Girls Series Fiction And American Popular Culture
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Author | : LuElla D'Amico |
Publisher | : Lexington Books |
Total Pages | : 319 |
Release | : 2016-03-01 |
Genre | : Social Science |
ISBN | : 1498517641 |
Girls' Series Fiction and American Popular Culture examines the ways in which young female heroines in American series fiction have undergone dramatic changes in the past 150 years, changes which have both reflected and modeled standards of behavior for America’s tweens and teen girls. Though series books are often derided for lacking in imagination and literary potency, that the majority of American girls have been exposed to girls’ series in some form, whether through books, television, or other media, suggests that this genre needs to be studied further and that the development of the heroines that girls read about have created an impact that is worthy of a fresh critical lens. Thus, this collection explores how series books have influenced and shaped popular American culture and, in doing so, girls’ everyday experiences from the mid nineteenth century until now. The collection interrogates the cultural work that is performed through the series genre, contemplating the messages these books relay about subjects including race, class, gender, education, family, romance, and friendship, and it examines the trajectory of girl fiction within such contexts as material culture, geopolitics, socioeconomics, and feminism.
Author | : Jean Marie Lutes |
Publisher | : Cornell University Press |
Total Pages | : 252 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780801442353 |
Into the madhouse with girl stunt reporters -- The African American newswoman as national icon -- The original sob sisters : writers on trial -- A reporter-heroine's evolution -- From news to novels -- Epilogue : girl reporters on film.
Author | : Michael G. Cornelius |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 206 |
Release | : 2020-11-11 |
Genre | : Literary Criticism |
ISBN | : 1527561968 |
Where we come from, where we are, where we have been, and where we are going all have a huge impact on who we are. Theories of space and place also hold that the converse is equally true—that we have an impact on those spaces and places we inhabit or dwell within. We make space: our agencies, our cultures, our beliefs and values and understandings shape the macro- and micro-environments around us. Just as much, however, those places we inhabit shape us, causing us to adapt ourselves to them. Children exist in spaces that are crafted for them by adults—by parents, by school administrators and teachers—and, as such, their impact on space can be somewhat limited. Space is made for them, but certainly not to their own specifications or liking. In children’s literature, spaces are often seen as noteworthy markers of a child’s progression toward adulthood, whether the space is Laura Ingalls’ little house or Harry Potter’s Hogwarts. For these characters, movement through space is about growth and change, about accepting the inevitability of growing up and the responsibility of the adulthood, whether that be marriage and motherhood or vanquishing the most evil wizard of all time. However, what about juvenile series books, whose central protagonists generally never grow or change? The central character of these series—usually a flat, unchanging trope more than a fully realized, fleshed-out, dynamic figure—is a static creation. Though characters like Nancy Drew and the Hardy Boys frequently move through different geographies, they never change as characters. In fact, one could argue that the only dynamic that ever experiences any alteration in a series like Nancy Drew is setting. Surely there is something significant about the relationship of series books to those spaces their protagonists inhabit? This collection explores that relationship, the dynamics between the controlled spaces of childhood and the variable spaces of juvenile series literature. It shows that the unchanging series book characters demonstrate that their impact on space is far greater than its impact ever is on them, reflecting an exercise in spatial authority that most children and even children’s book heroes never quite experience.
Author | : Ingrid E. Castro |
Publisher | : Lexington Books |
Total Pages | : 333 |
Release | : 2018-12-20 |
Genre | : Literary Criticism |
ISBN | : 1498574955 |
Representing Agency in Popular Culture: Children and Youth on Page, Screen and In-Between addresses the intersection of children’s and youth’s agency and popular culture. As scholars in childhood studies and beyond seek to expand understandings of agency, power, and voice in children’s lives, this book places popular culture and representation as central to this endeavor. Core themes of family, gender, temporality, politics, education, technology, disability, conflict, identity, ethnicity, and friendship traverse across the chapters, framed through various film, television, literature, and virtual media sources. Here, childhood is considered far from homogeneous and the dominance of neoliberal models of agency is questioned by intersectional and intergenerational analyses. This book posits there is vast power in popular culture representations of children’s agency, and interrogation of these themes through interdisciplinary lenses is vital to furthering knowledge and understanding about children’s lives and within childhood studies.
Author | : Jennifer Harrison |
Publisher | : Rowman & Littlefield |
Total Pages | : 147 |
Release | : 2019-04-29 |
Genre | : Literary Criticism |
ISBN | : 1498573363 |
If there is one trend in children’s and YA literature that seems to be enjoying a steady rise in popularity, it is the expansion of the YA dystopian genre. While the genre has been lauded for its potential to expand horizons, promote critical thinking, and foster social awareness and activism, it has also come under scrutiny for its promotion of specific ideologies and its often sensationalist approach to real-world problems. In an examination of six YA dystopian texts spanning more than twenty years of development of the genre, this book explores the way in which posthumanist ideologies in particular are deployed or resisted in these texts as a means of making sense of the specific challenges which young people confront in the twenty-first century.
Author | : Ingrid E. Castro |
Publisher | : Rowman & Littlefield |
Total Pages | : 305 |
Release | : 2019-10-15 |
Genre | : Literary Criticism |
ISBN | : 1498597394 |
Child and Youth Agency in Science Fiction: Travel, Technology, Time intersects considerations about children’s and youth’s agency with the popular culture genre of science fiction. As scholars in childhood studies and beyond seek to expand understandings of agency in children’s lives, this collection places science fiction at the heart of this endeavor. Retellings of the past, narratives of the present, and new landscapes of the future, each explored in science fiction, allow for creative reimaginings of the capabilities, movements, and agency of youth. Core themes of generation, embodiment, family, identity, belonging, gender, and friendship traverse across the chapters and inform the contributors’ readings of various film, literature, television, and virtual media sources. Here, children and youth are heterogeneous, and agency as a central analytical concept is interrogated through interdisciplinary, intersectional, intergenerational, and posthuman analyses. The contributors argue that there is vast power in science fiction representations of children’s agency to challenge accepted notions of neoliberal agency, enhance understandings of agency in childhood studies, and further contextualize agency in the lives, voices, and cultures of youth.
Author | : Patrice A. Oppliger |
Publisher | : Rowman & Littlefield |
Total Pages | : 231 |
Release | : 2018-12-17 |
Genre | : Social Science |
ISBN | : 1498550592 |
Tweencom Girls analyzes the different ways character tropes are portrayed in media targeted at eight- to twelve-year-olds, particularly female characters, over the last twenty-five years. The book focuses particularly on sitcoms produced by the cable giants Disney Channel and Nickelodeon because of their popularity and ubiquity. It provides extensive examples and alternative interpretations of the shows’ tropes and themes, particularly for those who are unfamiliar with the genre. The first section explores common tweencom tropes, focusing on different themes that are prevalent throughout the series. The second section includes a discussion of the big picture of how tropes and themes give insight into the female characters portrayed in the popular tweencom programming, as well as advice to parents and educators.
Author | : Agnieszka Stasiewicz-Bieńkowska |
Publisher | : Springer Nature |
Total Pages | : 277 |
Release | : 2021-05-08 |
Genre | : Fiction |
ISBN | : 3030717445 |
This book explores the narratives of girlhood in contemporary YA vampire fiction, bringing into the spotlight the genre’s radical, ambivalent, and contradictory visions of young femininity. Agnieszka Stasiewicz-Bieńkowska considers less-explored popular vampire series for girls, particularly those by P.C. and Kristin Cast and Richelle Mead, tracing the ways in which they engage in larger cultural conversations on girlhood in the Western world. Mapping the interactions between girl and vampire corporealities, delving into the unconventional tales of vampire romance and girl sexual expressions, examining the narratives of women and violence, and venturing into the uncanny vampire classroom to unmask its critique of present-day schooling, the volume offers a new perspective on the vampire genre and an engaging insight into the complexities of growing up a girl.
Author | : |
Publisher | : BRILL |
Total Pages | : 391 |
Release | : 2022-01-10 |
Genre | : Social Science |
ISBN | : 9004446591 |
For the international cast of contributors to this volume being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft manufacturing, packaging, marketing, and archives.
Author | : Robin L. Cadwallader |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2020-05-13 |
Genre | : Literary Criticism |
ISBN | : 1000071707 |
This collection is the first of its kind to interrogate both literal and metaphorical transatlantic exchanges of culture and ideas in nineteenth-century girls’ fiction. As such, it initiates conversations about how the motif of travel in literature taught nineteenth-century girl audiences to reexamine their own cultural biases by offering a fresh perspective on literature that is often studied primarily within a national context. Women and children in nineteenth-century America are often described as being tied to the home and the domestic sphere, but this collection challenges this categorization and shows that girls in particular were often expected to go abroad and to learn new cultural frames in order to enter the realm of adulthood; those who could not afford to go abroad literally could do so through the stories that traveled to them from other lands or the stories they read of others’ travels. Via transatlantic exchange, then, authors, readers, and the characters in the texts covered in this collection confront the idea of what constitutes the self. Books examined in this volume include Adeline Trafton’s An American Girl Abroad (1872), Johanna Spyri’s Heidi (1881), and Elizabeth W. Champney’s eleven-book Vassar Girl Series (1883-92), among others.