Giving Voice To Traditional Songs
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Author | : Jean Redpath |
Publisher | : Univ of South Carolina Press |
Total Pages | : 158 |
Release | : 2018-05-31 |
Genre | : Biography & Autobiography |
ISBN | : 1611178932 |
The singer tells her story from Scottish childhood to success on the Greenwich Village folk scene and beyond, and shares her passion for traditional music. Jean Redpath is best remembered for her impressive repertoire of ancient ballads, Robert Burns songs, and contemporary folk music, recorded and performed over a career spanning some fifty years. In this book, Mark Brownrigg captures Redpath’s idiosyncratic and often humorous voice through his interviews with her during the last eighteen months of her life. Here Redpath reflects on her humble beginnings, her Scottish heritage, her life’s journey, and her mission of preserving, performing, and teaching traditional song. A native of Edinburgh, Redpath was raised in a family of singers of traditional Scots songs. She broadened her knowledge through work with the Edinburgh Folk Society and Scottish studies at Edinburgh University, but prior to graduation, she abandoned academia to follow her passion of singing. Her independent spirit took her to the United States, where she found commercial success amid the Greenwich Village folk-music revival in New York in the 1960s—and shared a house and concert stages with Bob Dylan and Ramblin’ Jack Elliott. Soon a rave review in the New York Times launched her career and led to wide recognition as a true voice of traditional Scottish songs. As a regular on Garrison Keillor’s A Prairie Home Companion and a guest on Late Show with David Letterman, Redpath endeared herself to millions with her soft melodies and amusing tales—and her extraordinary career and extensive knowledge of traditional Scottish music history earned her prestigious university appointments, a performance for Queen Elizabeth II, and induction into the Scottish Traditional Music Hall of Fame. This is her remarkable story.
Author | : Bill C. Malone |
Publisher | : Univ of North Carolina Press |
Total Pages | : 251 |
Release | : 2011 |
Genre | : Music |
ISBN | : 0807835102 |
Author | : Caroline Bithell |
Publisher | : Oxford University Press |
Total Pages | : 377 |
Release | : 2014 |
Genre | : Music |
ISBN | : 0199354545 |
Caroline Bithell explores the history and significance of the natural voice movement and its culture of open-access community choirs, weekend workshops, and summer camps. Founded on the premise that 'everyone can sing', the movement is distinguished from other choral movements by its emphasis on oral transmission and its eclectic repertoire of songs from across the globe.
Author | : Philip V. Bohlman |
Publisher | : Oxford University Press |
Total Pages | : 144 |
Release | : 2020-07-23 |
Genre | : Music |
ISBN | : 0192564447 |
The term 'world music' encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures, and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before. The politics of which world music are a part - globalization, cosmopolitanism, and nationalism - play an increasingly direct role in societies throughout the world, but are at the same time also becoming increasingly controversial. In this new edition of his Very Short Introduction, Philip Bohlman considers questions of meaning and technology in world music, and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author | : |
Publisher | : |
Total Pages | : 568 |
Release | : 1904 |
Genre | : |
ISBN | : |
Author | : Martin Dowling |
Publisher | : Routledge |
Total Pages | : 369 |
Release | : 2016-02-24 |
Genre | : Music |
ISBN | : 1317008413 |
Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.
Author | : Simon McKerrell |
Publisher | : Routledge |
Total Pages | : 190 |
Release | : 2015-09-16 |
Genre | : Music |
ISBN | : 1317806220 |
Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in understanding Scotland musically by exploring ethnicity, Britishness, belonging, politics, transmission and performance, positioning the cultural identity of Scotland within the United Kingdom. Visit the author's companion website at http://www.scottishtraditionalmusic.org/ for additional resources.
Author | : Adam Hansen |
Publisher | : Bloomsbury Publishing |
Total Pages | : 196 |
Release | : 2010-09-23 |
Genre | : Literary Criticism |
ISBN | : 1441134255 |
Exploring the interactions between Shakespeare and popular music, this book links these seeming polar opposites, showing how musicians have woven the Bard into their sounds.
Author | : Philip V. Bohlman |
Publisher | : Oxford University Press |
Total Pages | : 315 |
Release | : 2008-11-20 |
Genre | : History |
ISBN | : 0195178327 |
Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
Author | : Alfred Mason Williams |
Publisher | : |
Total Pages | : 352 |
Release | : 1894 |
Genre | : Folk songs |
ISBN | : |