Gluck Und Die Oper
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Author | : Adolf Bernhard Marx |
Publisher | : Cambridge University Press |
Total Pages | : 487 |
Release | : 2011-10-20 |
Genre | : History |
ISBN | : 1108038751 |
An influential 1863 study of the radical innovations in operatic writing pioneered by Gluck (1714-87) in Vienna and Paris.
Author | : Adolf Bernhard Marx |
Publisher | : Cambridge University Press |
Total Pages | : 475 |
Release | : 2011-10-20 |
Genre | : History |
ISBN | : 1108038743 |
An influential 1863 study of the radical innovations in operatic writing pioneered by Gluck (1714-87) in Vienna and Paris.
Author | : Martin Nedbal |
Publisher | : Routledge |
Total Pages | : 285 |
Release | : 2016-09-13 |
Genre | : Music |
ISBN | : 1317094085 |
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
Author | : Alfred Bates |
Publisher | : |
Total Pages | : 782 |
Release | : 1909 |
Genre | : Drama |
ISBN | : |
Includes selections, epitomes, outlines of dramas, and some entire plays.
Author | : Donald J. Grout |
Publisher | : Columbia University Press |
Total Pages | : 1047 |
Release | : 2003-07-18 |
Genre | : Music |
ISBN | : 0231507720 |
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Author | : Boston Public Library. Allen A. Brown Collection of Music |
Publisher | : |
Total Pages | : 606 |
Release | : 1910 |
Genre | : Music |
ISBN | : |
Author | : Albert Ellery Bergh |
Publisher | : |
Total Pages | : 398 |
Release | : 1909 |
Genre | : Opera |
ISBN | : |
Author | : Russell Sturgis |
Publisher | : |
Total Pages | : 116 |
Release | : 1897 |
Genre | : |
ISBN | : |
Author | : Paul Watt |
Publisher | : Boydell & Brewer |
Total Pages | : 276 |
Release | : 2017 |
Genre | : Biography & Autobiography |
ISBN | : 1783271906 |
Frontcover -- Contents -- List of Figures -- Preface and Acknowledgements -- Chronology of Newman's Life and Works -- Abbreviations -- 1 Ernest Newman and the Challenge of Critical Biography -- PART I The Freethought Years -- 2 Formation of a Critical Sensibility: The 1880s and 1890s -- 3 Social, Literary and Musical Criticism: 1893-1897 -- 4 A Rationalist Manifesto: Pseudo-Philosophy at the end of the Nineteenth Century, 1897 -- 5 Music History and the Comparative Method: Gluck and the Opera, 1895 -- PART II The Mainstream Years -- 6 From Manchester to Moscow: Essays on Music, 1900-1920 -- 7 'The World of Music': Essays in the Sunday Times, 1920-1958 -- 8 Biographical and Musicological Tensions: The Man Liszt, 1934 -- 9 Sceptical and Transforming: Books on Wagner, 1899-1959 -- 10 Conclusion: Ernest Newman Remembered -- Appendix: Newman's Freethought Lectures, 1894-1896 -- Bibliography -- Index
Author | : Charles Edward Cutts Birch Appleton |
Publisher | : |
Total Pages | : 556 |
Release | : 1896 |
Genre | : Literature |
ISBN | : |