German Jewry And The Allure Of The Sephardic
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| Author | : John M. Efron |
| Publisher | : Princeton University Press |
| Total Pages | : 352 |
| Release | : 2019-05-28 |
| Genre | : History |
| ISBN | : 0691192758 |
In the eighteenth and nineteenth centuries, as German Jews struggled for legal emancipation and social acceptance, they also embarked on a program of cultural renewal, two key dimensions of which were distancing themselves from their fellow Ashkenazim in Poland and giving a special place to the Sephardim of medieval Spain. Where they saw Ashkenazic Jewry as insular and backward, a result of Christian persecution, they depicted the Sephardim as worldly, morally and intellectually superior, and beautiful, products of the tolerant Muslim environment in which they lived. In this elegantly written book, John Efron looks in depth at the special allure Sephardic aesthetics held for German Jewry. Efron examines how German Jews idealized the sound of Sephardic Hebrew and the Sephardim's physical and moral beauty, and shows how the allure of the Sephardic found expression in neo-Moorish synagogue architecture, historical novels, and romanticized depictions of Sephardic history. He argues that the shapers of German-Jewish culture imagined medieval Iberian Jewry as an exemplary Jewish community, bound by tradition yet fully at home in the dominant culture of Muslim Spain. Efron argues that the myth of Sephardic superiority was actually an expression of withering self-critique by German Jews who, by seeking to transform Ashkenazic culture and win the acceptance of German society, hoped to enter their own golden age. Stimulating and provocative, this book demonstrates how the goal of this aesthetic self-refashioning was not assimilation but rather the creation of a new form of German-Jewish identity inspired by Sephardic beauty.
| Author | : Marc David Baer |
| Publisher | : Columbia University Press |
| Total Pages | : 211 |
| Release | : 2020-04-28 |
| Genre | : History |
| ISBN | : 0231551789 |
Hugo Marcus (1880–1966) was a man of many names and many identities. Born a German Jew, he converted to Islam and took the name Hamid, becoming one of the most prominent Muslims in Germany prior to World War II. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp before escaping to Switzerland. He was a gay man who never called himself gay but fought for homosexual rights and wrote queer fiction under the pen name Hans Alienus during his decades of exile. In German, Jew, Muslim, Gay, Marc David Baer uses Marcus’s life and work to shed new light on a striking range of subjects, including German Jewish history and anti-Semitism, Islam in Europe, Muslim-Jewish relations, and the history of the gay rights struggle. Baer explores how Marcus created a unique synthesis of German, gay, and Muslim identity that positioned Johann Wolfgang von Goethe as an intellectual and spiritual model. Marcus’s life offers a new perspective on sexuality and on competing conceptions of gay identity in the multilayered world of interwar and postwar Europe. His unconventional story reveals new aspects of the interconnected histories of Jewish and Muslim individuals and communities, including Muslim responses to Nazism and Muslim experiences of the Holocaust. An intellectual biography of an exceptional yet little-known figure, German, Jew, Muslim, Gay illuminates the complexities of twentieth-century Europe’s religious, sexual, and cultural politics.
| Author | : Sebastian Musch |
| Publisher | : Springer Nature |
| Total Pages | : 295 |
| Release | : 2019-10-10 |
| Genre | : History |
| ISBN | : 3030274691 |
In Germany at the turn of the century, Buddhism transformed from an obscure topic, of interest to only a few misfit scholars, into a cultural phenomenon. Many of the foremost authors of the period were profoundly influenced by this rapid rise of Buddhism—among them, some of the best-known names in the German-Jewish canon. Sebastian Musch excavates this neglected dimension of German-Jewish identity, drawing on philosophical treatises, novels, essays, diaries, and letters to trace the history of Jewish-Buddhist encounters up to the start of the Second World War. Franz Rosenzweig, Martin Buber, Leo Baeck, Theodor Lessing, Jakob Wassermann, Walter Hasenclever, and Lion Feuchtwanger are featured alongside other, lesser known figures like Paul Cohen-Portheim and Walter Tausk. As Musch shows, when these thinkers wrote about Buddhism, they were also negotiating their own Jewishness.
| Author | : Sina Rauschenbach |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 276 |
| Release | : 2020-11-09 |
| Genre | : History |
| ISBN | : 3110695413 |
Sephardic and Ashkenazic Judaism have long been studied separately. Yet, scholars are becoming ever more aware of the need to merge them into a single field of Jewish Studies. This volume opens new perspectives and bridges traditional gaps. The authors are not simply contributing to their respective fields of Sephardic or Ashkenazic Studies. Rather, they all include both Sephardic and Ashkenazic perspectives as they reflect on different aspects of encounters and reconsider traditional narratives. Subjects range from medieval and early modern Sephardic and Ashkenazic constructions of identities, influences, and entanglements in the fields of religious art, halakhah, kabbalah, messianism, and charity to modern Ashkenazic Sephardism and Sephardic admiration for Ashkenazic culture. For reasons of coherency, the contributions all focus on European contexts between the fourteenth and the nineteenth centuries.
| Author | : Angela Kuttner Botelho |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 144 |
| Release | : 2021-08-23 |
| Genre | : History |
| ISBN | : 3110731967 |
This book explores the fraught aftermath of the German Jewish conversionary experience through the story of one family as it grapples with the meaning of its Jewish origins in a post-Holocaust, post-conversionary milieu. Utilizing archival family texts and multiple interviews spanning three generations, beginning with the author’s German Jewish parents, 1940s refugees, and engaging the insights of contemporary scholars, the book traces the impact of a contested Jewish identity on the deconstruction and reconstruction of the Jewish self. The Holocaust as post-memory and the impact of the German Jewish culture personified by the author’s parents leads to a retrieval of a lost Jewish identity, postmodern in its implications, reinforcing the concept of Judaism as ultimately a family affair. Focusing on the personal to illuminate a complex historical phenomenon, this book proposes a new cultural history that challenges conventional boundaries of what is Jewish and what is not.
| Author | : Marc David Baer |
| Publisher | : Indiana University Press |
| Total Pages | : 360 |
| Release | : 2020-03-10 |
| Genre | : History |
| ISBN | : 0253045428 |
An examination of why Jews promote a positive image of Ottomans and Turks while denying the Armenian genocide and the existence of antisemitism in Turkey. Based on historical narrative, the Jews expelled from Spain in 1492 were embraced by the Ottoman Empire and then, later, protected from the Nazis during WWII. If we believe that Turks and Jews have lived in harmony for so long, then how can we believe that the Turks could have committed genocide against the Armenians? Marc David Baer confronts these convictions and circumstances to reflect on what moral responsibility the descendants of the victims of one genocide have to the descendants of victims of another. Baer delves into the history of Muslim-Jewish relations in the Ottoman Empire and Turkey to find the origin of these myths. He aims to foster reconciliation between Jews, Muslims, and Christians, not only to face inconvenient historical facts but to confront, accept, and deal with them. By looking at the complexities of interreligious relations, Holocaust denial, genocide and ethnic cleansing, and confronting some long-standing historical stereotypes, Baer aims to tell a new history that goes against Turkish antisemitism and admits to the Armenian genocide. “[Baer] demonstrates not only his erudition and knowledge of the sources but his courage on confronting a major myth of Ottoman history and current Turkish politics: the tolerance and defense of Jews by the Ottoman and Turkish state.” —Ronald Grigor Suny, editor of A Question of Genocide “A very significant study regarding the origins of violence and its denial in Turkey through the empirical study of not only antisemitism, but also its connection to genocide denial.” —Fatma Müge Göçek, author of The Transformation of Turkey
| Author | : Lynne M. Swarts |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 401 |
| Release | : 2020-01-23 |
| Genre | : Art |
| ISBN | : 1501336150 |
Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.
| Author | : David J. Wertheim |
| Publisher | : Springer |
| Total Pages | : 304 |
| Release | : 2017-01-20 |
| Genre | : Social Science |
| ISBN | : 331942601X |
This book traces the historical phenomenon of “the Jew as Legitimation.” Contributors discuss how Jews have been used, through time, to validate non-Jewish beliefs. The volume dissects the dilemmas and challenges this pattern has presented to Jews. Throughout history, Jews and Judaism have served to legitimize the beliefs of Gentiles. Jews functioned as Augustine’s witnesses to the truth of Christianity, as Christian Kabbalist’s source for Protestant truths, as an argument for the enlightened claim for tolerance, as the focus of modern Christian Zionist reverence, and as a weapon of contemporary right wing populism against fears of Islamization. This volume challenges understandings of Jewish-Gentile relations, offering a counter-perspective to discourses of antisemitism and philosemitism.
| Author | : Efraim Sicher |
| Publisher | : BRILL |
| Total Pages | : 250 |
| Release | : 2021-08-30 |
| Genre | : Religion |
| ISBN | : 9004462252 |
This innovative study combines readings of contemporary literature, art, and performance to explore the diverse and complex directions of contemporary Jewish culture in Israel and the diaspora.
| Author | : Jane S. Gerber |
| Publisher | : Liverpool University Press |
| Total Pages | : 333 |
| Release | : 2020-05-20 |
| Genre | : Social Science |
| ISBN | : 1789624258 |
Sephardi identity has meant different things at different times, but has always entailed a connection with Spain, from which the Jews were expelled in 1492. While Sephardi Jews have lived in numerous cities and towns throughout history, certain cities had a greater impact in the shaping of their culture. This book focuses on those that may be considered most important, from Cordoba in the tenth century to Toledo, Venice, Safed, Istanbul, Salonica, and Amsterdam at the dawn of the seventeenth century. Each served as a venue in which a particular dimension of Sephardi Jewry either took shape or was expressed in especially intense form. Significantly, these cities were mostly heterogeneous in their population and culture—half of them under Christian rule and half under Muslim rule—and this too shaped the Sephardi world-view and attitude. While Sephardim cultivated a distinctive identity, they felt at home in the cultures of their adopted lands. Drawing upon a variety of both primary and secondary sources, Jane Gerber demonstrates that Sephardi history and culture have always been multifaceted. Her interdisciplinary approach captures the many contexts in which the life of the Jews from Iberia unfolded, without either romanticizing the past or diluting its reality.
