Gongs Bamboo
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Author | : José Maceda |
Publisher | : |
Total Pages | : 356 |
Release | : 1998 |
Genre | : Music |
ISBN | : |
This panorama is a pictorial view of music instruments starting with older bamboo and other instruments of undetermined age, going on two types of gongs-flat in Northern Luzon and bossed in the South. These two areas may be viewed as pocket cultures comparable to other pocket cultures in Borneo, Sumatra, other islands in Southeast Asia and the mountain regions south of and including Yunnan province of China, thus placing the music of Luzon and Mindanao in a larger geographical context. For example, mouth organs in Borneo and continental Southeast Asia are absent in the Philippines, where, however, separate pipes of panpipes are on occasion still being played by groups of boys among the Kalingga of Luzon. The musical elements of drone and melody identified in two lutes in Borneo or ensembles in Yunnan find examples in two players of the same tube zither in Mindanao and flat gongs in Luzon. The nearly 500 photographs in the book are almost all taken in the field, showing details of making and playing bamboo buzzers, jaw harps, zithers, percussion tubes, flutes and other instruments. Manners of tapping and sliding with the hands on flat gongs differ from beating them with sticks. Examples of big bossed gongs with wide rims (agung) struck with a mallet on the boss and a stick on the rim show affinities with a manner of playing bronze drums in Yunnan. In North Luzon, men and women dancing in circles with outstretched hands distinguish them from solo dancers with minimum body movements in the South.
Author | : United States National Museum |
Publisher | : |
Total Pages | : 596 |
Release | : 1927 |
Genre | : Science |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 602 |
Release | : 1927 |
Genre | : Science |
ISBN | : |
Author | : George Lee |
Publisher | : Ten Speed Press |
Total Pages | : 273 |
Release | : 2024-04-30 |
Genre | : Cooking |
ISBN | : 1984861271 |
A rendering of food through the memories of family and of home: over ninety plant-based recipes from George Lee, the creator of Chez Jorge, with Laurent Hsia's images of Taiwan. “An astonishingly accomplished exploration of flavors, ingredients, and traditions.”—Katy Hui-wen Hung (洪惠文), co-author of A Culinary History of Taipei: Beyond Pork and Ponlai “This is a beautiful love letter to Taiwan and a quietly uncompromising work of documentation.”—Hannah Che, author of The Vegan Chinese Kitchen George Lee grew up with his A-Gong (grandfather) in the quiet refuge of Tamsui, Taiwan. He took part in the myriad Taiwanese food traditions his A-Gong nurtured, until he was seventeen, when his A-Gong passed. In observation of the death, he and his family undertook a set of Buddhist funeral customs and abstained from eating meat. For a hundred days, they ate at the monastery and the nuns there taught him to cook. Years later, he revisited the lessons and pieced them into the story of his family’s cooking. Some recipes he shares here are directly from childhood: Han-tsî-bê, an everyday breakfast congee floating with fist-size chunks of golden sweet potatoes, and the quintessential preserve Tshài-póo, crunchy strips of sun-dried daikon radish that salt in the air for a few days in January. Others tread the boundaries between old and new, such as Sòo-lóo-pn̄g, a meatless rendition of the hand-cut pork bits his mom braised in soy sauce and ladled over rice. While writing this book, George wandered all over Taiwan with his friend Laurent Hsia, who took photos along the way. Together, they sought out the foods and places tied to their memories growing up. Like the grandpa who slung a bag of apples along the zebra crossing to exit the morning market, or the old couple on the bus in black and white, sitting side by side and peering forward, the two found themselves . . . always afoot, traveling. A-Gong’s Table follows the rhythm of their footsteps: a pulse that takes you quietly through the book and through Taiwan, from morning to night.
Author | : Frances Densmore |
Publisher | : |
Total Pages | : 226 |
Release | : 1927 |
Genre | : Music |
ISBN | : |
This collection of musical instruments in the United States National Museum, in its history and development, is closely associated with two interesting personalities: Dr. G. Brown Goode and Edwin H. Hawley. The work gives descriptions and a bit of history of various types of instruments and provides illustrated plates.
Author | : Metropolitan Museum of Art (New York, N.Y.). Crosby Brown Collection |
Publisher | : |
Total Pages | : 490 |
Release | : 1914 |
Genre | : Musical instruments |
ISBN | : |
Author | : Jennifer A. Fraser |
Publisher | : Ohio University Press |
Total Pages | : 300 |
Release | : 2015-06-15 |
Genre | : Music |
ISBN | : 0896804909 |
Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau. Grounded in rich ethnographic data and supplemented with online audiovisual materials, Gongs and Pop Songs is the first study to chronicle the history and variety of talempong styles. It reveals the continued vitality of older modes in rural communities in the twenty-first century, while tracing the emergence of newer ones with radically different aesthetic frames and values. Each talempong style discussed incorporates into its repertoire Minangkabau pop or indigenous songs, both of which have strong associations with the place and people. These contemporary developments in talempong have taken place against a shifting political, social, and economic backdrop: the institutionalization of indigenous arts, a failed regional rebellion, and the pressures of a free-market economy. Fraser adopts a cognitive approach to ethnicity, asking how people understand themselves as Minangkabau through talempong and how different styles of the genre help create and articulate ethnic sentiments—that is, how they help people sound Minangkabau.
Author | : Curt Sachs |
Publisher | : Courier Corporation |
Total Pages | : 562 |
Release | : 2012-09-19 |
Genre | : Music |
ISBN | : 0486171515 |
Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.
Author | : Michael Tenzer |
Publisher | : University of Chicago Press |
Total Pages | : 524 |
Release | : 2000-08 |
Genre | : History |
ISBN | : 9780226792811 |
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
Author | : |
Publisher | : BRILL |
Total Pages | : 238 |
Release | : 2019-12-09 |
Genre | : Social Science |
ISBN | : 9004416943 |
In Kao Gong Ji: The World’s Oldest Encyclopaedia of Technologies, Guan Zengjian and Konrad Herrmann offer an English translation and commentary of the first technological encyclopaedia in China. This work came into being around the 5th century C.E. and contains descriptions of thirty technologies used at the time. Most prominent are bronze casting, the manufacture of carriages and weapons, a metrological standard, the making of musical instruments, and the planning of cities. The technologies, including the manufacturing process and quality assurance, are based on standardization and modularization. In several commentaries, the editors show to which degree the descriptions of Kao Gong Ji correspond to archaeological findings. Revised and updated translation from the Chinese edition:《考工记: 翻译与评注》(ISBN: 978-7-313-12133-2) by Guan Zengjian, © Shanghai Jiao Tong University Press 2014. Published by Shanghai Jiao Tong University Press.