Download Gestus full books in PDF, epub, and Kindle. Read online free Gestus ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Patrice Pavis |
| Publisher | : University of Toronto Press |
| Total Pages | : 492 |
| Release | : 1998-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780802081636 |
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
| Author | : Sean Carney |
| Publisher | : Routledge |
| Total Pages | : 216 |
| Release | : 2020-07-24 |
| Genre | : Performing Arts |
| ISBN | : 1000143228 |
Arguing that Brecht’s aesthetic theories are still highly relevant today, and that an appreciation of his theory and theatre is essential to an understanding of modern critical theory, this book examines the influence of Brecht’s aesthetic on the pre-eminent materialist critics of the twentieth century: Louis Althusser, Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W. Adorno and Raymond Williams. Re-reading Brecht through the lens of post-structuralism, Sean Carney asserts that there is a Lacanian Brecht and a Derridean Brecht: the result of which is a new Brecht whose vital importance for the present is located in decentred theories of subjectivity. Brecht and Critical Theory maps the many ways in which Brechtian thinking pervades critical thought today, informing the critical tools and stances that make up the contemporary study of aesthetics.
| Author | : Bernice Slote |
| Publisher | : U of Nebraska Press |
| Total Pages | : 212 |
| Release | : 1963-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780803250659 |
Critical Approaches Frye: The Road of Excess Knights: King Lear as Metaphor Kushner: The Critical Method of Gaston Bachelard Gershman: Surrealism: Myth and Reality Applications The Writer and His Method Winner: Myth as a Device in the Works of Chekhov Nothnagle: Myth in the Poetic Creation of Agrippa D'Aubigne Campbell: The Transformation of Biblical Myth: MacLeish's Use of the Adam and Job Stories Hiller: The Symbolism of Gestus in Brecht's Drama Sr. Joselyn: Animal Imagery in Katherine Anne Porter's Fiction The Work Examined--Archetypes and Interpretations LaGuardia: Chastity, Regeneration, and World Order in All's Well that Ends Well Jones: Immortality in Two of Milton's Elegies Dougherty: Of Ruskin's Gardens Kern: Myth and Symbol in Criticism of Faulkner's "The Bear" Welliver: The De Vulgari Eloquentia and Dante's Quasi After-Life Vickery: The Golden Bough: Impact and Archetype
| Author | : Peter Thomson |
| Publisher | : Cambridge University Press |
| Total Pages | : 338 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : 9780521424851 |
This updated edition properly retains much that was in the original Companion, but also introduces new voices and themes. It brings together the contrasting views of major critics and active practitioners and contains new essays on Brecht's early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this thorough overview of a writer who constantly aimed to provoke. Book jacket.
| Author | : Geoffrey Holden Block |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 436 |
| Release | : 2004 |
| Genre | : Music |
| ISBN | : 9780195167306 |
Discusses the great Broadway hits, how they were conceived, written and performed.
| Author | : Willy Conley |
| Publisher | : Routledge |
| Total Pages | : 176 |
| Release | : 2019-04-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0429886020 |
Visual-Gestural Communication is a truly unique volume in non-language communication devoted to the study of universal gestures, facial expressions, body language, and pantomime. Readers develop the skill and confidence to interact -- sans shared language -- with individuals, such as someone who is deaf or hard of hearing, or who speaks a foreign language. The text and accompanying online resources feature a wealth of icebreakers, sequenced yet modular activities and assignments, as well as resources, student exercises, and teacher-guided tasks that explore aspects and amalgamations of nonverbal communication, theatre, and sign language. It is a tremendous resource for students of visual-gestural communication, sign language interpretation, American Sign Language (and other foreign sign languages), nonverbal communication, theatre, and performance studies, as well as community educators in deaf awareness and advocacy. In addition to the text's vital use in the theatrical arena, it is also applicable to teachers who wish to help their students maximize the use of their facial expressions, gestures, and body language as a prerequisite to learning ASL.
| Author | : Steve Giles |
| Publisher | : Rodopi |
| Total Pages | : 274 |
| Release | : 1998 |
| Genre | : German literature |
| ISBN | : 9789042003194 |
The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht's role and reception in the GDR; and contemporary appropriations of Brecht's work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht's Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 272 |
| Release | : 2023-06-19 |
| Genre | : Social Science |
| ISBN | : 9004456678 |
The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht’s role and reception in the GDR; and contemporary appropriations of Brecht’s work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht’s Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.
| Author | : Bryan Randolph Gilliam |
| Publisher | : Cambridge University Press |
| Total Pages | : 240 |
| Release | : 1994-07-21 |
| Genre | : Music |
| ISBN | : 9780521420129 |
Composers, performers, and audiences alike sought to negate their recent post in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes.
| Author | : Daniel Albright |
| Publisher | : University of Chicago Press |
| Total Pages | : 422 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780226012537 |
Modernist art often seems to give more frustration than pleasure to its audience. Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, rather than collaboration.
