George Herbert in the Nineties
Author | : Jonathan F. S. Post |
Publisher | : Sacred Heart University Press |
Total Pages | : 240 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Jonathan F. S. Post |
Publisher | : Sacred Heart University Press |
Total Pages | : 240 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Christopher Hodgkins |
Publisher | : University of Delaware Press |
Total Pages | : 313 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 0874130220 |
As poet and as country parson, George Herbert engaged the pastoral in all of its varied senses. In October of 2007, many of the world's leading Herbert scholars met at Sarum College in Salisbury, England to locate Herbert's pastoral life and writings more particularly in early Stuart Wiltshire. They explored the relations between the pastoral locale of Herbert's last years (1630-1633) in nearby Bemerton and the themes, images, and tenor of his writing. How did the specific country place, time, and people shape the life and work of this especially lyrical country priest? The fourteen essays in this collection address Herbert's pastoral poetry and practice, cast new light on his actual relations with specific local personalities and places, make fresh connections to the inward biblical and liturgical spaces of his work, consider his outward links to garden and pasture, and discover fictional and theological reverberations beyond Herbert's local, pastoral world. Christopher Hodgkins is Professor of English at the University of North Carolina-Greensboro.
Author | : Greg Miller |
Publisher | : Manchester University Press |
Total Pages | : 309 |
Release | : 2022-08-09 |
Genre | : Literary Criticism |
ISBN | : 1526164078 |
George Herbert (1593-1633), the celebrated devotional poet, and his brother Lord Herbert of Cherbury (1583-1648), often described as the father of English deism, are rarely considered together. This collection explores connections between the full range of the brothers’ writings and activities, despite the apparent differences both in what they wrote and in how they lived their lives. More specifically, the volume demonstrates that despite these differences, each conceived of their extended republic of letters as militating against a violent and exclusive catholicity; theirs was a communion in which contention (or disputation) served to develop more dynamic forms of comprehensiveness. The literary, philosophical and musical production of the Herbert brothers appears here in its full European context, connected as they were with the Sidney clan and its investment in international Protestantism. The disciplinary boundaries between poetry, philosophy, politics and theology in modern universities are a stark contrast to the deep interconnectedness of these pursuits in the seventeenth century. Crossing disciplinary and territorial borders, contributors discuss a variety of texts and media, including poetry, musical practices, autobiography, letters, council literature, orations, philosophy, history and nascent religious anthropology, all serving as agents of the circulation and construction of transregionally inspired and collective responses to human conflict and violence. We see as never before the profound connections, face-to-face as well as textual, linking early modern British literary culture with the continent.
Author | : Achsah Guibbory |
Publisher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 2006-11-23 |
Genre | : Literary Criticism |
ISBN | : 9780521032445 |
This book examines the relationship between literature and religious conflict in seventeenth-century England, showing how literary texts grew out of and addressed the contemporary controversy over ceremonial worship. Examining the meaning and function of religion in seventeenth-century England, Achsah Guibbory shows that the conflicts over religious ceremony that were central to the English Revolution had broad cultural significance. She offers new and original readings of Herbert, Herrick, Browne and Milton in this context.
Author | : Jonathan F. S. Post |
Publisher | : Psychology Press |
Total Pages | : 346 |
Release | : 2002 |
Genre | : Electronic books |
ISBN | : 9780415208581 |
A comprehensive reassessment of lyric poetry of the early 17th century directed at beginning and more advanced students of literature. It seeks to assimilate many of the theoretical concerns with readings of the authors of the period.
Author | : Matthew McKeever |
Publisher | : McFarland |
Total Pages | : 205 |
Release | : 2021-09-23 |
Genre | : Social Science |
ISBN | : 147664392X |
What is it actually like to live today? It's an era where world politics play out on Twitter, and where the gig economy has made the nine-to-five job an object of aspiration rather than dread. Rates of mental illness are soaring, inequality predominates everything and much of life is contained in our phones. The core idea of this book is that we can only understand what life is like now by comparing it to previous times to see what has changed, what is genuinely new, and what is a continuation of existing trends. Providing original analyses of a range of seminal works of 90s pop culture, this book extracts a core set of concepts--such as irony, branding, and media--that defined the 90s. It demonstrates how these concepts are expressed in both those works and in the art of today. Presenting close history in a new light, this book helps us understand today by framing it in terms of yesterday.
Author | : D. Furr |
Publisher | : Springer |
Total Pages | : 325 |
Release | : 2010-07-19 |
Genre | : Literary Criticism |
ISBN | : 0230109918 |
Through an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U.S., from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton.
Author | : Cristina Malcomson |
Publisher | : Routledge |
Total Pages | : 304 |
Release | : 2016-07-01 |
Genre | : History |
ISBN | : 1317899997 |
This book, the first single volume to collate essays about sixteenth and seventeenth century poetry, explores the remarkable changes that have occurred in the interpretation of English Renaissance poetry in the last twenty years. In the introduction Cristina Malcolmson argues that recent critical approaches have transformed traditional accounts of literary history by analysing the role of poetry in nationalism, the changing associations of poetry and class-status, and the rediscovered writings of women. The collection represents many of the critical methodologies which have contributed to these changes: new historicism, cultural materialism, feminism, and an historically informed psychoanalytic criticism. In particular, three diverse readings of Spenser's 'Bower of Bliss' canto illustrate the different approaches of formalist close-reading, new historicist analysis of cultural imperialism and feminist interpretations of the relation of gender and power. The further reading section categorizes recent work according to issues and critical approaches.
Author | : Jane Hedley |
Publisher | : University of Delaware Press |
Total Pages | : 317 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 0874130468 |
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.