George M. Cohan

George M. Cohan
Author: John McCabe
Publisher:
Total Pages: 344
Release: 1973
Genre: Biography & Autobiography
ISBN:

Traces Cohan's multifaceted career in the theater and discusses his family and friends as well as contributions to Broadway.

George M!

George M!
Author:
Publisher:
Total Pages: 166
Release: 1970
Genre: Musical films
ISBN:

National Theatre, Louis A. Lotito, managing director, James and Joseph Nederlander, George M. Steinbrenner, III and Elizabeth Ireland McCann present Darryl Hickman in "George M!" music and lyrics by George M. Cohan, book by Michael Stewart and John and Fran Pascal, lyric and musical revisions by Mary Cohan, musical supervision by Laurence Rosenthal, with Linda Larson, Pamela Peadon, Edie Cowan, Barbara Broughton, Jane Coleman, Frank De Sal, Tommy Breslin, John Beecher, Roger Braun and Ted Prichard, scenery by Tom John, costumes by Freddy Wittop, lighting by Martin Aronstein, musical direction by Charles Schneider, vocal arrangements by Jay Blackton, orchestrations by Philip J. Lang, production supervisor Joe Calvan, original produced on Broadway by David Black, Konrad Matthaei, and Lorin E. Price. entire production directed and choreographed by Joe Layton.

George M. Cohan Tonight!

George M. Cohan Tonight!
Author: Chip Deffaa
Publisher:
Total Pages: 54
Release: 2015-02-03
Genre:
ISBN: 9780692315071

Meet "The Yankee Doodle Boy" himself in this upbeat one-man journey through the life, music and artistry of this legendary entertainer. "George M. Cohan Tonight " is a dazzling showcase that reveals the essence of the man, his music, and the fabulous era of show business he came from. With roots in vaudeville that would shape his life and career, Cohan means it when he says "Give My Regards To Broadway," having left an indelible mark on American theater. Featuring hit songs such as "Over There," "Forty-Five Minutes From Broadway," "You're A Grand Old Flag," and "All Aboard For Broadway," this high-energy show is insightful and entertaining-a delightful salute to the man who almost single-handedly invented the American musical comedy. "Brash, energetic, and endlessly euphoric " -The New York Times

I'd Rather Be Right

I'd Rather Be Right
Author: George S. Kaufman
Publisher:
Total Pages: 144
Release: 2013-10
Genre:
ISBN: 9781494020866

This is a new release of the original 1937 edition.

Mccabe G M Cohan

Mccabe G M Cohan
Author: John McCabe
Publisher: Da Capo Press, Incorporated
Total Pages: 344
Release: 1980-03-21
Genre: Biography & Autobiography
ISBN:

Biography of the Broadway actor, composer, and producer who wrote the songs "Harrigan", "Yankee Doodle Boy", and "Over there."

The Tavern

The Tavern
Author: George Michael Cohan
Publisher: Samuel French, Inc.
Total Pages: 100
Release: 1947
Genre: Drama
ISBN: 9780573616358

Mystery Comedy George M. Cohan Characters: 10 male, 4 female Interior Set One of the most famous of Cohan's plays happens in a lonely tavern on a wild stormy night where a mysterious vagabond, a woman and the State Governor and his family who have been held up a short distance away gather. Several persons are suspected of the crime and the mysterious vagabond takes infinite delight in observing developments as they take place about him. When suspense reaches an al

Singular Sensation

Singular Sensation
Author: Michael Riedel
Publisher: Avid Reader Press / Simon & Schuster
Total Pages: 352
Release: 2020-11-10
Genre: Biography & Autobiography
ISBN: 1501166638

The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers—shows that changed the history of the American theater. The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.

Composers in the Movies

Composers in the Movies
Author: John C. Tibbetts
Publisher: Yale University Press
Total Pages: 381
Release: 2008-10-01
Genre: Music
ISBN: 0300128037

Amadeus . . . Yankee Doodle Dandy . . . Swanee River . . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies—or biopics—have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.