German Film Volume 2 1910 1919
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Author | : Deutsche Kinemathek – Museum für Film und Fernsehen |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 228 |
Release | : 2024-10-23 |
Genre | : Performing Arts |
ISBN | : 3775759662 |
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
Author | : |
Publisher | : BRILL |
Total Pages | : 384 |
Release | : 2015-06-29 |
Genre | : Social Science |
ISBN | : 9401205019 |
The essays collected in this book focus on the multi-faceted relationship between German/Austrian literature and the cinema screen. Scholars from Ireland, Great Britain, Germany, Switzerland, Luxembourg, Portugal, USA and Canada present critical readings of a wide range of transpositions of German-language texts to film, while also considering the impact of cinema on German literature, exploring intertextualities as well as intermedialities. The forum of discussion thus created encompasses cinematic narratives based on Goethe’s Faust, Kleist’s Marquise of O..., Kubrick’s film version of Schnitzler’s Dream Story and Caroline Link’s Oscar-winning adaptation of Stefanie Zweig’s novel Nowhere in Africa. The wide-ranging analyses of the complex interaction between literature and film presented here focus on literary works by Anna Seghers, Hans-Magnus Enzensberger, Nicola Rhon, Günter Grass, Heinrich Böll, Elfriede Jelinek, Rolf Dieter Brinkmann, Erich Hackl, Thomas Brussig, Sven Regener, Frank Goosen and Robert Schneider, as well as on adaptations by filmmakers such as Friedrich Wilhelm Murnau, Max Mack, Josef von Sternberg, Max W. Kimmich, Fred Zinnemann, Paul Wegener, Alexander Kluge, Volker Schlöndorff, Hansjürgen Pohland, Hendrik Handloegten, Michael Haneke, Christoph Stark, Karin Brandauer, Joseph Vilsmaier, Leander Haußmann and Doris Dörrie.
Author | : Deutsche Kinemathek – Museum für Film und Fernsehen |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 962 |
Release | : 2024-10-23 |
Genre | : Performing Arts |
ISBN | : 3775758399 |
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
Author | : Great Britain. Public Record Office |
Publisher | : |
Total Pages | : 476 |
Release | : 1904 |
Genre | : Great Britain |
ISBN | : |
Author | : Deutsche Kinemathek – Museum für Film und Fernsehen |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 120 |
Release | : 2024-10-23 |
Genre | : Performing Arts |
ISBN | : 3775759654 |
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
Author | : Malte Hagener |
Publisher | : Berghahn Books |
Total Pages | : 392 |
Release | : 2014-09-01 |
Genre | : Performing Arts |
ISBN | : 1782384243 |
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.
Author | : |
Publisher | : Association of Research Libr |
Total Pages | : 416 |
Release | : 1968 |
Genre | : Acquisition of foreign publications |
ISBN | : |
Author | : United States. National Advisory Committee for Aeronautics |
Publisher | : |
Total Pages | : 1302 |
Release | : 1923 |
Genre | : Aeronautics |
ISBN | : |
Author | : Jennifer Creech |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2022-05-05 |
Genre | : Art |
ISBN | : 1350194069 |
How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate “the body” through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant--and potentially disruptive--diversification and transformation.
Author | : |
Publisher | : Rhinegold Publishing Ltd |
Total Pages | : 44 |
Release | : |
Genre | : |
ISBN | : 1904226671 |