Gilbert And Sullivans Respectable Capers
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| Author | : Michael Goron |
| Publisher | : Springer |
| Total Pages | : 264 |
| Release | : 2016-09-16 |
| Genre | : Performing Arts |
| ISBN | : 1137594780 |
This innovative account of the Gilbert and Sullivan partnership provides a unique insight into the experience of both attending and performing in the original productions of the most influential and enduring pieces of English-language musical theatre. In the 1870s, Savoy impresario Richard D’Oyly Carte astutely realized that a conscious move to respectability in a West End which, until then, had favored the racy delights of burlesque and French operetta, would attract a new, lucrative morally ‘decent’ audience. This book examines the commercial, material and human factors underlying the Victorian productions of the Savoy operas. Unusually for a book on ‘G&S’, it focuses on people and things rather than author biography or literary criticism. Examining theatre architecture, interior design, marketing, and typical audiences, as well as the working conditions and personal lives of the members of a Victorian theatre-company, ‘Respectable Capers’ explains how the Gilbert and Sullivan operas helped to transform the West End into the family-friendly ‘theatre land’ which still exists today.
| Author | : Bruno Bower |
| Publisher | : Taylor & Francis |
| Total Pages | : 264 |
| Release | : 2023-12-18 |
| Genre | : Music |
| ISBN | : 1003826032 |
This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. These shows have traversed (and continue to traverse) with ease the national borders which might superficially define them, or draw on features from many other genres without fundamentally changing in tone or approach. The chapters move from nineteenth-century London and Paris to twentieth-century North America, South America and Europe to present-day Australia. Some offer fresh understandings of familiar composers, such as Johann Strauss or Gilbert and Sullivan, while others examine works or composers that are less well-known. The chapter on Socialist operetta in Czechoslovakia in particular will almost certainly be a revelation to anyone from Western Europe or the US, where operetta is often understood to be a bourgeois phenomenon. As a summary of the current state of the field, this collection showcases the many possible pathways for future scholars who wish to explore it.
| Author | : Anastasia Belina |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 1107182166 |
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
| Author | : Paul Seeley |
| Publisher | : Routledge |
| Total Pages | : 173 |
| Release | : 2021-11-29 |
| Genre | : Performing Arts |
| ISBN | : 1000487342 |
This book considers and discusses aspects of the management of the D’Oyly Carte Opera Company in the twentieth century since the death of its founder Richard D’Oyly Carte, and concentrates on key events that contributed to its demise in 1982. In this book, Paul Seeley follows the analytical model that proposes no single factor triggered the collapse, but rather several, both external and internal. In the case of an opera company the external factors may include public taste and market forces, but more significant are the internal factors such as the management decisions taken in response to external factors and how these compare with the original artistic aims, aspirations and business models of the founder. This is a study by someone with close observation of the administration; at the 1982 demise, Seeley was assistant to the company manager, having earlier served on the music staff. The book is a must-read for music historians, theatre historians and arts-management professionals; as an uncompromisingly critical history of the D'Oyly Carte Opera Company it is designed to serve a wider public, not just the Gilbert and Sullivan opera specialist, but anyone keen to debate the desirability of private or public sponsorship of the performing arts.
| Author | : Arthur Sullivan |
| Publisher | : Good Press |
| Total Pages | : 967 |
| Release | : 2019-11-20 |
| Genre | : Fiction |
| ISBN | : |
The following book is a collection of comic operas with the play itself being written by the dramatist W. S. Gilbert and the music composed by Arthur Sullivan. It includes their best known works: 'H.M.S. Pinafore', 'The Pirates of Penzance' and 'The Mikado'. Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offense, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humor and pathos. Their operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world.
| Author | : Simon McVeigh |
| Publisher | : Boydell & Brewer |
| Total Pages | : 345 |
| Release | : 2024-05-21 |
| Genre | : History |
| ISBN | : 1837651345 |
Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
| Author | : Clive Edwards |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 304 |
| Release | : 2022-02-28 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1803131047 |
Victorian furnishers and decorators Collinson & Lock were a model of the art furniture business of the last quarter of the nineteenth century. This book is the first wide-ranging study of this once highly important company. It will give insights into the workings and productions of a London furnishing business in the period. It also provides information on a wide variety of topics including furniture design developments, interior design styles, business practices, working practices and techniques, and the firm’s customers and competitors. Clive Edwards first considers the structure of the London ‘art furniture’ trade and its development to locate the firm in its community. He then traces the growth of the firm’s business, its involvement with important international exhibitions, the designers they worked with, and the furniture and interiors they produced. This important book then outlines and discusses Collinson & Lock’s creations ranging from seminal pieces that were designed for an exclusive clientele, to those displayed at national and international exhibitions between 1871 and 1900, through to batch produced objects that still maintained the quality and design that the firm was famous for. The involvement of the firm with both public and private interior decoration commissions is also examined through case studies, including those in the Anglo-Japanese, Queen Anne, Old English, and Renaissance styles used in the later Victorian period. Drawing on the author's extensive knowledge of nineteenth-century furniture and interiors, this book meets a need for a fully researched and illustrated reference work on this famous firm. If you have an interest in the history of furniture and interior design, if you are involved with furniture collections either on a private basis or professionally, or you simply have an interest in the decorative arts and culture of the period, this book should be on your shelves.
| Author | : Richard Moore |
| Publisher | : Routledge |
| Total Pages | : 307 |
| Release | : 2019-06-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 0429859619 |
To what extent is a great comic writer the product of his time? How far is he (or she) influenced by factors of personal psychology upbringing and environment? To what is the writing actually part of a long continuum in which there is continuity within change and change within continuity? The Progress of Fun considers principally the last of these areas, focussing on the case of W.S. Gilbert and challenging the frequently held view that he is pre-eminently a typical Victorian. This it does by tracing his roots back to Ancient Greek comedy and to the various comedic developments that have dominated Western Europe thereafter. Also included is a careful examination of the constraints and limitations that in various forms have long affected comedy-writing, and an evaluation of Gilbert’s particular skills and legacy within the on-going process. The whole is a suitable prelude to a second volume (Pipes and Tabors) which will consider Genre in W.S. Gilbert, again relating it to comedic precedents and the universally timeless within the particular.
| Author | : John Benson |
| Publisher | : Taylor & Francis |
| Total Pages | : 141 |
| Release | : 2022-09-30 |
| Genre | : History |
| ISBN | : 1000688933 |
Respectability, Bankruptcy and Bigamy in Late Nineteenth and Early Twentieth-Century Britain explores the vexed question of middle-class respectability in Victorian and Edwardian Britain. It focuses upon the life of London solicitor Hamilton Pawley (1860–1936), who was barred from working by the Law Society, twice declared bankrupt, and in 1919 was sentenced to eighteen months’ imprisonment with hard labour for bigamously marrying a woman practically forty years his junior. If Pawley did not suffer the revenge of respectable society, it is difficult to think who would. Drawing upon the fact that the disgraced and the disreputable have always tended to attract a disproportionate amount of attention, the book ranges widely, exploring such important issues as middle-class education, career choices, the dynamics of family life, and the workings of the late nineteenth and early twentieth-century legal system. It shows that Pawley was able to hold on to his professional – and even gentlemanly – status for far longer than seemed likely. This all suggests, the book concludes, that although respectability was as important to the middle class as we have always been told, it was both easier to acquire and easier to retain than we have generally been led to believe. This book will appeal to all those interested in British society in the late nineteenth and early twentieth centuries.
| Author | : Matthew Kaiser |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2021-12-30 |
| Genre | : History |
| ISBN | : 1350187801 |
Drawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920-shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers-it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change. This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life. Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.
