German Images of the Self and the Other

German Images of the Self and the Other
Author: F. Rash
Publisher: Springer
Total Pages: 235
Release: 2012-10-17
Genre: Language Arts & Disciplines
ISBN: 1137030216

This book provides a detailed linguistic analysis of the nationalist discourses of the German Second Reich, which most effectively demonstrate the contrasting images of the German Self and its various Others, such as Jews, native Africans, gypsies and the enemy Other during the First World War.

The World Within

The World Within
Author: Andrea Bandhauer
Publisher:
Total Pages: 416
Release: 2018
Genre: Culture and globalization
ISBN: 9781925801354

What is the ¿self¿ and the ¿foreign¿ in the age of globalisation? How should a culture or a nation define itself and how would individuals deal with questions of identity in a world in which the belonging to a culture or to a nation no longer provides relatively stable categories for the formation and articulation of identity? This book provides in-depth analysis of literary and biographical texts, film and performance practices in the German-speaking countries from the 17th century to the present and offers a study of the links and demarcations between language, culture and identity.

Transgression as a Rule

Transgression as a Rule
Author: Ulrich Best
Publisher: LIT Verlag Münster
Total Pages: 289
Release: 2007
Genre: Germany
ISBN: 3825806545

Whereas currently, German-Polish relations are marked by irritations, the previous phase of politics and discourse from 1990 leading up to the EU-accession of Poland was marked by an increasing stress on Europe in both countries. This was connected with changing practices of cross-border cooperation as well as a change in academic border studies. Transgression as a Rule argues that resulting from this, cross-border cooperation has become a rule. The actors negotiate new, contradictory spaces for their actions: supported by the state but partly uncomfortable with it, drawing on the powerful discourse of cooperation and trying to escape from it. Their practices can also inform the practices of border studies.

Mutual Perceptions and Images in Japanese-German Relations, 1860-2010

Mutual Perceptions and Images in Japanese-German Relations, 1860-2010
Author:
Publisher: BRILL
Total Pages: 463
Release: 2017-06-06
Genre: Political Science
ISBN: 9004345426

Mutual Perceptions and Images in Japanese-German Relations, 1860–2010 examines the mutual images formed between Japan and Germany from the mid-nineteenth to twenty-first centuries, and the influence of these images on the development of bilateral relations. Unlike earlier research on Japanese-German relations, which focused on the similarity of these countries’ historical trajectories, this publication presents a more nuanced picture. It relativizes perceptions of a special “spiritual relationship” between Japan and Germany as well as their commonalities of “national character” through an exploration of previously untapped historical visual and textual sources. With essays by sixteen leading scholars in the field, this collection is an invaluable contribution to the historiography of modern Japan and Germany, and to the field of international relations. Contributors are: Hans-Joachim Bieber, Fukuoka Mariko, Hakoishi Hiroshi, Iwasa Takurō, Katō Yōko, Kawakita Atsuko, Gerhard Krebs, Kudō Akira, Heinrich Menkhaus, Danny Orbach, Peter Pantzer, Sven Saaler, Satō Takumi, Volker Stanzel, Suzuki Naoko, Tajima Nobuo, Tano Daisuke, and Rolf-Harald Wippich.

The Moment of Self-Portraiture in German Renaissance Art

The Moment of Self-Portraiture in German Renaissance Art
Author: Joseph Leo Koerner
Publisher: University of Chicago Press
Total Pages: 574
Release: 1993
Genre: Art
ISBN: 9780226449999

So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.

The Discourse Strategies of Imperialist Writing

The Discourse Strategies of Imperialist Writing
Author: Felicity Rash
Publisher: Routledge
Total Pages: 335
Release: 2016-11-03
Genre: Language Arts & Disciplines
ISBN: 1317600967

In this monograph, Felicity Rash examines German colonialist texts through the lens of linguistics, using multiple analytic approaches in order to contribute to the study of ideological discourse. Focusing on texts from Germany’s colonial period during the Second Reich, the book describes the discourse strategies employed in a wide variety of colonialist discourses, from propagandistic and journalistic writing to autobiographical and fictional accounts of life in Germany's African colonies. The methodologies Rash employs include the Discourse Historical Approach and Cognitive Metaphor Theory, and the book aims to develop a new model for the analysis of expansionist nationalist writing. Little detailed analysis exists of the types of texts taken as primary sources, and Rash provides English translations of German quotations, in addition to drawing upon her research in former German colonies in Africa. Rash’s research will be of interest to linguists, historians, Germanists, and social and political scientists, and lays the groundwork for future interdisciplinary analyses of German colonialism.

The Self as Muse

The Self as Muse
Author: Alexander Mathas
Publisher: Bucknell University Press
Total Pages: 233
Release: 2011-04-22
Genre: Literary Criticism
ISBN: 1611480337

While there are countless philosophical and psychological studies that focus on sources of the self, narcissism has found relatively little attention in a pre-Freudian context. The Self as Muse fills this gap by examining various aspects of narcissism and their significance for the outpouring of creativity in late eighteenth and nineteenth-century German literature. In many Eighteenth-century works of the period narcissism refers to the creation of an idealized image of the self and the desire to merge with this image. It provided an impetus for poetic production as writers resorted to the Greek myth of Narcissus to express what they perceived as the inner workings of their soul. Yet they were also acutely aware of the vain, and therefore narcissistic, motivations for their explorations of the self. While those influenced by the Pietist tradition attempted to distinguish between an 'unselfish' self-scrutiny and self-indulging vanity, others like Goethe took advantage of narcissism's creative potential and integrated it into their aesthetic endeavors. The abundance of confessional and autobiographical accounts, the burgeoning of poetry drawing on personal experience, the emergence of a type of drama that is based on empathy, and the concern with an individual's ability to control one's senses and emotions in general testify to an unprecedented interest in notions of the self in German literature. MathSs explains the emergence of narcissism in the literature of the period as a sense-inspired concept that aims to bring about a better comprehension of both the self and other human beings, and how writers used narcissism to improve the moral behavior of their readers. It examines eighteenth-century representations of narcissism against the background of Freudian and post-Freudian notions of the concept, and explores narcissism as a creative process that engages both reader and writer in the production of meaning. By showing narcissism's pervasive allure for a broad array of literary productions, MathSs shows that narcissism is a constitutive force not only in literary production but also in the construction of modern subjectivity. Yet this construction is by no means complete and invites the reader to strive toward the illusive image of an ideal.

German Images of the Self and the Other

German Images of the Self and the Other
Author: F. Rash
Publisher: Palgrave Macmillan
Total Pages: 222
Release: 2012-10-17
Genre: Language Arts & Disciplines
ISBN: 9780230282650

This book provides a detailed linguistic analysis of the nationalist discourses of the German Second Reich, which most effectively demonstrate the contrasting images of the German Self and its various Others, such as Jews, native Africans, gypsies and the enemy Other during the First World War.

The Rise and Fall of the German Democratic Republic

The Rise and Fall of the German Democratic Republic
Author: Feiwel Kupferberg
Publisher: Transaction Publishers
Total Pages: 248
Release:
Genre: History
ISBN: 9781412838757

Most public debate on reunited Germany has emphasized economic issues such as the collapse of East German industry, mass unemployment, career difficulties, and differences in wages and living standards. The overwhelming difficulty resulting from reunification, however, is not persisting economic differences but the internal cultural divide between East and West Germans, one based upon different moral values in the two Germanies. The invisible wall that has replaced the previous, highly visible territorial division of the German nation is rooted in issues of the past-the Nazi past as well as the German Democratic Republic past. In emphasizing economic differences, the media and academics have avoided dealing with typically German cultural traits. These include the psychological posture of West Germany, which emphasized not differences between East and West but the break with Germany's Nazi past. The adversarial posture of certain professional groups in East Germany towards the liberal and democratic values of West Germany have also been an obstacle. Reviewing the problems accompanying reunification, chapter 1 explores German culture and history and the moral lessons evolved from the Nazi past. Chapter 2 focuses on the East-West mindset and how differences in attitude affect efforts to adapt to reunification. Chapter 3 discusses the simulated break with Nazi Germany in the German Democratic Republic. Chapters 4, 5, and 6 analyze the roots of the adversary posture of the professional groups in East Germany towards the values of the Berlin Republic. Chapter 7 demonstrates the strong presence of inherited, typically German cultural traits among East Germans, such as a lack of individualism, suspicion of strangers, and obedience to authority. Chapter 8 documents the extent to which a right-wing extremist culture has remained latent in Eastern Germany. Chapter 9 documents the extent to which moral reasoning in the GDR relieves the individual of any kind of responsibility for the actions of the state, reproducing the way ordinary Germans rationalized their participation in the Nazi regime immediately after World War II. Chapter 10 concludes with an overview of the historical and sociological factors revolving around the discussion of Nazi Germany, the GDR and inner unification. This volume will be important for historians, political scientists, anthropologists, sociologists, and a general public interested in Germany's reunification.

The Ethics of Seeing

The Ethics of Seeing
Author: Jennifer Evans
Publisher: Berghahn Books
Total Pages: 306
Release: 2018-01-09
Genre: History
ISBN: 1785337297

Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.