ISBN | : 9782503511474 |
Author | : Joan A. Holladay |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art |
ISBN | : 9780991043002 |
Contributors to the CatalogueAcknowledgmentsIntroductionCatalogueNew YorkBinghamton University Art Museum, BinghamtonBrooklyn Museum, BrooklynExplorers Club, New YorkFalaise, Sands Point Preserve, Nassau County Department of Parks,Recreation and Museums, Port WashingtonFrances Lehman Loeb Art Center, Vassar College, PoughkeepsieFrick Collection, New YorkGodwin-Ternbach Museum, Queens College, FlushingHerbert F. Johnson Museum of Art, Cornell University, IthacaHispanic Society of America, New YorkHyde Collection, Glens FallsMemorial Art Gallery of the University of Rochester, RochesterMorgan Library & Museum, New YorkMount Saviour Monastery, Pine CityPicker Art Gallery, Colgate University, HamiltonRuth and Elmer Wellin Museum of Art, Hamilton College, ClintonSaint John the Divine, New YorkWave Hill, BronxPennsylvaniaAllentown Art Museum, AllentownBarnes Foundation, Philadelphia and MerionCarnegie Museum of Art, PittsburghColumbus Chapel and Boal Mansion Museum, BoalsburgFleisher Art Memorial, PhiladelphiaGlencairn Museum, Bryn AthynLa Salle University Art Museum, PhiladelphiaPalmer Museum of Art, The Pennsylvania State University, University ParkPhiladelphia Museum of Art, PhiladelphiaLong-Term Loans of the Glencairn MuseumReading Public Museum, ReadingWorks De-Accessioned Since 2007Works of Doubtful AuthenticityBibliographyConcordance of Catalogue Numbers and Museum Inventory NumbersIndex of Catalogued ObjectsPhotograph Credits.
Author | : Conrad Rudolph |
Publisher | : John Wiley & Sons |
Total Pages | : 1238 |
Release | : 2019-02-08 |
Genre | : Art |
ISBN | : 1119077745 |
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author | : Dorothy W. Gillerman |
Publisher | : |
Total Pages | : 0 |
Release | : 1989 |
Genre | : Art museums |
ISBN | : |
Author | : Robert Allan Maxwell |
Publisher | : Penn State Press |
Total Pages | : 290 |
Release | : 2010 |
Genre | : Art |
ISBN | : 0271036362 |
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.
Author | : Dorothy W. Gillerman |
Publisher | : |
Total Pages | : 0 |
Release | : 1989 |
Genre | : Art museums |
ISBN | : |
Author | : Shirin Fozi |
Publisher | : Penn State Press |
Total Pages | : 474 |
Release | : 2021-03-12 |
Genre | : Art |
ISBN | : 0271089156 |
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.
Author | : Colum Hourihane |
Publisher | : Taylor & Francis |
Total Pages | : 588 |
Release | : 2016-12-19 |
Genre | : Art |
ISBN | : 1315298368 |
Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.