German Literature Of The Mid Nineteenth Century In England And America
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Author | : Clayton Koelb |
Publisher | : Boydell & Brewer |
Total Pages | : 368 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9781571132505 |
New essays providing an overview of the major movements, genres, and authors of 19th-century German literature in social and political context. This volume provides an overview of the major movements, genres, and authors of 19th-century German literature in the period from the death of Goethe in 1832 to the publication of Freud's Interpretation of Dreams in 1899. Although the primary focus is on imaginative literature and its genres, there is also substantial discussion of related topics, including music-drama, philosophy, and the social sciences. Literature is considered in its cultural and socio-political context, and the German literary scene takes its place in a wider European perspective. Following the editors' introduction, essays consider the impact of Romanticism on subsequent literary movements, the effectsof major movements and writers of non-German-speaking Europe on the development of German literature, and the impact of politics on the changing cultural scene. The second section presents overviews of the principal movements ofthe time (Junges Deutschland, Vormärz, Biedermeier, Poetic Realism, Naturalism, Symbolism, and Impressionism), and the third section focuses on the major genres of lyric poetry, prose fiction, drama, and music-drama. The final section provides bibliographical resources in the form of a critical bibliography and a list of primary sources. Contributors to the volume are distinguished scholars of German literature, culture, and history from North America andEurope: Andrew Webber, Lilian Furst, Arne Koch, Robert Holub, Gail Finney, Ernst Grabovszki, Benjamin Bennett, Jeffrey Sammons, Thomas Pfau, Christopher Morris, John Pizer, Thomas Spencer. Clayton Koelb is Guy B. Johnson Distinguished Professor of German at the University of North Carolina-Chapel Hill, and Eric Downing is Associate Professor of German at the same institution.
Author | : Vance Byrd |
Publisher | : Bucknell University Press |
Total Pages | : 219 |
Release | : 2017-11-10 |
Genre | : Literary Criticism |
ISBN | : 1611488559 |
A Pedagogy of Observation argues that the fascination with learning about the past and new locations in panoramic form spread far from the traditional sites of popular entertainment and amusement. Although painted panoramas captivated audiences from Hamburg to Leipzig and Berlin to Vienna, relatively few people had direct access to this invention. Instead, most Germans in the early nineteenth century encountered panoramas for the first time through the written word. The panorama experience described inthis book centers on the emergence of a new type of visual language and self-fashioning in material culture adopted by Germans at the turn of the nineteenth century, one that took cues from the pedagogy of observing and interpreting space at panorama shows. By reading about what editors, newspaper correspondents, and writers referred to as “panoramas,” curious Germans learned about a new representational medium and a new way to organize and produce knowledge about the scenes on display, even if they had never seen these marvels in person. Like an audience member standing on a panorama platform at a show, reading about panoramas transported Germans to new worlds in the imagination, while maintaining a safe distance from the actual transformations being portrayed. A Pedagogy of Observation identifies how the German bourgeois intelligentsia created literature as panoramic stages both for self-representation and as a venue for critiquing modern life. These written panoramas, so to speak, helped German readers see before their eyes industrial transformations, urban development, scientific exploration, and new possibilities for social interactions. Through the immersive act of reading, Germans entered an experimental realm that fostered critical engagement with modern life before it was experienced firsthand. Surrounded on all sides by new perspectives into the world, these readers occupied the position of the characters that they read about in panoramic literature. From this vantage point, Germans apprehended changes to their immediate environment and prepared themselves for the ones still to come.
Author | : J. P. Stern |
Publisher | : Routledge |
Total Pages | : 303 |
Release | : 2020-01-30 |
Genre | : Literary Collections |
ISBN | : 1000762912 |
Originally published in 1971, this book outlines the period of Germany’s belated industrial revolution and suggests why German literature does not, before the 1880s, contribute to the tradition of European realism. It considers the alternatives to realism offered in three genres of drama, poetry and prose fiction. The book closely analyses specific texts, both in the original and in translation, with comparisons with non-German works.
Author | : Lillie Vinal Hathaway |
Publisher | : |
Total Pages | : 718 |
Release | : 1926 |
Genre | : American periodicals |
ISBN | : |
Author | : Lillie Vinal Hathaway |
Publisher | : |
Total Pages | : 362 |
Release | : 1935 |
Genre | : American periodicals |
ISBN | : |
Author | : Arthur Burkhard |
Publisher | : |
Total Pages | : 112 |
Release | : 1961 |
Genre | : Grillparzer, Franz, 1791-1872 |
ISBN | : |
Author | : Todd H. Weir |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2014-04-21 |
Genre | : History |
ISBN | : 1107041562 |
This book explores the culture, politics, and ideas of the nineteenth-century German secularist movements of Free Religion, Freethought, Ethical Culture, and Monism. In it, Todd H. Weir argues that although secularists challenged church establishment and conservative orthodoxy, they were subjected to the forces of religious competition.
Author | : Andrew Cusack |
Publisher | : Camden House |
Total Pages | : 272 |
Release | : 2008 |
Genre | : History |
ISBN | : 9781571133861 |
"Using a method based on New Historicism, but with added emphasis on literature as cultural commentary, Andrew Cusack's study traces the motif's intertextual connections, how it receives meaning from non-literary discourses, and how it transmits meaning into the social sphere by molding individual and collective self-conceptions. The study draws on a corpus of ten prose narratives that reflect the vast scope of the motif and show how its function changes. The study pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism into the latter part of the century."--BOOK JACKET.
Author | : O. Classe |
Publisher | : Taylor & Francis |
Total Pages | : 930 |
Release | : 2000 |
Genre | : Authors |
ISBN | : 9781884964367 |
Author | : Hugh Ridley |
Publisher | : Rodopi |
Total Pages | : 319 |
Release | : 2007 |
Genre | : History |
ISBN | : 9042021837 |
This book attempts for the first time a comparative literary history of Germany and the USA in the nineteenth and twentieth centuries. Its material does not come from the familiar overlaps of individual German and American writers, but from the work of the literary historians of the two countries after 1815, when American intellectuals took Germany as a model for their project to create an American national literature. The first part of the book examines fundamental structural affinities between the two literary histories and the common problems these caused, especially in questions of canon, realism, aesthetics and in the marginalization of popular and women's writing. In the second part, significant figures whose work straddle the two literatures - from Sealsfield and Melville, Whitman and Thomas Mann to Nietzsche, Emerson and Bellow - are discussed in detail, and the arguments of the first part are shown in their relevance to understanding major writers. This book is not merely comparative in scope: it shows that only international comparison can explain the course of American literary history in the nineteenth and twentieth century. As recent developments in American Studies explore the multi-cultural and 'hybrid' nature of the American tradition, this book offers evidence of the dependencies which linked American and German national literary history.