Godwinian Moments

Godwinian Moments
Author: University of California, Los Angeles. Center for 17th- & 18th- Century Studies
Publisher: University of Toronto Press
Total Pages: 313
Release: 2011-01-01
Genre: Literary Criticism
ISBN: 1442642432

"In association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library."

Five Long Winters

Five Long Winters
Author: John Bugg
Publisher: Stanford University Press
Total Pages: 261
Release: 2013-12-18
Genre: Literary Criticism
ISBN: 0804787301

This book argues that the British government's repression of the 1790s rivals the French Revolution as the most important historical event for our understanding the development of Romantic literature. Romanticism has long been associated with both rebellion and escapism, and much Romantic historicism traces an arc from the outburst of democratic energy in British culture triggered by the French Revolution to a dwindling of enthusiasm later in the 1790s, when things in France turned violent. Writers such as Wordsworth and Coleridge can then be seen as "apostates" who turned from radical politics to a poetics of transcendence. Bugg argues instead for a poetics of silence, and his book is set against the backdrop of the so-called Gagging Acts and other legislation of William Pitt, which in literature manifests itself stylistically as silence, stuttering, fragmentation, and encoding. Mining archives of unpublished documents, including manuscripts, diaries, and letters, where authors were more candid, as well as rereading the work of both major and minor figures, a number of whom were subject to prison sentences, Five Long Winters offers a new way of approaching the literature of the Romantic era.

Grasmere 2012: Selected Papers from the Wordsworth Summer Conference

Grasmere 2012: Selected Papers from the Wordsworth Summer Conference
Author: Richard Gravil
Publisher: Humanities-Ebooks
Total Pages: 199
Release: 2012-12-31
Genre: History
ISBN: 1847602363

Five keynote lectures and seven papers from the 41st Wordsworth Summer Conference. In this selection of twelve specially chosen Lectures and Papers from the Wordsworth Summer Conference, Heather Glen writes on 'We are Seven' in the context of population studies in the 1790s, Judith W. Page on Beatrix Potter and William Wordsworth, Anthony Harding on Wordswortyh, Coleridge and the Reading Public, Pamela Woof and Suzanne Stewart on Dorothy Wordsworth's writing, Peter Swaab on Sara Coleridge as a Wordsworth critic, Heidi Thomson on Wordworth and Auden, Judyta Frodyma on Bishop Lowth and 'Home at Grasmere', Stacey McDowell on Keats and Indolence, Catherine Redford on 'The Last Man' and Romantic Archaeology, Paul Whickman on Shelley's revisions of 'Laon and Cythna', and Jason Goldsmith on 'picturesque travel, or viewing landscape by painting it. The final essay includes twelve original landscapes, mostly in colour.

The Oxford Handbook of the Georgian Theatre 1737-1832

The Oxford Handbook of the Georgian Theatre 1737-1832
Author: Julia Swindells
Publisher: OUP Oxford
Total Pages: 786
Release: 2014-01-16
Genre: Literary Criticism
ISBN: 0191655198

The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.

Reforming Ideas in Britain

Reforming Ideas in Britain
Author: Mark Philp
Publisher: Cambridge University Press
Total Pages: 333
Release: 2014
Genre: History
ISBN: 1107027284

An important re-evaluation of radicalism, loyalism and republicanism in British political thought during the French Revolution.

William Godwin and the Theatre

William Godwin and the Theatre
Author: David O'Shaughnessy
Publisher: Routledge
Total Pages: 246
Release: 2015-10-06
Genre: History
ISBN: 1317323734

William Godwin is one of the most important figures of the Romantic period. He wrote four plays at the end of the 18th/beginning of the 19th centuries. This book has two main objectives: to provide the first comprehensive discussion of these four plays, and to consider the notion of theatricality in relation to Godwin’s political project.

Polite Anarchy in International Relations Theory

Polite Anarchy in International Relations Theory
Author: Z. Kazmi
Publisher: Springer
Total Pages: 490
Release: 2012-11-09
Genre: Political Science
ISBN: 1137028130

An innovative re-evaluation of the concept of anarchy in theorizing diplomacy between states which draws on a historically sensitive re-evaluation of the ideological uses of politeness in the anarchist thought of William Godwin.

Henry Crabb Robinson

Henry Crabb Robinson
Author: Philipp Hunnekuhl
Publisher: Romantic Reconfigurations Stud
Total Pages: 304
Release: 2020
Genre: Literary Criticism
ISBN: 178962178X

Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.

Thomas Holcroft’s Revolutionary Drama

Thomas Holcroft’s Revolutionary Drama
Author: Amy Garnai
Publisher: Rutgers University Press
Total Pages: 159
Release: 2023-01-13
Genre: Performing Arts
ISBN: 1684484456

A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.