Gharanas Of Indian Music
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Author | : Amala Dāśaśarmā |
Publisher | : |
Total Pages | : 374 |
Release | : 1993 |
Genre | : Biography & Autobiography |
ISBN | : |
The Work Centres Around The Gharana System Of Development Of Indian Music. Provides A Brief History Of Historical Development. 5 Chapters. Glossary. Bibliography. Index.
Author | : Sadakat Aman Khan |
Publisher | : Notion Press |
Total Pages | : 117 |
Release | : 2022-01-19 |
Genre | : Art |
ISBN | : |
The book has detailed research and explanation about different Indian Classical Music Gharanas/Musical Lineages. The book will provide you information on Gharanas, their founders, unique style, origin and their music exponents.
Author | : Amit Chaudhuri |
Publisher | : New York Review of Books |
Total Pages | : 273 |
Release | : 2021-03-30 |
Genre | : Music |
ISBN | : 168137479X |
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
Author | : Vāmana Harī Deśapāṇḍe |
Publisher | : |
Total Pages | : 268 |
Release | : 1987 |
Genre | : Music |
ISBN | : |
Author | : Emmie Te Nijenhuis |
Publisher | : BRILL |
Total Pages | : 170 |
Release | : 1974 |
Genre | : Hindu music |
ISBN | : 9789004039780 |
Author | : Namita Devidayal |
Publisher | : Random House India |
Total Pages | : 254 |
Release | : 2011-11-20 |
Genre | : Fiction |
ISBN | : 818400236X |
When Namita is ten, her mother takes her to Dhondutai, a respected Mumbai music teacher from the great Jaipur Gharana. Dhondutai has dedicated herself to music and her antecedents are rich. She is the only remaining student of the legendary Alladiya Khan, the founder of the gharana and of its most famous singer, the tempestuous songbird, Kesarbai Kerkar. Namita begins to learn singing from Dhondutai, at first reluctantly and then, as the years pass, with growing passion. Dhondutai sees in her a second Kesar, but does Namita have the dedication to give herself up completely to music—or will there always be too many late nights and cigarettes? Beautifully written, full of anecdotes, gossip and legend, The Music Room is perhaps the most intimate book to be written about Indian classical music yet.
Author | : Dr. Swarn Lata |
Publisher | : iUniverse |
Total Pages | : 161 |
Release | : 2013-02-07 |
Genre | : Music |
ISBN | : 1475947070 |
Since the thirteenth century, the sitara stringed, plucked instrument of Indiahas transformed into an instrument beloved by millions in its country of origin as well as all over the world. The Journey of the Sitar in Indian Classical Music details the origin, history, and playing styles of this unique stringed instrument. Dr. Swarn Lata relies on more than thirty-five years of experience teaching sitar to students from diverse cultures and communities as well as extensive research from libraries, museums, temples, and musicologists to compile a comprehensive guidebook filled with fascinating facts about the sitar. In a carefully organized format, Lata offers an in-depth examination of the meaning of musical instruments, the styles of different gharanas, and the place of the sitar in Indian classical music. Music is an extraordinary medium of expression that has the capability to bring the world together. This step-by-step guidebook shares a one-of-akind study of a unique instrument that produces a beautiful sound while providing an unforgettable spiritual experience to all who listen.
Author | : Hema Hirlekar |
Publisher | : Unicorn Books Pvt Ltd |
Total Pages | : 225 |
Release | : 2010 |
Genre | : Hindustani music |
ISBN | : 8178062062 |
Author | : Bonnie C. Wade |
Publisher | : CUP Archive |
Total Pages | : 344 |
Release | : 1984 |
Genre | : Music |
ISBN | : 9780521256599 |
Bonnie C. Wade studies khyal and the cultural history behind the art.
Author | : Daniel M. Neuman |
Publisher | : University of Chicago Press |
Total Pages | : 304 |
Release | : 1990-03-15 |
Genre | : Music |
ISBN | : 0226575160 |
Daniel M. Neuman offers an account of North Indian Hindustani music culture and the changing social context of which it is part, as expressed in the thoughts and actions of its professional musicians. Drawing primarily from fieldwork performed in Delhi in 1969-71—from interviewing musicians, learning and performing on the Indian fiddle, and speaking with music connoisseurs—Neuman examines the cultural and social matrix in which Hindustani music is nurtured, listened and attended to, cultivated, and consumed in contemporary India. Through his interpretation of the impact that modern media, educational institutions, and public performances exert on the music and musicians, Neuman highlights the drama of a great musical tradition engaging a changing world, and presents the adaptive strategies its practitioners employ to practice their art. His work has gained the distinction of introducing a new approach to research on Indian music, and appears in this edition with a new preface by the author.