Gianfranco Gorgoni
Download Gianfranco Gorgoni full books in PDF, epub, and Kindle. Read online free Gianfranco Gorgoni ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Ann Wolfe |
Publisher | : The Monacelli Press, LLC |
Total Pages | : 257 |
Release | : 2021-08-24 |
Genre | : Art |
ISBN | : 1580935591 |
The first career-spanning catalog of the work of Gianfranco Gorgoni, whose iconic photographs established Land Art as one of the major art movements of the twentieth century. For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he was traveling with Heizer, Smithson, and De Maria to the American West in the late 1960s to plot the works that would famously break art practice out of the confines of the gallery world. In Nevada, New Mexico, and Utah, these artists embarked on major Land Art installations that would redefine contemporary art practice of the era. In many cases, Gorgoni was the only photographer on the ground to document their projects, and his images often serve as the definitive photographic record of the planning and creation of these groundbreaking works. Published to coincide with the first major exhibition of Gorgoni's photographic Land Art images at the Nevada Museum of Art, featuring over fifty of his large-scale photographs, Gianfranco Gorgoni: Land Art Photographs includes an introduction by Ann M. Wolfe, Andrea and John C. Deane Family senior curator and deputy director at the Nevada Museum of Art, an essay by the late art historian and critic Germano Celant, whose contribution here is among the last he wrote before his death in 2020, and William L. Fox, the Peter E. Pool Director of the Center for Art + Environment. A landmark collection of photographs of legendary and lesser-known works by Michael Heizer, Walter De Maria, Christo and Jeanne-Claude, Richard Serra, Robert Smithson, Ugo Rondinone, and Charles Ross, Gianfranco Gorgoni: Land Art Photographs is a major new assessment of one of the world's great art movements.
Author | : Gianfranco Gorgoni |
Publisher | : |
Total Pages | : 40 |
Release | : 1988 |
Genre | : Artists |
ISBN | : |
Author | : Grégoire Müller |
Publisher | : |
Total Pages | : 192 |
Release | : 1972 |
Genre | : Art |
ISBN | : |
This volume features the work of Dan Flavin, Sol Lewitt, Carl Andre, Robert Morris, Robert Smithson, Richard Serra, Keith Sonnier, Bruce Nauman, Joseph Beuys, Mario Merz, Walter de Maria, and Michael Heizer.
Author | : William L. Fox |
Publisher | : The Monacelli Press, LLC |
Total Pages | : 255 |
Release | : 2019-09-24 |
Genre | : Art |
ISBN | : 1580935206 |
The most comprehensive account available of Michael Heizer's art by a writer and curator who has critical experience with the artist and his work. Michael Heizer is among the greatest, and often least accessible, American artists. As one of the last living figures who launched the Land Art movement, his legacy of works that are literally and metaphorically monumental has an incalculable influence on the world of sculpture and environmental art. But his seclusion in the remote Nevada desert, as well as his notorious obduracy, have resulted in significant gaps in our critical understanding. Michael Heizer: The Once and Future Monuments spans the breadth of Heizer's career, uniquely combining fieldwork, personal narrative, and biographical research to create the first major assessment in years of this titan of American art. Author William L. Fox, founding director of the Center for Art + Environment at the Nevada Museum of Art, has alternately been a sponsor, advocate, and critic of Heizer's work for decades. Fox's understanding of the artist's history and connection to landscape, his time spent with Heizer at the remote ranch where Heizer is finishing his magnum opus--the mile-long sculpture City--and his access to some of Heizer's key associates give him a unique position from which to discuss the artist's work. Fox has also made numerous site visits to Heizer's work--including early pieces in the Nevada desert now largely lost to the elements--to correct the often inconsistent accounts of their locations. Last, Fox imparts a crucial new understanding of Heizer's work by elaborating on the artist's bond with his father, the famed archaeologist and cultural ecologist Robert Heizer, who enlisted his son on important digs in Mexico and Peru, providing the young man with an appreciation of site, landscape, and geology that would thoroughly inform his work. Michael Heizer: The Once and Future Monuments is a long overdue addition to the critical and biographical literature of this major figure in American art.
Author | : George Thomas Baker |
Publisher | : |
Total Pages | : 216 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
This book is devoted to the masterpiece earthwork of Robert Smithson.
Author | : |
Publisher | : |
Total Pages | : 192 |
Release | : 1988-11-21 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : Dave Beech |
Publisher | : MIT Press |
Total Pages | : 246 |
Release | : 2009 |
Genre | : Aesthetics |
ISBN | : 9780262512381 |
Key texts on beauty and its revival in contemporary art.
Author | : Gary Shapiro |
Publisher | : Univ of California Press |
Total Pages | : 286 |
Release | : 1995 |
Genre | : Art |
ISBN | : 0520212355 |
The untimely death of Robert Smithson in 1973 at age 34 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks and installations of the 1960s and '70s anticipated concerns with environmentalism and site-specific artistic production. Gary Shapiro's insightful study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity.
Author | : Contact Press Images |
Publisher | : Universe Publishing(NY) |
Total Pages | : 0 |
Release | : 2002 |
Genre | : September 11 Terrorist Attacks, 2001 |
ISBN | : 9780789308306 |
A book by the photographers of CONTACT PRESS IMAGES Within minutes of the attack on the World Trade Center the morning of September 11, 2001, Contact Press Images, one of photojournalism's preeminent agencies that represents some of the world's greatest photographers, had mobilized half a dozen photographers to cover the event. In the following days, their reportage on the disaster would swell to include more than a dozen photographers who documented in a variety of formats and moods the assault on the towers, their collapse, the firefighters and rescue workers, stunned on-lookers and survivors, the torrent of debris blanketing downtown, and the smoldering wreckage at ground zero. In order to honor the memory, as well as the cultural and social significance of the twin towers, the agency has compiled a memorial book comprised of 110 photographs (the number of floors of each of the towers), both color and black and white, made by twenty-two photographers affiliated with Contact Press Images, including David Burnett, Frank Fournier, Lori Grinker, and Annie Leibovitz, to be released in time for the first anniversary of the attack. Divided into two sections, the first part will be devoted to the horrific events of September 11. The second part will depict the Trade Centers in all their gravity-defying glory, which the agency had photographed since its inception. It will also include text by Nobel-laureate Toni Morrison (Song of Solomon, Sula), Minoru Yamasaki (chief architect of the World Trade Center), Jacques Menasche (Contact Press Images' writer and 9-11 witness). The first year anniversary will mark a transition from the "moment" to the "monument." Rather than attempting tobe a news presentation, Contact's Eleven is intended to be offered as a visual elegy marking the life and death of the great landmark. In this sense, it is reminiscent of the hundreds of memorial (Yizkor) books produced after theHolocaust by survivors whose villages no longer existed. Then, as now, the function was two-fold. First, as witnessing books -- that is, books that gave testimony to the disaster of the holocaust; secondly, as tributes, meant to memorialize the life and history of towns that had disappeared.
Author | : James Nisbet |
Publisher | : Princeton University Press |
Total Pages | : 144 |
Release | : 2021-11-30 |
Genre | : Art |
ISBN | : 0691194955 |
"In the decades following World War II, artists and designers developed the land art movement, consisting of outdoor artworks that can exist only in a specific place. Major works within this genre include Walter De Maria's Lightning Field (1977) located on an isolated high-desert plain in New Mexico; Robert Smithson's Spiral Jetty (1970) in the Great Salt Lake, the concrete cylinders of Nancy Holt's Sun Tunnels (1976), located in the Great Basin Desert in Utah; and other projects that nestle into environments ranging from open fields to concrete cityscapes. These works are typically depicted as they were when originally constructed. Yet their environmental contexts have transformed due to weather, agriculture, climate change, land-use policy, and more. In Second Site, James Nisbet presents the first sustained argument on how to account for the passage of time and environmental change in site-specific artworks, ranging from Richard Serra's Shift (1970)-whose initial small-farm-setting is now a growing exurb of Toronto-to Ant Farm's Cadillac Ranch (1974) and Nancy Holt's Dark Star Park (1984). Nisbet argues for an ecological reading of the artworks' environments, and coins the term "second site" to argue that manmade artworks and non-living things have their own durations but co-exist in the continuous experience of an environment. Any single photograph or experience of a site can provide only one view of an ever-changing existence. Nisbet advocates for new methods of evaluation, conservation, and depiction in order to "read" the content of these sites of time. In doing so, he uses site-specific artworks to help understand what it means for humans and their cultural production to live in an ecologically volatile world"--