Giovanni Paolo Lomazzos Trattato Dellarte Della Pittura
Download Giovanni Paolo Lomazzos Trattato Dellarte Della Pittura full books in PDF, epub, and Kindle. Read online free Giovanni Paolo Lomazzos Trattato Dellarte Della Pittura ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Barbara Tramelli |
Publisher | : Brill |
Total Pages | : 254 |
Release | : 2016-11-17 |
Genre | : Science |
ISBN | : 9789004330252 |
Tramelli considers three main areas of Giovanni Paolo Lomazzo s studies: color, perspective and anatomy, investigating the types of theoretical and practical knowledge on these subjects conveyed in the Trattato dell Arte della Pittura and how the context of Milan at the end of the sixteenth century shaped the material gathered in Lomazzo s books."
Author | : Giovanni Paolo Lomazzo |
Publisher | : |
Total Pages | : 748 |
Release | : 1585 |
Genre | : |
ISBN | : |
Author | : Giovanni Paolo Lomazzo |
Publisher | : Penn State University Press |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9780271059532 |
An English translation of the Renaissance treatise on painting by the Milanese artist Giovan Paolo Lomazzo (1538-1592). Drawing on a wide range of influences, including Leonardo's legacy, Neoplatonic cosmology, and the occult, Lomazzo affirms the development of every artist's unique, expressive style or maniera.
Author | : Barbara Tramelli |
Publisher | : BRILL |
Total Pages | : 265 |
Release | : 2016-11-07 |
Genre | : Science |
ISBN | : 9004330267 |
Barbara Tramelli’s Giovanni Paolo Lomazzo’s Trattato dell’Arte della Pittura: Color, Perspective and Anatomy investigates the context in which the writings of the painter Giovanni Lomazzo were produced, the types of theoretical and practical knowledge which they conveyed to artists and how painters in the second half of the sixteenth century shared this knowledge among themselves. In his books, Lomazzo drew on earlier and contemporary art literature, his own expertise as a painter, works of natural philosophy and his personal exchanges with contemporary artists, astrologers and ‘scientists’. Lomazzo and his work are placed in the context of the city where he operated and published, paying particular attention to the role of Milanese institutions as ‘spaces of interactions’ with colleagues and men of letters in which the material for his books was discussed and collected. Tramelli highlights three main areas of Lomazzo’s studies: color, perspective and anatomy, linking his theoretical discourse to what was known and discussed about these topics in Milan at the end of the sixteenth century.
Author | : Lucia Tantardini |
Publisher | : BRILL |
Total Pages | : 250 |
Release | : 2020-08-31 |
Genre | : Art |
ISBN | : 9004435107 |
An exploration of the influence of the charismatic Milanese art theorist on his contemporaries in the field of drawing, painting, printmaking, decorative arts, and sculpture.
Author | : Angela Cerasuolo |
Publisher | : BRILL |
Total Pages | : 498 |
Release | : 2017-01-05 |
Genre | : History |
ISBN | : 900433534X |
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Author | : Claire Farago |
Publisher | : BRILL |
Total Pages | : 1371 |
Release | : 2018-01-29 |
Genre | : Art |
ISBN | : 900435378X |
The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.
Author | : Roy Osborne |
Publisher | : Lulu.com |
Total Pages | : 464 |
Release | : 2019 |
Genre | : Art, Renaissance |
ISBN | : 0244454760 |
"Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et éscutz [The Blazon of All Arms and Escutcheons] (1495) by Jean Courtois, the Sicily Herald; Le Blason des couleurs en armes, livrées et devises [The Blazon of Colours in Arms, Liveries and Devices] (1527) by Gilles Corrozet; Libellus de coloribus [Booklet on Colours] (1528) by Antonio Telesio (Thylesius); and Del significato de' colori [On the Signification of Colours] (1535) by Fulvio Pellegrino Morato. Parts of three other early books are included, from The Accedens of Armory (1562) by Gerard Legh; Trattato dell'arte della pittura, scoltura, et archittetura [Treatise on the Arts of Painting, Sculpture, and Architecture] (1584) by Giovanni Paolo Lomazzo; and A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge (1598) by Richard Haydocke"--Provided by publisher.
Author | : Marieke J.E. van den Doel |
Publisher | : BRILL |
Total Pages | : 390 |
Release | : 2021-12-13 |
Genre | : Art |
ISBN | : 9004459685 |
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.
Author | : Ascanio Condivi |
Publisher | : Wentworth Press |
Total Pages | : 108 |
Release | : 2019-03-22 |
Genre | : History |
ISBN | : 9781010718154 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.